Short Fiction, Ernest Hemingway [books to read in your 30s .txt] 📗

had become a British subject he sent around the highest decoration in his power to bestow⁠—the Order of Merit.”

“The O.M.,” the elderly Mrs. Scripps explained.

“That was it,” the waitress said. “Professors Gosse and Saintsbury came with the man who brought the decoration. Henry James was lying on his deathbed, and his eyes were shut. There was a single candle on a table beside the bed. The nurse allowed them to come near the bed, and they put the ribbon of the decoration around James’s neck, and the decoration lay on the sheet over Henry James’s chest. Professors Gosse and Saintsbury leaned forward and smoothed the ribbon of the decoration. Henry James never opened his eyes. The nurse told them they all must go out of the room, and they all went out of the room. When they were all gone, Henry James spoke to the nurse. He never opened his eyes. ‘Nurse,’ Henry James said, ‘put out the candle, nurse, and spare my blushes.’ Those were the last words he ever spoke.”

“James was quite a writer,” Scripps O’Neil said. He was strangely moved by the story.

“You don’t always tell it the same way, dear,” Mrs. Scripps remarked to Mandy. There were tears in Mandy’s eyes. “I feel very strongly about Henry James,” she said.

“What was the matter with James?” asked the drummer. “Wasn’t America good enough for him?”

Scripps O’Neil was thinking about Mandy, the waitress. What a background she must have, that girl! What a fund of anecdotes! A chap could go far with a woman like that to help him! He stroked the little bird that sat on the lunch-counter before him. The bird pecked at his finger. Was the little bird a hawk? A falcon, perhaps, from one of the big Michigan falconries. Was it perhaps a robin? Pulling and tugging at the early worm on some green lawn somewhere? He wondered.

“What do you call your bird?” the drummer asked.

“I haven’t named him yet. What would you call him?”

“Why not call him Ariel?” Mandy asked.

“Or Puck,” Mrs. Scripps put in.

“What’s it mean?” asked the drummer.

“It’s a character out of Shakespeare,” Mandy explained.

“Oh, give the bird a chance.”

“What would you call him?” Scripps turned to the drummer.

“He ain’t a parrot, is he?” asked the drummer. “If he was a parrot you could call him Polly.”

“There’s a character in The Beggar’s Opera called Polly,” Mandy explained.

Scripps wondered. Perhaps the bird was a parrot. A parrot strayed from some comfortable home with some old maid. The untilled soil of some New England spinster.

“Better wait till you see how he turns out,” the drummer advised. “You got plenty of time to name him.”

This drummer had sound ideas. He, Scripps, did not even know what sex the bird was. Whether he was a boy bird or a girl bird.

“Wait till you see if he lays eggs,” the drummer suggested. Scripps looked into the drummer’s eyes. The fellow had voiced his own unspoken thought.

“You know a thing or two, drummer,” he said.

“Well,” the drummer admitted modestly, “I ain’t drummed all these years for nothing.”

“You’re right there, pal,” Scripps said.

“That’s a nice bird you got there, brother,” the drummer said. “You want to hang onto that bird.”

Scripps knew it. Ah, these drummers know a thing or two. Going up and down over the face of this great America of ours. These drummers kept their eyes open. They were no fools.

“Listen,” the drummer said. He pushed his derby hat off his brow and, leaning forward, spat into the tall brass cuspidor that stood beside his stool. “I want to tell you about a pretty beautiful thing that happened to me once in Bay City.”

Mandy, the waitress, leaned forward. Mrs. Scripps leaned toward the drummer to hear better. The drummer looked apologetically at Scripps and stroked the bird with his forefinger.

“Tell you about it some other time, brother,” he said. Scripps understood. From out of the kitchen, through the wicket in the hall, came a high-pitched, haunting laugh. Scripps listened. Could that be the laughter of the Negro? He wondered.

IX

Scripps going slowly to work in the pump-factory in the mornings. Mrs. Scripps looking out of the window and watching him go up the street. Not much time for reading The Guardian now. Not much time for reading about English politics. Not much time for worrying about the cabinet crises over there in France. The French were a strange people. Joan of Arc. Eva le Gallienne. Clemenceau. Georges Carpentier. Sacha Guitry. Yvonne Printemps. Grock. Les Fratellinis. Gilbert Seldes. The Dial. The Dial Prize. Marianne Moore. E. E. Cummings. The Enormous Room. Vanity Fair. Frank Crowninshield. What was it all about? Where was it taking her?

She had a man now. A man of her own. For her own. Could she keep him? Could she hold him for her own? She wondered.

Mrs. Scripps, formerly an elderly waitress, now the wife of Scripps O’Neil, with a good job in the pump-factory. Diana Scripps. Diana was her own name. It had been her mother’s, too. Diana Scripps looking into the mirror and wondering could she hold him. It was getting to be a question. Why had he ever met Mandy? Would she have the courage to break off going to the restaurant with Scripps to eat? She couldn’t do that. He would go alone. She knew that. It was no use trying to pull wool over her own eyes. He would go alone and he would talk with Mandy. Diana looked into the mirror. Could she hold him? Could she hold him? That thought never left her now.

Every night at the restaurant, she couldn’t call it a beanery now⁠—that made a lump come in her throat and made her throat feel hard and choky. Every night at the restaurant now Scripps and Mandy talked together. The girl was trying to take him away. Him, her Scripps. Trying to take him away. Take him away. Could she, Diana, hold him?

She was no better than a slut, that