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lie before her. The burden of supporting her and Willie would be a very slight one if she went to live in her mother’s house. He considered the whole matter night after night, until perchance it happened that sleep had pity upon him for an hour before the time of rising.

Autumn was passing into winter. Dark days, which were always an oppression to his mind, began to be frequent, and would soon succeed each other remorselessly. Well, if only each of them represented four written slips.

Milvain’s advice to him had of course proved useless. The sensational title suggested nothing, or only ragged shapes of incomplete humanity that fluttered mockingly when he strove to fix them. But he had decided upon a story of the kind natural to him; a “thin” story, and one which it would be difficult to spin into three volumes. His own, at all events. The title was always a matter for head-racking when the book was finished; he had never yet chosen it before beginning.

For a week he got on at the desired rate; then came once more the crisis he had anticipated.

A familiar symptom of the malady which falls upon outwearied imagination. There were floating in his mind five or six possible subjects for a book, all dating back to the time when he first began novel-writing, when ideas came freshly to him. If he grasped desperately at one of these, and did his best to develop it, for a day or two he could almost content himself; characters, situations, lines of motive, were laboriously schemed, and he felt ready to begin writing. But scarcely had he done a chapter or two when all the structure fell into flatness. He had made a mistake. Not this story, but that other one, was what he should have taken. The other one in question, left out of mind for a time, had come back with a face of new possibility; it invited him, tempted him to throw aside what he had already written. Good; now he was in more hopeful train. But a few days, and the experience repeated itself. No, not this story, but that third one, of which he had not thought for a long time. How could he have rejected so hopeful a subject?

For months he had been living in this way; endless circling, perpetual beginning, followed by frustration. A sign of exhaustion, it of course made exhaustion more complete. At times he was on the borderland of imbecility; his mind looked into a cloudy chaos, a shapeless whirl of nothings. He talked aloud to himself, not knowing that he did so. Little phrases which indicated dolorously the subject of his preoccupation often escaped him in the street: “What could I make of that, now?” “Well, suppose I made him⁠—?” “But no, that wouldn’t do,” and so on. It had happened that he caught the eye of someone passing fixed in surprise upon him; so young a man to be talking to himself in evident distress!

The expected crisis came, even now that he was savagely determined to go on at any cost, to write, let the result be what it would. His will prevailed. A day or two of anguish such as there is no describing to the inexperienced, and again he was dismissing slip after slip, a sigh of thankfulness at the completion of each one. It was a fraction of the whole, a fraction, a fraction.

The ordering of his day was thus. At nine, after breakfast, he sat down to his desk, and worked till one. Then came dinner, followed by a walk. As a rule he could not allow Amy to walk with him, for he had to think over the remainder of the day’s toil, and companionship would have been fatal. At about half-past three he again seated himself; and wrote until half-past six, when he had a meal. Then once more to work from half-past seven to ten. Numberless were the experiments he had tried for the day’s division. The slightest interruption of the order for the time being put him out of gear; Amy durst not open his door to ask however necessary a question.

Sometimes the three hours’ labour of a morning resulted in half-a-dozen lines, corrected into illegibility. His brain would not work; he could not recall the simplest synonyms; intolerable faults of composition drove him mad. He would write a sentence beginning thus: “She took a book with a look of⁠—;” or thus: “A revision of this decision would have made him an object of derision.” Or, if the period were otherwise inoffensive, it ran in a rhythmic gallop which was torment to the ear. All this, in spite of the fact that his former books had been noticeably good in style. He had an appreciation of shapely prose which made him scorn himself for the kind of stuff he was now turning out. “I can’t help it; it must go; the time is passing.”

Things were better, as a rule, in the evening. Occasionally he wrote a page with fluency which recalled his fortunate years; and then his heart gladdened, his hand trembled with joy.

Description of locality, deliberate analysis of character or motive, demanded far too great an effort for his present condition. He kept as much as possible to dialogue; the space is filled so much more quickly, and at a pinch one can make people talk about the paltriest incidents of life.

There came an evening when he opened the door and called to Amy.

“What is it?” she answered from the bedroom. “I’m busy with Willie.”

“Come as soon as you are free.”

In ten minutes she appeared. There was apprehension on her face; she feared he was going to lament his inability to work. Instead of that, he told her joyfully that the first volume was finished.

“Thank goodness!” she exclaimed. “Are you going to do any more tonight?”

“I think not⁠—if you will come and sit with me.”

“Willie doesn’t seem very well. He can’t get to sleep.”

“You

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