A Voyage to Arcturus, David Lindsay [guided reading books TXT] 📗

reached her, he discovered that she was dead. In what state of mind she had died, he did not know, for her face wore the vulgar Crystalman grin. The whole tragedy had not lasted five minutes.

He went over to Earthrid and dragged him forcibly away from his playing.

“You have been as good as your word, musician,” he said. “Gleameil is dead.”

Earthrid tried to collect his scattered senses.

“I warned her,” he replied, sitting up. “Did I not beg her to go away? But she died very easily. She did not wait for the beauty she spoke about. She heard nothing of the passion, nor even of the rhythm. Neither have you.”

Maskull looked down at him in indignation, but said nothing.

“You should not have interrupted me,” went on Earthrid. “When I am playing, nothing else is of importance. I might have lost the thread of my ideas. Fortunately, I never forget. I shall start over again.”

“If music is to continue, in the presence of the dead, I play next.”

The man glanced up quickly.

“That can’t be.”

“It must be,” said Maskull decisively. “I prefer playing to listening. Another reason is that you will have every night, but I have only tonight.”

Earthrid clenched and unclenched his fist, and began to turn pale. “With your recklessness, you are likely to kill us both. Irontick belongs to me, and until you have learned how to play, you would only break the instrument.”

“Well, then, I will break it; but I am going to try.”

The musician jumped to his feet and confronted him. “Do you intend to take it from me by violence?”

“Keep calm! You will have the same choice that you offered us. I shall give you time to go away somewhere.”

“How will that serve me, if you spoil my lake? You don’t understand what you are doing.”

“Go, or stay!” responded Maskull. “I give you till the water gets smooth again. After that, I begin playing.”

Earthrid kept swallowing. He glanced at the lake and back to Maskull.

“Do you swear it?”

“How long that will take, you know better than I; but till then you are safe.”

Earthrid cast him a look of malice, hesitated for an instant, and then moved away, and started to climb the nearest hill. Halfway up he glanced over his shoulder apprehensively, as if to see what was happening. In another minute or so, he had disappeared over the crest, travelling in the direction of the shore that faced Matterplay.

Later, when the water was once more tranquil. Maskull sat down by its edge, in imitation of Earthrid’s attitude. He knew neither how to set about producing his music, nor what would come of it. But audacious projects entered his brain and he willed to create physical shapes⁠—and, above all, one shape, that of Surtur.

Before putting his foot to the water, he turned things over a little in his mind.

He said, “What themes are in common music, shapes are in this music. The composer does not find his theme by picking out single notes; but the whole theme flashes into his mind by inspiration. So it must be with shapes. When I start playing, if I am worth anything, the undivided ideas will pass from my unconscious mind to this lake, and then, reflected back in the dimensions of reality, I shall be for the first time made acquainted with them. So it must be.”

The instant his foot touched the water, he felt his thoughts flowing from him. He did not know what they were, but the mere act of flowing created a sensation of joyful mastery. With this was curiosity to learn what they would prove to be. Spouts formed on the lake in increasing numbers, but he experienced no pain. His thoughts, which he knew to be music, did not issue from him in a steady, unbroken stream, but in great, rough gushes, succeeding intervals of quiescence. When these gushes came, the whole lake broke out in an eruption of spouts.

He realised that the ideas passing from him did not arise in his intellect, but had their source in the fathomless depths of his will. He could not decide what character they should have, but he was able to force them out, or retard them, by the exercise of his volition.

At first nothing changed around him. Then the moon grew dimmer, and a strange, new radiance began to illuminate the landscape. It increased so imperceptibly that it was some time before he recognised it as the Muspel-light which he had seen in the Wombflash Forest. He could not give it a colour, or a name, but it filled him with a sort of stern and sacred awe. He called up the resources of his powerful will. The spouts thickened like a forest, and many of them were twenty feet high. Teargeld looked faint and pale; the radiance became intense; but it cast no shadows. The wind got up, but where Maskull was sitting, it was calm. Shortly afterward it began to shriek and whistle, like a full gale. He saw no shapes, and redoubled his efforts.

His ideas were now rushing out onto the lake so furiously that his whole soul was possessed by exhilaration and defiance. But still he did not know their nature. A huge spout shot up and at the same moment the hills began to crack and break. Great masses of loose soil were erupted from their bowels, and in the next period of quietness, he saw that the landscape had altered. Still the mysterious light intensified. The moon disappeared entirely. The noise of the unseen tempest was terrifying, but Maskull played heroically on, trying to urge out ideas which would take shape. The hillsides were cleft with chasms. The water escaping from the tops of the spouts, swamped the land; but where he was, it was dry.

The radiance grew terrible. It was everywhere, but Maskull fancied that it was far brighter in one particular quarter. He thought that it was becoming localised, preparatory to contracting into a solid form. He strained