A Room With a View, E. M. Forster [great books to read TXT] 📗

“What⁠—”

“No discussion.”

“But I can’t⁠—”

She shook her head. “Go, please. I do not want to call in Mr. Vyse.”

“You don’t mean,” he said, absolutely ignoring Miss Bartlett⁠—“you don’t mean that you are going to marry that man?”

The line was unexpected.

She shrugged her shoulders, as if his vulgarity wearied her. “You are merely ridiculous,” she said quietly.

Then his words rose gravely over hers: “You cannot live with Vyse. He’s only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman.”

It was a new light on Cecil’s character.

“Have you ever talked to Vyse without feeling tired?”

“I can scarcely discuss⁠—”

“No, but have you ever? He is the sort who are all right so long as they keep to things⁠—books, pictures⁠—but kill when they come to people. That’s why I’ll speak out through all this muddle even now. It’s shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over⁠—playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for you to settle whether you were shocked or no. Cecil all over again. He daren’t let a woman decide. He’s the type who’s kept Europe back for a thousand years. Every moment of his life he’s forming you, telling you what’s charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore⁠—not ‘therefore I kissed you,’ because the book made me do that, and I wish to goodness I had more self-control. I’m not ashamed. I don’t apologize. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore⁠—therefore I settled to fight him.”

Lucy thought of a very good remark.

“You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for suggesting that you have caught the habit.”

And he took the shoddy reproof and touched it into immortality. He said:

“Yes, I have,” and sank down as if suddenly weary. “I’m the same kind of brute at bottom. This desire to govern a woman⁠—it lies very deep, and men and women must fight it together before they shall enter the garden. But I do love you surely in a better way than he does.” He thought. “Yes⁠—really in a better way. I want you to have your own thoughts even when I hold you in my arms.” He stretched them towards her. “Lucy, be quick⁠—there’s no time for us to talk now⁠—come to me as you came in the spring, and afterwards I will be gentle and explain. I have cared for you since that man died. I cannot live without you, ‘No good,’ I thought; ‘she is marrying someone else’; but I meet you again when all the world is glorious water and sun. As you came through the wood I saw that nothing else mattered. I called. I wanted to live and have my chance of joy.”

“And Mr. Vyse?” said Lucy, who kept commendably calm. “Does he not matter? That I love Cecil and shall be his wife shortly? A detail of no importance, I suppose?”

But he stretched his arms over the table towards her.

“May I ask what you intend to gain by this exhibition?”

He said: “It is our last chance. I shall do all that I can.” And as if he had done all else, he turned to Miss Bartlett, who sat like some portent against the skies of the evening. “You wouldn’t stop us this second time if you understood,” he said. “I have been into the dark, and I am going back into it, unless you will try to understand.”

Her long, narrow head drove backwards and forwards, as though demolishing some invisible obstacle. She did not answer.

“It is being young,” he said quietly, picking up his racquet from the floor and preparing to go. “It is being certain that Lucy cares for me really. It is that love and youth matter intellectually.”

In silence the two women watched him. His last remark, they knew, was nonsense, but was he going after it or not? Would not he, the cad, the charlatan, attempt a more dramatic finish? No. He was apparently content. He left them, carefully closing the front door; and when they looked through the hall window, they saw him go up the drive and begin to climb the slopes of withered fern behind the house. Their tongues were loosed, and they burst into stealthy rejoicings.

“Oh, Lucia⁠—come back here⁠—oh, what an awful man!”

Lucy had no reaction⁠—at least, not yet. “Well, he amuses me,” she said. “Either I’m mad, or else he is, and I’m inclined to think it’s the latter. One more fuss through with you, Charlotte. Many thanks. I think, though, that this is the last. My admirer will hardly trouble me again.”

And Miss Bartlett, too, essayed the roguish:

“Well, it isn’t everyone who could boast such a conquest, dearest, is it? Oh, one oughtn’t to laugh, really. It might have been very serious. But you were so sensible and brave⁠—so unlike the girls of my day.”

“Let’s go down to them.”

But, once in the open air, she paused. Some emotion⁠—pity, terror, love, but the emotion was strong⁠—seized her,