The Moon Pool, A. Merritt [books to read to get smarter txt] 📗

on,’ said I, ‘but you’re a long way from Ireland,’ I said, or thought I did.

“ ‘Ye’ve a lot o’ friends there,’ he answered. ‘An’ where the heart rests the feet are swift to follow. Not that I’m sayin’ I’d like to live here, Larry,’ said he.

“ ‘I know where my heart is now,’ I told him. ‘It rests on a girl with golden eyes and the hair and swan-white breast of Eilidh the Fair⁠—but me feet don’t seem to get me to her,’ I said.”

The brogue thickened.

“An’ the little man in green nodded his head an’ whirled his shillalah.

“ ‘It’s what I came to tell ye,’ says he. ‘Don’t ye fall for the Bhean-Nimher, the serpent woman wit’ the blue eyes; she’s a daughter of Ivor, lad⁠—an’ don’t ye do nothin’ to make the brown-haired coleen ashamed o’ ye, Larry O’Keefe. I knew yer great, great grandfather an’ his before him, aroon,’ says he, ‘an’ wan o’ the O’Keefe failin’s is to think their hearts big enough to hold all the wimmen o’ the world. A heart’s built to hold only wan permanently, Larry,’ he says, ‘an’ I’m warnin’ ye a nice girl don’t like to move into a place all cluttered up wid another’s washin’ an’ mendin’ an’ cookin’ an’ other things pertainin’ to general wife work. Not that I think the blue-eyed wan is keen for mendin’ an’ cookin’!’ says he.

“ ‘You don’t have to be comin’ all this way to tell me that,’ I answer.

“ ‘Well, I’m just a tellin’ you,’ he says. ‘Ye’ve got some rough knocks comin’, Larry. In fact, ye’re in for a devil of a time. But, remember that ye’re the O’Keefe,’ says he. ‘An’ while the bhoys are all wid ye, avick, ye’ve got to be on the job yourself.’

“ ‘I hope,’ I tell him, ‘that the O’Keefe banshee can find her way here in time⁠—that is, if it’s necessary, which I hope it won’t be.’

“ ‘Don’t ye worry about that,’ says he. ‘Not that she’s keen on leavin’ the ould sod, Larry. The good ould soul’s in quite a state o’ mind about ye, aroon. I don’t mind tellin’ ye, lad, that she’s mobilizing all the clan an’ if she has to come for ye, avick, they’ll be wid her an’ they’ll sweep this joint clean before ye go. What they’ll do to it’ll make the Big Wind look like a summer breeze on Lough Lene! An’ that’s about all, Larry. We thought a voice from the Green Isle would cheer ye. Don’t fergit that ye’re the O’Keefe an’ I say it again⁠—all the bhoys are wid ye. But we want t’ kape bein’ proud o’ ye, lad!’

“An’ I looked again and there was only a bush waving.”

There wasn’t a smile in my heart⁠—or if there was it was a very tender one.

“I’m going to bed,” he said abruptly. “Keep an eye on the wall, Doc!”

Between the seven sleeps that followed, Larry and I saw but little of each other. Yolara sought him more and more. Thrice we were called before the Council; once we were at a great feast, whose splendours and surprises I can never forget. Largely I was in the company of Rador. Together we two passed the green barriers into the dwelling-place of the ladala.

They seemed provided with everything needful for life. But everywhere was an oppressiveness, a gathering together of hate, that was spiritual rather than material⁠—as tangible as the latter and far, far more menacing!

“They do not like to dance with the Shining One,” was Rador’s constant and only reply to my efforts to find the cause.

Once I had concrete evidence of the mood. Glancing behind me, I saw a white, vengeful face peer from behind a tree-trunk, a hand lift, a shining dart speed from it straight toward Rador’s back. Instinctively I thrust him aside. He turned upon me angrily. I pointed to where the little missile lay, still quivering, on the ground. He gripped my hand.

“That, some day I will repay!” he said. I looked again at the thing. At its end was a tiny cone covered with a glistening, gelatinous substance.

Rador pulled from a tree beside us a fruit somewhat like an apple.

“Look!” he said. He dropped it upon the dart⁠—and at once, before my eyes, in less than ten seconds, the fruit had rotted away!

“That’s what would have happened to Rador but for you, friend!” he said.

Come now between this and the prelude to the latter half of the drama whose history this narrative is⁠—only scattering and necessarily fragmentary observations.

First⁠—the nature of the ebon opacities, blocking out the spaces between the pavilion-pillars or covering their tops like roofs. These were magnetic fields, light absorbers, negativing the vibrations of radiance; literally screens of electric force which formed as impervious a barrier to light as would have screens of steel.

They instantaneously made night appear in a place where no night was. But they interposed no obstacle to air or to sound. They were extremely simple in their inception⁠—no more miraculous than is glass, which, inversely, admits the vibrations of light, but shuts out those coarser ones we call air⁠—and, partly, those others which produce upon our auditory nerves the effects we call sound.

Briefly their mechanism was this:

[For the same reason that Dr. Goodwin’s exposition of the mechanism of the atomic engines was deleted, his description of the light-destroying screens has been deleted by the Executive Council.⁠—J. B. F., President, I.A. of S.]

There were two favoured classes of the ladala⁠—the soldiers and the dream-makers. The dream-makers were the most astonishing social phenomena, I think, of all. Denied by their circumscribed environment the wider experiences of us of the outer world, the Murians had perfected an amazing system of escape through the imagination.

They were, too, intensely musical. Their favourite instruments were double flutes; immensely complex pipe-organs; harps, great and small. They had another remarkable instrument made up of a double octave of small drums which gave forth percussions remarkably disturbing