Scaramouche, Rafael Sabatini [inspirational books txt] 📗

The decision to which M. Binet finally came was, naturally, the only one possible in the face of so firm a resolve as that of André-Louis, who held the trumps. Of course there were further discussions, before all was settled, and M. Binet was brought to an agreement only after an infinity of haggling surprising in one who was an artist and not a man of business. One or two concessions were made by André-Louis; he consented, for instance, to waive his claim to be paid for scenarios, and he also consented that M. Binet should appoint himself a salary that was out of all proportion to his deserts.

Thus in the end the matter was settled, and the announcement duly made to the assembled company. There were, of course, jealousies and resentments. But these were not deep-seated, and they were readily swallowed when it was discovered that under the new arrangement the lot of the entire company was to be materially improved from the point of view of salaries. This was a matter that had met with considerable opposition from M. Binet. But the irresistible Scaramouche swept away all objections.

“If we are to play at the Feydau, you want a company of self-respecting comedians, and not a pack of cringing starvelings. The better we pay them in reason, the more they will earn for us.”

Thus was conquered the company’s resentment of this too swift promotion of its latest recruit. Cheerfully now⁠—with one exception⁠—they accepted the dominance of Scaramouche, a dominance soon to be so firmly established that M. Binet himself came under it.

The one exception was Climène. Her failure to bring to heel this interesting young stranger, who had almost literally dropped into their midst that morning outside Guichen, had begotten in her a malice which his persistent ignoring of her had been steadily inflaming. She had remonstrated with her father when the new partnership was first formed. She had lost her temper with him, and called him a fool, whereupon M. Binet⁠—in Pantaloon’s best manner⁠—had lost his temper in his turn and boxed her ears. She piled it up to the account of Scaramouche, and spied her opportunity to pay off some of that ever-increasing score. But opportunities were few. Scaramouche was too occupied just then. During the week of preparation at Fougeray, he was hardly seen save at the performances, whilst when once they were at Rédon, he came and went like the wind between the theatre and the inn.

The Rédon experiment had justified itself from the first. Stimulated and encouraged by this, André-Louis worked day and night during the month that they spent in that busy little town. The moment had been well chosen, for the trade in chestnuts of which Rédon is the centre was just then at its height. And every afternoon the little theatre was packed with spectators. The fame of the troupe had gone forth, borne by the chestnut-growers of the district, who were bringing their wares to Rédon market, and the audiences were made up of people from the surrounding country, and from neighbouring villages as far out as Allaire, Saint-Perrieux and Saint-Nicholas. To keep the business from slackening, André-Louis prepared a new scenario every week. He wrote three in addition to those two with which he had already supplied the company; these were The Marriage of Pantaloon, The Shy Lover, and The Terrible Captain. Of these the last was the greatest success. It was based upon the Miles Gloriosus of Plautus, with great opportunities for Rhodomont, and a good part for Scaramouche as the roaring captain’s sly lieutenant. Its success was largely due to the fact that André-Louis amplified the scenario to the extent of indicating very fully in places the lines which the dialogue should follow, whilst here and there he had gone so far as to supply some of the actual dialogue to be spoken, without, however, making it obligatory upon the actors to keep to the letter of it.

And meanwhile as the business prospered, he became busy with tailors, improving the wardrobe of the company, which was sorely in need of improvement. He ran to earth a couple of needy artists, lured them into the company to play small parts⁠—apothecaries and notaries⁠—and set them to beguile their leisure in painting new scenery, so as to be ready for what he called the conquest of Nantes, which was to come in the new year. Never in his life had he worked so hard; never in his life had he worked at all by comparison with his activities now. His fund of energy and enthusiasm was inexhaustible, like that of his good humour. He came and went, acted, wrote, conceived, directed, planned, and executed, what time M. Binet took his ease at last in comparative affluence, drank Burgundy every night, ate white bread and other delicacies, and began to congratulate himself upon his astuteness in having made this industrious, tireless fellow his partner. Having discovered how idle had been his fears of performing at Rédon, he now began to dismiss the terrors with which the notion of Nantes had haunted him.

And his happiness was reflected throughout the ranks of his company, with the single exception always of Climène. She had ceased to sneer at Scaramouche, having realized at last that her sneers left him untouched and recoiled upon herself. Thus her almost indefinable resentment of him was increased by being stifled, until, at all costs, an outlet for it must be found.

One day she threw herself in his way as he was leaving the theatre after the performance. The others had already gone, and she had returned upon pretence of having forgotten something.

“Will you tell me what I have done to you?” she asked him, point-blank.

“Done to me, mademoiselle?” He did not understand.

She made a gesture of impatience. “Why do you hate me?”

“Hate you, mademoiselle? I do not hate anybody. It is the most stupid of all the emotions. I have never hated⁠—not even my