David Copperfield, Charles Dickens [best historical fiction books of all time TXT] 📗

at whom of course I looked, shook his head without looking at me, and stopped up a sigh with a very large piece of buttered toast.

“You are too young to know how the world changes every day,” said Mrs. Creakle, “and how the people in it pass away. But we all have to learn it, David; some of us when we are young, some of us when we are old, some of us at all times of our lives.”

I looked at her earnestly.

“When you came away from home at the end of the vacation,” said Mrs. Creakle, after a pause, “were they all well?” After another pause, “Was your mama well?”

I trembled without distinctly knowing why, and still looked at her earnestly, making no attempt to answer.

“Because,” said she, “I grieve to tell you that I hear this morning your mama is very ill.”

A mist rose between Mrs. Creakle and me, and her figure seemed to move in it for an instant. Then I felt the burning tears run down my face, and it was steady again.

“She is very dangerously ill,” she added.

I knew all now.

“She is dead.”

There was no need to tell me so. I had already broken out into a desolate cry, and felt an orphan in the wide world.

She was very kind to me. She kept me there all day, and left me alone sometimes; and I cried, and wore myself to sleep, and awoke and cried again. When I could cry no more, I began to think; and then the oppression on my breast was heaviest, and my grief a dull pain that there was no ease for.

And yet my thoughts were idle; not intent on the calamity that weighed upon my heart, but idly loitering near it. I thought of our house shut up and hushed. I thought of the little baby, who, Mrs. Creakle said, had been pining away for some time, and who, they believed, would die too. I thought of my father’s grave in the churchyard, by our house, and of my mother lying there beneath the tree I knew so well. I stood upon a chair when I was left alone, and looked into the glass to see how red my eyes were, and how sorrowful my face. I considered, after some hours were gone, if my tears were really hard to flow now, as they seemed to be, what, in connection with my loss, it would affect me most to think of when I drew near home⁠—for I was going home to the funeral. I am sensible of having felt that a dignity attached to me among the rest of the boys, and that I was important in my affliction.

If ever child were stricken with sincere grief, I was. But I remember that this importance was a kind of satisfaction to me, when I walked in the playground that afternoon while the boys were in school. When I saw them glancing at me out of the windows, as they went up to their classes, I felt distinguished, and looked more melancholy, and walked slower. When school was over, and they came out and spoke to me, I felt it rather good in myself not to be proud to any of them, and to take exactly the same notice of them all, as before.

I was to go home next night; not by the mail, but by the heavy night-coach, which was called the Farmer, and was principally used by country-people travelling short intermediate distances upon the road. We had no storytelling that evening, and Traddles insisted on lending me his pillow. I don’t know what good he thought it would do me, for I had one of my own: but it was all he had to lend, poor fellow, except a sheet of letter-paper full of skeletons; and that he gave me at parting, as a soother of my sorrows and a contribution to my peace of mind.

I left Salem House upon the morrow afternoon. I little thought then that I left it, never to return. We travelled very slowly all night, and did not get into Yarmouth before nine or ten o’clock in the morning. I looked out for Mr. Barkis, but he was not there; and instead of him a fat, short-winded, merry-looking, little old man in black, with rusty little bunches of ribbons at the knees of his breeches, black stockings, and a broad-brimmed hat, came puffing up to the coach window, and said:

“Master Copperfield?”

“Yes, sir.”

“Will you come with me, young sir, if you please,” he said, opening the door, “and I shall have the pleasure of taking you home.”

I put my hand in his, wondering who he was, and we walked away to a shop in a narrow street, on which was written Omer, Draper, Tailor, Haberdasher, Funeral Furnisher, etc. It was a close and stifling little shop; full of all sorts of clothing, made and unmade, including one window full of beaver-hats and bonnets. We went into a little back-parlour behind the shop, where we found three young women at work on a quantity of black materials, which were heaped upon the table, and little bits and cuttings of which were littered all over the floor. There was a good fire in the room, and a breathless smell of warm black crape⁠—I did not know what the smell was then, but I know now.

The three young women, who appeared to be very industrious and comfortable, raised their heads to look at me, and then went on with their work. Stitch, stitch, stitch. At the same time there came from a workshop across a little yard outside the window, a regular sound of hammering that kept a kind of tune: Rat⁠—tat-tat, Rat⁠—tat-tat, Rat⁠—tat-tat, without any variation.

“Well,” said my conductor to one of the three young women. “How do you get on, Minnie?”

“We shall be ready by the trying-on time,” she replied gaily, without looking up. “Don’t you be afraid, father.”

Mr. Omer took off his broad-brimmed hat, and sat down and panted. He