Mirrorland, Carole Johnstone [spiritual books to read .txt] 📗

shiny silver BMW pull up behind Shona’s pale blue Beetle – a convertible. Shona’s wearing tight jeans and a thin silk shirt. Who living in Edinburgh wouldn’t want a convertible and a thin silk shirt? I occupy myself with more petty observations as they open the gate, come up the path in slow single file. And when I run out of spite, I admire Logan’s legs instead, the broad set of his shoulders, even his stupid hair.

Please, I think, when I hear the front door, the hallway door, the murmur of voices. Please, when Ross shouts my name from the bottom of the stairs – uncertain and thin – and instead of answering, I open the white cupboard and look at El’s self-portrait, press the pads of my fingers against the angry brushstrokes of her skin. Please, when I go out onto the landing and grab hold of the bannister, feel the world list and lurch. When I stop just short of the bottom, look down into the hallway at all those solemn, grim faces and the bell board inside the kitchen doorway: the curled black springs, the shiny bells, the star-shaped pendulums.

Please.

Rafiq clears her throat, looks at us both in turn. ‘I’m sorry, Ross. Catriona.’ She drops her head, her gaze. ‘It’s definitely her. It’s definitely El.’

And that terrible day on Yellowcraigs doesn’t hurt more than anything else after all.

*

I end up in Mirrorland. When I can see again, I’m on my knees on the stern deck of the Satisfaction, clutching the ship’s lantern to my chest as I look out at the impatient white puffs of cloud and white frills of wave and Blackbeard, dark and stark and getting closer.

I don’t cry, I can’t cry, but every few minutes my whole body seizes with a kind of retching paralysis, where I can’t breathe, can’t see, can’t think. In the lulls between, I cough and rock and choke down ragged breath after breath, but as swiftly as I start to recover it comes again.

I stumble from the Satisfaction, and up into the long empty alleyway. Stop halfway along the boundary wall, and think of El’s Captain Henry Morgan, forever improved and never finished. Our seventeenth-century pirate king father.

It’s not real. It’s not real.

When I feel another seizure coming, I drop back onto my knees. What comfort I think I’ll find in it, I don’t know, but I start whispering, ‘We will not leave each other. Never so long as we live.’ Over and over again.

I hear a noise, see a shadow, feel my windpipe closing down tight to admit only thin sips of breath. I feel a rush of cold air, a shiver of dread. A line of white in the dark, throwing monstrous shadows against the walls. Deadlights. The echo of RUN! The high, long screaming panic of it, and then I’m scrambling to my feet too late, bolting away from the lurch and loom of a shadow that’s no longer a shadow.

‘Cat! Christ. Stop!’

Ross drops to his knees alongside me, grapples for a better hold of my flailing arms and legs. And I fight way past the point of needing or wanting to, because he’s El’s husband; he’s belonged to her and she to him since he first dropped down from that skylight into Mirrorland – and somehow, that hasn’t ever mattered to me until now. Somehow, I’ve managed to believe it isn’t even true.

‘Oh, God, please. Please. Leave me alone. Please!’ While I grab hold of him hard enough to hurt us both, hang on to him like he’s the only rock in a murderous black sea.

PART TWO

CHAPTER 19

17 April 2018 at 05:50

Inbox

john.smith120594@gmail.com

Re: HE KNOWS

To: Me

CLUE 10. BEHIND THE BERLIN WALL

Sent from my iPhone

*

I’m in the Clown Café. Bluebeard and Blackbeard are here. They’ll drag us out of the cupboard and carry us to Bedroom 3, and hang us on hooks until we’re dead. And as we die, we’ll scream in the dark like the sea, like dying pirates on a deck full of blood. And they’ll throw our bodies to the sharks.

I’m in Mirrorland, sitting cross-legged on the gun deck of the Satisfaction, looking across at El. We’re wearing matching tartan dresses over starchy white shirts. If it wasn’t for Ross balancing on his haunches between us, it would be like we were both looking into a mirror. Like one of us wasn’t really there. In his hand is a single sheet of paper covered in red and black pen. THE PLAN.

We’re in this together, okay? Ross says. The three of us. Together.

And Annie winks solemnly at me from behind the ship’s wheel. Sometimes you have to be brave. Even when you’re a grand wee coward.

I’m in the kitchen, sitting at the table. Scrambled eggs on toast and porridge that’s too hot to eat. A bird is trapped inside the old chimney flue. I can hear it scratching and flapping. My hand is shaking. I miss my mouth and Mum’s goes thin. Don’t slitter, Catriona. Grandpa sits with his bad leg up on the spare chair, throws back his head to laugh, but his hands tremble, and worse than mine. He looks at El next to the door, her fingers on its handle. Ye’re bein’ a stander, lassie. Sit the shit doon. And El looks at me. Her smile is terrible. I pretend I can’t see it. Can I have some tea?

The pantry’s black velveteen curtain was the Berlin Wall. El was always Alec Leamas, the heroic spy who came in from the cold, while I’d always be on the other side with the Clowns – the cruel George Smiley and his Circus – leading Alec to his doom. I find the diary page pushed inside the curtain’s hem.

September 4th, 1998

Today at breakfast everyone pretended everything was Normal. Even me really I suppose, even tho it’s not, even tho I’m just about as scared as I’ve ever been my Whole Life.

And Mum and Grandpa and Cat were all like