War and Peace, Leo Tolstoy [interesting novels to read .TXT] 📗

campfire, looking at the Russian soldiers with red and vacant eyes. Occasionally he emitted a long-drawn groan and then again became silent. Morel, pointing to his shoulders, tried to impress on the soldiers the fact that Ramballe was an officer and ought to be warmed. A Russian officer who had come up to the fire sent to ask his colonel whether he would not take a French officer into his hut to warm him, and when the messenger returned and said that the colonel wished the officer to be brought to him, Ramballe was told to go. He rose and tried to walk, but staggered and would have fallen had not a soldier standing by held him up.

“You won’t do it again, eh?” said one of the soldiers, winking and turning mockingly to Ramballe.

“Oh, you fool! Why talk rubbish, lout that you are⁠—a real peasant!” came rebukes from all sides addressed to the jesting soldier.

They surrounded Ramballe, lifted him on the crossed arms of two soldiers, and carried him to the hut. Ramballe put his arms around their necks while they carried him and began wailing plaintively:

“Oh, you fine fellows, my kind, kind friends! These are men! Oh, my brave, kind friends,” and he leaned his head against the shoulder of one of the men like a child.

Meanwhile Morel was sitting in the best place by the fire, surrounded by the soldiers.

Morel, a short sturdy Frenchman with inflamed and streaming eyes, was wearing a woman’s cloak and had a shawl tied woman fashion round his head over his cap. He was evidently tipsy, and was singing a French song in a hoarse broken voice, with an arm thrown round the nearest soldier. The soldiers simply held their sides as they watched him.

“Now then, now then, teach us how it goes! I’ll soon pick it up. How is it?” said the man⁠—a singer and a wag⁠—whom Morel was embracing.

“Vive Henri Quatre! Vive ce roi valiant!” sang Morel, winking. “Ce diable à quatre⁠ ⁠…”134

“Vivarika! Vif-seruvaru! Sedyablyaka!” repeated the soldier, flourishing his arm and really catching the tune.

“Bravo! Ha, ha, ha!” rose their rough, joyous laughter from all sides.

Morel, wrinkling up his face, laughed too.

“Well, go on, go on!”

“Qui eut le triple talent,
De boire, de battre,
Et d’être un vert galant.”135

“It goes smoothly, too. Well, now, Zaletáev!”

“Ke⁠ ⁠…” Zaletáev, brought out with effort: “ke-e-e-e,” he drawled, laboriously pursing his lips, “le-trip-tala-de-bu-de-ba, e de-tra-va-ga-la” he sang.

“Fine! Just like the Frenchie! Oh, ho ho! Do you want some more to eat?”

“Give him some porridge: it takes a long time to get filled up after starving.”

They gave him some more porridge and Morel with a laugh set to work on his third bowl. All the young soldiers smiled gaily as they watched him. The older men, who thought it undignified to amuse themselves with such nonsense, continued to lie at the opposite side of the fire, but one would occasionally raise himself on an elbow and glance at Morel with a smile.

“They are men too,” said one of them as he wrapped himself up in his coat. “Even wormwood grows on its own root.”

“O Lord, O Lord! How starry it is! Tremendous! That means a hard frost.⁠ ⁠…”

They all grew silent. The stars, as if knowing that no one was looking at them, began to disport themselves in the dark sky: now flaring up, now vanishing, now trembling, they were busy whispering something gladsome and mysterious to one another.

X

The French army melted away at the uniform rate of a mathematical progression; and that crossing of the Berëzina about which so much has been written was only one intermediate stage in its destruction, and not at all the decisive episode of the campaign. If so much has been and still is written about the Berëzina, on the French side this is only because at the broken bridge across that river the calamities their army had been previously enduring were suddenly concentrated at one moment into a tragic spectacle that remained in every memory, and on the Russian side merely because in Petersburg⁠—far from the seat of war⁠—a plan (again one of Pfuel’s) had been devised to catch Napoleon in a strategic trap at the Berëzina River. Everyone assured himself that all would happen according to plan, and therefore insisted that it was just the crossing of the Berëzina that destroyed the French army. In reality the results of the crossing were much less disastrous to the French⁠—in guns and men lost⁠—than Krásnoe had been, as the figures show.

The sole importance of the crossing of the Berëzina lies in the fact that it plainly and indubitably proved the fallacy of all the plans for cutting off the enemy’s retreat and the soundness of the only possible line of action⁠—the one Kutúzov and the general mass of the army demanded⁠—namely, simply to follow the enemy up. The French crowd fled at a continually increasing speed and all its energy was directed to reaching its goal. It fled like a wounded animal and it was impossible to block its path. This was shown not so much by the arrangements it made for crossing as by what took place at the bridges. When the bridges broke down, unarmed soldiers, people from Moscow and women with children who were with the French transport, all⁠—carried on by vis inertiae⁠—pressed forward into boats and into the ice-covered water and did not surrender.

That impulse was reasonable. The condition of fugitives and of pursuers was equally bad. As long as they remained with their own people each might hope for help from his fellows and the definite place he held among them. But those who surrendered, while remaining in the same pitiful plight, would be on a lower level to claim a share in the necessities of life. The French did not need to be informed of the fact that half the prisoners⁠—with whom the Russians did not know what to