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trying by their shrill, ear-piercing voices to drown the coarse bellowing of trombones and ophicleides, whilst the thunder of drums and kettledrums, warning and threatening, exhorted frivolous, thoughtless young men of the consideration due to the seriousness and supreme importance of the moment. From the station there rang out, almost like a soothing piccolo-strain, the whistle of the engine, mingling harmoniously with the joyful music of the band.

Romashov suddenly felt himself caught, as it were, by a mighty, roaring wave that, irresistibly and exultingly, carried him away. With a sensation of joy and courage such as he had never experienced before, his glance met the sun’s gold-steeped rays, and it seemed to him as if, at that moment, he was, for the first time, conscious of the blue sky paled by the heat, and the warm verdure of the plain that disappeared in the far distance. For once he felt young and strong and eager to distinguish himself; proud, too, of belonging to this magnificent, motionless, imposing mass of men, gathered together and quelled by an invisible, mysterious will.

Shulgovich, with his sabre drawn to a level with his face, rode in a ponderous gallop to meet the General.

Directly the band’s rough martial, triumphant strains had ceased, the General’s calm, musical voice rang out⁠—

“Good day, 1st Company.”

The soldiers answered his salutation promptly and joyfully. Again the locomotive made its voice heard, but this time in the form of a sharp, defiant signal. The Brigadier-General rode slowly along the line, saluting the companies in their proper order. Romashov could already distinguish his heavy, obese figure with the thin linen jacket turned up in deep folds across his chest and fat belly; his big square face turned towards the troops; the gorgeous saddlecloth with his monogram embroidered in bright colours, the majestic grey charger, the ivory rings on the martingale, and patent-leather riding boots.

“Good day, 6th Company.”

The soldiers round Romashov replied with a shout that was pretty nearly destructive both to throats and eardrums. The General sat his horse with the careless grace of an accomplished rider. His noble charger, with the gentle, steadfast glance from his handsome, though slightly bloodshot eyes, tugged hard at its bit, from which, now and then, a few white foam-drops fell to the ground, and careered gently on with short, quick, dancing steps.

“He’s grey about the temples, but his moustache is black⁠—dyed, perhaps,” was Romashov’s reflection just then.

Through his gold-rimmed pince-nez the General answered with his dark, clever, youthful and satirically questioning eyes the soldiers’ glances directed at him. When he came up to Romashov he touched the peak of his cap with his hand. Romashov stood quite still, with every muscle strained in the most correct attitude of “attention,” and he clasped the hilt of his sabre with such a hard, crushing grip that it almost caused him pain. A shudder of infinite, enthusiastic devotion rushed through his whole being, and whilst looking fixedly at the General’s face, he thought to himself in his old naive, childish way⁠—

“The grey-haired old warrior’s glances noted with delight the young ensign’s slender, well-built figure.”

The General continued his slow ride along the front, saluting company after company. Behind him moved his suite⁠—a promiscuous, resplendent group of staff officers, whose horses shone with profuse rubbing down and dressing. Romashov glanced at them, too, benevolently, but not one of them took the slightest notice of him. These spoilt favourites of fortune had long since had more than enough of parades, reviews, and the boundless enthusiasm of little, insignificant infantry officers, and Romashov felt in his heart a bitter, rebellious feeling at the thought that these superior people belonged to a world quite beyond his reach.

The band suddenly received a sign to stop playing. The General returned at a sharp trot to the right wing, and after him, in a long, variegated line, his mounted suite. Colonel Shulgovich galloped off to the 1st Company. Pulling his reins and throwing all his enormous body back in the saddle, he yelled in a hoarse and trembling voice⁠—

“Captain Osadchi, advance company. Quick, march!”

Between the commander of the regiment and Captain Osadchi there was an incessant rivalry, during drill hours, to outdo each other in lung power, and not many seconds elapsed before the latter was heard to order in his mighty, rolling bass⁠—

“Company, shoulder arms! Dress in the middle. Forward, march!” Osadchi had, with fearful sacrifice of time and labour, succeeded in introducing in his company a new kind of marching. This consisted in the soldiers raising their foot high in the air in very slow time, and afterwards putting it down on the ground with the greatest possible force. This wonderful and imposing manner of moving along the ground excited not only much interest, but also a certain envy among the other captains of companies.

But the 1st Company had hardly marched fifty paces before they heard the General’s angry and impatient voice exclaim⁠—

“What the deuce is this? Halt with the company. Halt, halt! Come here to me, Captain. Tell me, sir, what in the name of goodness that is supposed to represent. Is it a funeral or a torch procession? Say. March in three-time. Listen, sir, we’re not living in the days of Nicholas, when a soldier served for twenty-five years. How many precious days have you wasted in practising this corps de ballet? Answer me.”

Osadchi stood gloomy, still and silent before his angry chief, with his drawn sabre pointing to the ground. The General was silent for an instant, and then resumed his harangue with an expression of sorrow and irony in his voice⁠—

“By this sort of insanity you will soon succeed in extinguishing the last spark of life in your soldiers. Don’t you think so yourself? Oh, you luckless ghosts from Ivan the Cruel’s days! But enough of this. Allow me instead to ask you, Captain, the name of this young lad.”

“Ignati Mikhailovich, your Excellency,” replied Osadchi in the dry, sepulchral, regulation voice.

“Well and good. But what do you know about him? Is

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