My Reminiscences, Rabindranath Tagore [famous ebook reader .TXT] 📗

I remained in this self-forgetful state of bliss. Then my brother thought of going to the Darjeeling hills. So much the better, thought I. On the vast Himalayan tops I shall be able to see more deeply into what has been revealed to me in Sudder Street; at any rate I shall see how the Himalayas display themselves to my new gift of vision.

But the victory was with that little house in Sudder Street. When, after ascending the mountains, I looked around, I was at once aware I had lost my new vision. My sin must have been in imagining that I could get still more of truth from the outside. However sky-piercing the king of mountains may be, he can have nothing in his gift for me; while He who is the Giver can vouchsafe a vision of the eternal universe in the dingiest of lanes, and in a moment of time.

I wandered about amongst the firs, I sat near the falls and bathed in their waters, I gazed at the grandeur of Kinchinjunga through a cloudless sky, but in what had seemed to me these likeliest of places, I found it not. I had come to know it, but could see it no longer. While I was admiring the gem the lid had suddenly closed, leaving me staring at the enclosing casket. But, for all the attractiveness of its workmanship, there was no longer any danger of my mistaking it for merely an empty box.

My Morning Songs came to an end, their last echo dying out with “The Echo” which I wrote at Darjeeling. This apparently proved such an abstruse affair that two friends laid a wager as to its real meaning. My only consolation was that, as I was equally unable to explain the enigma to them when they came to me for a solution, neither of them had to lose any money over it. Alas! The days when I wrote excessively plain poems about “The Lotus” and “A Lake” had gone forever.

But does one write poetry to explain any matter? What is felt within the heart tries to find outside shape as a poem. So when after listening to a poem anyone says he has not understood, I feel nonplussed. If someone smells a flower and says he does not understand, the reply to him is: there is nothing to understand, it is only a scent. If he persists, saying: that I know, but what does it all mean? Then one has either to change the subject, or make it more abstruse by saying that the scent is the shape which the universal joy takes in the flower.

That words have meanings is just the difficulty. That is why the poet has to turn and twist them in metre and verse, so that the meaning may be held somewhat in check, and the feeling allowed a chance to express itself.

This utterance of feeling is not the statement of a fundamental truth, or a scientific fact, or a useful moral precept. Like a tear or a smile it is but a picture of what is taking place within. If Science or Philosophy may gain anything from it they are welcome, but that is not the reason of its being. If while crossing a ferry you can catch a fish you are a lucky man, but that does not make the ferry boat a fishing boat, nor should you abuse the ferryman if he does not make fishing his business.

“The Echo” was written so long ago that it has escaped attention and I am now no longer called upon to render an account of its meaning. Nevertheless, whatever its other merits or defects may be, I can assure my readers that it was not my intention to propound a riddle, or insidiously convey any erudite teaching. The fact of the matter was that a longing had been born within my heart, and, unable to find any other name, I had called the thing I desired an “Echo.”

When from the original fount in the depths of the Universe streams of melody are sent forth abroad, their echo is reflected into our heart from the faces of our beloved and the other beauteous things around us. It must be, as I suggested, this Echo which we love, and not the things themselves from which it happens to be reflected; for that which one day we scarce deign to glance at, may be, on another, the very thing which claims our whole devotion.

I had so long viewed the world with external vision only, and so had been unable to see its universal aspect of joy. When of a sudden, from some innermost depth of my being, a ray of light found its way out, it spread over and illuminated for me the whole universe, which then no longer appeared like heaps of things and happenings, but was disclosed to my sight as one whole. This experience seemed to tell me of the stream of melody issuing from the very heart of the universe and spreading over space and time, reechoing thence as waves of joy which flow right back to the source.

When the artist sends his song forth from the depths of a full heart that is joy indeed. And the joy is redoubled when this same song is wafted back to him as hearer. If, when the creation of the Arch-Poet is thus returning back to him in a flood of joy, we allow it to flow over our consciousness, we at once, immediately, become aware, in an inexpressible manner, of the end to which this flood is streaming. And as we become aware our love goes forth; and our selves are moved from their moorings and would fain float down the stream of joy to its infinite goal. This is the meaning of the longing which stirs within us at the sight of Beauty.

The stream which comes from the Infinite and flows toward the finite⁠—that