The Napoleon of Notting Hill, G. K. Chesterton [latest books to read .TXT] 📗

And in his conviviality he actually sent a soldier across to the restaurant opposite the church and brought out two glasses for a toast.

When the laughter had died down, the herald continued quite monotonously⁠—

“In the event of your surrendering your arms and dispersing under the superintendence of our forces, these local rights of yours shall be carefully observed. In the event of your not doing so, the Lord High Provost of Notting Hill desires to announce that he has just captured the Waterworks Tower, just above you, on Campden Hill, and that within ten minutes from now, that is, on the reception through me of your refusal, he will open the great reservoir and flood the whole valley where you stand in thirty feet of water. God save King Auberon!”

Buck had dropped his glass and sent a great splash of wine over the road.

“But⁠—but⁠—” he said; and then by a last and splendid effort of his great sanity, looked the facts in the face.

“We must surrender,” he said. “You could do nothing against fifty thousand tons of water coming down a steep hill, ten minutes hence. We must surrender. Our four thousand men might as well be four. Vicisti Galilæe! Perkins, you may as well get me another glass of wine.”

In this way the vast army of South Kensington surrendered and the Empire of Notting Hill began. One further fact in this connection is perhaps worth mentioning⁠—the fact that, after his victory, Adam Wayne caused the great tower on Campden Hill to be plated with gold and inscribed with a great epitaph, saying that it was the monument of Wilfrid Lambert, the heroic defender of the place, and surmounted with a statue, in which his large nose was done something less than justice to.

On the evening of the third of October, twenty years after the great victory of Notting Hill, which gave it the dominion of London, King Auberon came, as of old, out of Kensington Palace.

He had changed little, save for a streak or two of grey in his hair, for his face had always been old, and his step slow, and, as it were, decrepit.

If he looked old, it was not because of anything physical or mental. It was because he still wore, with a quaint conservatism, the frock-coat and high hat of the days before the great war. “I have survived the Deluge,” he said. “I am a pyramid, and must behave as such.”

As he passed up the street the Kensingtonians, in their picturesque blue smocks, saluted him as a King, and then looked after him as a curiosity. It seemed odd to them that men had once worn so elvish an attire.

The King, cultivating the walk attributed to the oldest inhabitant (“Gaffer Auberon” his friends were now confidentially desired to call him), went toddling northward. He paused, with reminiscence in his eye, at the Southern Gate of Notting Hill, one of those nine great gates of bronze and steel, wrought with reliefs of the old battles, by the hand of Chiffy himself.

“Ah!” he said, shaking his head and assuming an unnecessary air of age, and a provincialism of accent⁠—“Ah! I mind when there warn’t none of this here.”

He passed through the Ossington Gate, surmounted by a great lion, wrought in red copper on yellow brass, with the motto, “Nothing Ill.” The guard in red and gold saluted him with his halberd.

It was about sunset, and the lamps were being lit. Auberon paused to look at them, for they were Chiffy’s finest work, and his artistic eye never failed to feast on them. In memory of the Great Battle of the Lamps, each great iron lamp was surmounted by a veiled figure, sword in hand, holding over the flame an iron hood or extinguisher, as if ready to let it fall if the armies of the South and West should again show their flags in the city. Thus no child in Notting Hill could play about the streets without the very lampposts reminding him of the salvation of his country in the dreadful year.

“Old Wayne was right in a way,” commented the King. “The sword does make things beautiful. It has made the whole world romantic by now. And to think people once thought me a buffoon for suggesting a romantic Notting Hill. Deary me, deary me! (I think that is the expression)⁠—it seems like a previous existence.”

Turning a corner, he found himself in Pump Street, opposite the four shops which Adam Wayne had studied twenty years before. He entered idly the shop of Mr. Mead, the grocer. Mr. Mead was somewhat older, like the rest of the world, and his red beard, which he now wore with a moustache, and long and full, was partly blanched and discoloured. He was dressed in a long and richly embroidered robe of blue, brown, and crimson, interwoven with an Eastern complexity of pattern, and covered with obscure symbols and pictures, representing his wares passing from hand to hand and from nation to nation. Round his neck was the chain with the Blue Argosy cut in turquoise, which he wore as Grand Master of the Grocers. The whole shop had the sombre and sumptuous look of its owner. The wares were displayed as prominently as in the old days, but they were now blended and arranged with a sense of tint and grouping, too often neglected by the dim grocers of those forgotten days. The wares were shown plainly, but shown not so much as an old grocer would have shown his stock, but rather as an educated virtuoso would have shown his treasures. The tea was stored in great blue and green vases, inscribed with the nine indispensable sayings of the wise men of China. Other vases of a confused orange and purple, less rigid and