A Portrait of the Artist as a Young Man, James Joyce [best adventure books to read TXT] 📗

—A day of dappled seaborne clouds.

The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

He passed from the trembling bridge on to firm land again. At that instant, as it seemed to him, the air was chilled and, looking askance towards the water, he saw a flying squall darkening and crisping suddenly the tide. A faint click at his heart, a faint throb in his throat told him once more of how his flesh dreaded the cold infrahuman odour of the sea; yet he did not strike across the downs on his left but held straight on along the spine of rocks that pointed against the river’s mouth.

A veiled sunlight lit up faintly the grey sheet of water where the river was embayed. In the distance along the course of the slowflowing Liffey slender masts flecked the sky and, more distant still, the dim fabric of the city lay prone in haze. Like a scene on some vague arras, old as man’s weariness, the image of the seventh city of christendom was visible to him across the timeless air, no older nor more weary nor less patient of subjection than in the days of the thingmote.

Disheartened, he raised his eyes towards the slowdrifting clouds, dappled and seaborne. They were voyaging across the deserts of the sky, a host of nomads on the march, voyaging high over Ireland, westward bound. The Europe they had come from lay out there beyond the Irish Sea, Europe of strange tongues and valleyed and woodbegirt and citadelled and of entrenched and marshalled races. He heard a confused music within him as of memories and names which he was almost conscious of but could not capture even for an instant; then the music seemed to recede, to recede, to recede, and from each receding trail of nebulous music there fell always one longdrawn calling note, piercing like a star the dusk of silence. Again! Again! Again! A voice from beyond the world was calling.

—Hello, Stephanos!

—Here comes The Dedalus!

—Ao!⁠ ⁠… Eh, give it over, Dwyer, I’m telling you, or I’ll give you a stuff in the kisser for yourself.⁠ ⁠… Ao!

—Good man, Towser! Duck him!

—Come along, Dedalus! Bous Stephanoumenos! Bous Stephaneforos!

—Duck him! Guzzle him now, Towser!

—Help! Help!⁠ ⁠… Ao!

He recognised their speech collectively before he distinguished their faces. The mere sight of that medley of wet nakedness chilled him to the bone. Their bodies, corpsewhite or suffused with a pallid golden light or rawly tanned by the sun, gleamed with the wet of the sea. Their divingstone, poised on its rude supports and rocking under their plunges, and the rough-hewn stones of the sloping breakwater over which they scrambled in their horseplay gleamed with cold wet lustre. The towels with which they smacked their bodies were heavy with cold seawater; and drenched with cold brine was their matted hair.

He stood still in deference to their calls and parried their banter with easy words. How characterless they looked: Shuley without his deep unbuttoned collar, Ennis without his scarlet belt with the snaky clasp, and Connolly without his Norfolk coat with the flapless sidepockets! It was a pain to see them, and a swordlike pain to see the signs of adolescence that made repellent their pitiable nakedness. Perhaps they had taken refuge in number and noise from the secret dread in their souls. But he, apart from them and in silence, remembered in what dread he stood of the mystery of his own body.

—Stephanos Dedalos! Bous Stephanoumenos! Bous Stephaneforos!

Their banter was not new to him and now it flattered his mild proud sovereignty. Now, as never before, his strange name seemed to him a prophecy. So timeless seemed the grey warm air, so fluid and impersonal his own mood, that all ages were as one to him. A moment before the ghost of the ancient kingdom of the Danes had looked forth through the vesture of the hazewrapped city. Now, at the name of the fabulous artificer, he seemed to hear the noise of dim waves and to see a winged form flying above the waves and slowly climbing the air. What did it mean? Was it a quaint device opening a page of some medieval book of prophecies and symbols, a hawklike man flying sunward above the sea, a prophecy of the end he had been born to serve and had been following through the mists of childhood and boyhood, a symbol of the artist forging anew in his workshop out of the sluggish matter of the earth a new soaring impalpable imperishable being?

His heart trembled; his breath came faster and a wild spirit passed over his limbs as though he was soaring sunward. His heart trembled in an ecstasy of fear and his soul was in flight. His soul was soaring in an air beyond the world and the body he knew was purified in a breath and delivered of incertitude and made radiant and commingled with the element of the spirit. An ecstasy of flight made radiant his eyes and wild his breath and tremulous and wild and radiant his windswept limbs.

—One! Two!⁠ ⁠… Look out!

—O, Cripes, I’m drownded!

—One! Two! Three and away!

—The next! The next!

—One!⁠ ⁠… Uk!

—Stephaneforos!

His throat ached with a desire to cry aloud, the cry of