The Song of the Lark, Willa Cather [rosie project .txt] 📗

the dining-table. Mrs. Kronborg said she thought she felt hungry, too, and asked Thea if she didn’t want something to eat.

“No, I’m not hungry, mother. I guess I’ll go upstairs.”

“I expect you’ve got some book up there,” said Mrs. Kronborg, bringing out another pie. “You’d better bring it down here and read. Nobody’ll disturb you, and it’s terrible cold up in that loft.”

Thea was always assured that no one would disturb her if she read downstairs, but the boys talked when they came in, and her father fairly delivered discourses after he had been renewed by half a pie and a pitcher of milk.

“I don’t mind the cold. I’ll take a hot brick up for my feet. I put one in the stove before I left, if one of the boys hasn’t stolen it. Good night, mother.” Thea got her brick and lantern, and dashed upstairs through the windy loft. She undressed at top speed and got into bed with her brick. She put a pair of white knitted gloves on her hands, and pinned over her head a piece of soft flannel that had been one of Thor’s long petticoats when he was a baby. Thus equipped, she was ready for business. She took from her table a thick paper-backed volume, one of the “line” of paper novels the druggist kept to sell to traveling men. She had bought it, only yesterday, because the first sentence interested her very much, and because she saw, as she glanced over the pages, the magical names of two Russian cities. The book was a poor translation of Anna Karenina. Thea opened it at a mark, and fixed her eyes intently upon the small print. The hymns, the sick girl, the resigned black figures were forgotten. It was the night of the ball in Moscow.

Thea would have been astonished if she could have known how, years afterward, when she had need of them, those old faces were to come back to her, long after they were hidden away under the earth; that they would seem to her then as full of meaning, as mysteriously marked by Destiny, as the people who danced the mazurka under the elegant Korsunsky.

XVIII

Mr. Kronborg was too fond of his ease and too sensible to worry his children much about religion. He was more sincere than many preachers, but when he spoke to his family about matters of conduct it was usually with a regard for keeping up appearances. The church and church work were discussed in the family like the routine of any other business. Sunday was the hard day of the week with them, just as Saturday was the busy day with the merchants on Main Street. Revivals were seasons of extra work and pressure, just as threshing-time was on the farms. Visiting elders had to be lodged and cooked for, the folding-bed in the parlor was let down, and Mrs. Kronborg had to work in the kitchen all day long and attend the night meetings.

During one of these revivals Thea’s sister Anna professed religion with, as Mrs. Kronborg said, “a good deal of fluster.” While Anna was going up to the mourners’ bench nightly and asking for the prayers of the congregation, she disseminated general gloom throughout the household, and after she joined the church she took on an air of “set-apartness” that was extremely trying to her brothers and her sister, though they realized that Anna’s sanctimoniousness was perhaps a good thing for their father. A preacher ought to have one child who did more than merely acquiesce in religious observances, and Thea and the boys were glad enough that it was Anna and not one of themselves who assumed this obligation.

“Anna, she’s American,” Mrs. Kronborg used to say. The Scandinavian mould of countenance, more or less marked in each of the other children, was scarcely discernible in her, and she looked enough like other Moonstone girls to be thought pretty. Anna’s nature was conventional, like her face. Her position as the minister’s eldest daughter was important to her, and she tried to live up to it. She read sentimental religious storybooks and emulated the spiritual struggles and magnanimous behavior of their persecuted heroines. Everything had to be interpreted for Anna. Her opinions about the smallest and most commonplace things were gleaned from the Denver papers, the church weeklies, from sermons and Sunday-School addresses. Scarcely anything was attractive to her in its natural state⁠—indeed, scarcely anything was decent until it was clothed by the opinion of some authority. Her ideas about habit, character, duty, love, marriage, were grouped under heads, like a book of popular quotations, and were totally unrelated to the emergencies of human living. She discussed all these subjects with other Methodist girls of her age. They would spend hours, for instance, in deciding what they would or would not tolerate in a suitor or a husband, and the frailties of masculine nature were too often a subject of discussion among them. In her behavior Anna was a harmless girl, mild except where her prejudices were concerned, neat and industrious, with no graver fault than priggishness; but her mind had really shocking habits of classification. The wickedness of Denver and of Chicago, and even of Moonstone, occupied her thoughts too much. She had none of the delicacy that goes with a nature of warm impulses, but the kind of fishy curiosity which justifies itself by an expression of horror.

Thea, and all Thea’s ways and friends, seemed indecorous to Anna. She not only felt a grave social discrimination against the Mexicans; she could not forget that Spanish Johnny was a drunkard and that “nobody knew what he did when he ran away from home.” Thea pretended, of course, that she liked the Mexicans because they were fond of music; but everyone knew that music was nothing very real, and that it did not matter in a girl’s relations with people. What was real, then, and what did matter? Poor Anna!

Anna approved of Ray Kennedy as