Sinister Street, Compton Mackenzie [classic books for 10 year olds .TXT] 📗

loved to swing from the bedpost whence out of use it was suspended. There was also in a top drawer, generally unattainable, a collection of caps threaded with many different velvet ribbons and often coquettish with lace flowers. Michael was glad when Nurse put on her best cap, a proceeding which took place just before tea. Her morning cap was so skimpy as scarcely to hide the unpleasant smoothness of her thin hair. In the amber summer afternoons or blue spring twilights, Nurse looked comparatively beautiful under the ample lace, with a softer apron and a face whose wrinkles were smoothed out by the consciousness of leisure and the pleasant brown teapot. Mostly, Michael was inclined to compare her with a monkey, so squab was her nose, so long her upper lip, and such a multitude of deep furrows twisted up her countenance. That Nurse was ever young, Michael could not bring himself to believe, and daguerreotypes framed in tinfoil which she produced as evidence of youth from a square box inlaid with mother-o’-pearl, never convinced him as a chromolithograph might have convinced him. At the same time the stories of her childhood, which Nurse was sometimes persuaded to tell, were very enthralling; moreover, by the fact of her obvious antiquity, they had the dimness and mystery of old fairytales.

On the whole Michael was happy in his pea-green nursery. He was well guarded by the iron soldiers of his cot. He liked the warmth and the smallness of the room; he liked to be able to climb from his cot on to Nurse’s bed, from Nurse’s bed into Stella’s cot, and with this expanse of safe territory he felt sorry for the chilly and desolate and dangerous floor. Michael also liked the day-nursery. To begin with, it possessed a curious and romantic shape due to its nearness to the roof. The ceiling sloped on either side of the window almost to the floor. It was not a room that was square and obvious, for round the corner from the door was a fairly large alcove which was not destined to lose its romance for many years. The staircase that led up to the day-nursery was light and cheerful owing to the skylight in the roof. Yet this skylight Michael could have wished away. It was a vulnerable spot which made the day-nursery just a little uneasy at dusk⁠—this and the cistern cupboard with its dark boomings and hammerings and clankings and utter inexplicableness. However, the day-nursery was a bright room, with a cosy atmosphere of its own. The pleasantest meal of the day was taken there, and in a black cupboard lived the golden syrup and the heraldic mugs and the dumpy teapot and the accessories of tea. What a much pleasanter cupboard this was than the smaller one in the night-nursery which revealed, when opened, slim and ugly ipecacuanha, loathsome Gregory-powder with wooden cap and squat cork, wicked envelopes of grey powders and slippery bottles of castor-oil. There, too, was the liver-coloured liquorice-powder, the vile rhubarb and the deceitful senna. In fact, apart from a bag of jaded acid-drops, there were only two pleasant inmates of this cupboard⁠—the silvery and lucent syrup of squills and a round box of honey and borax. There were no pills because Nurse objected to pills. She was always telling Michael as he listened, sick at heart, to the stirring-up of the Gregory-powder with a muffled spoon, so different from the lighthearted tinkle and quick fizz of magnesia, to be thankful he was not on the verge of taking a pill. That she represented as something worthy of a struggle. Michael imagined the taking of a pill to be equivalent to swallowing a large painted ball full of a combination of all the nastiest medicines in the world. Even the omnipotent, omniscient Nanny could not take a pill.

There were other jolly cupboards in the day-nursery⁠—one in particular pasted over with “scraps” and varnished⁠—a work of art that was always being added to for a treat. There was a patchwork hearthrug very comfortable to lie upon beside the cat and her two black kittens. There was Nanny’s worktable in the window, gay with coloured silks and wools. There was a piano locked up until Michael’s first lesson, but nevertheless wonderful on account of the smooth curve of the lid that allowed one moment’s delicious balance and then an equally delicious slide on to the floor.

Certainly the day-nursery was the best room in the tall thin house, just as the morning-room was the worst. The morning-room was odious. In it were eaten breakfast and dinner, both nasty meals. Near it was the coal-cellar and the area-door with its grinning errand boys. The windows afforded foothold to strange cats that stared abominably with yellow eyes. Tramps and sweeps walked past the area-railings or looked in evilly. Horrid gipsies smirked through the window, and pedlars often tapped. The morning-room was utterly abominable, fit only for the boiled mutton and caper sauce and suet puddings that loaded its table.

The kitchen, although it was next to the morning-room, was a far pleasanter resort. So far as any ground-floor now could be considered safe, the kitchen was safe. It looked out upon its own fortified basement whose perforated iron staircase had a spiked door at the top, which could be securely shut. The kitchen contained a large number of objects of natural interest, among which was a shallow cupboard that included upon an attainable shelf jars of currants, sultanas, and rice much more edible in the raw state than cooked. There was the electric-bell case, recording with mysterious discs a far-off summons. There was the drawer in the kitchen table that contained, besides knives and forks, a rolling-pin, a tin-opener, a corkscrew, skewers and, most exciting of all, a club-shaped cage for whipping eggs. There was also a deep drawer in the dresser which held many revelations of the private history of Annie and Cook. Michael could easily have spent days