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called at least two hundred to the rescue the little General would have been lost.

In addition to other engagements, the General frequently performed in Douglass’s Standard Theater, in the city, in the play “Hop o’ my Thumb,” which was written for him by my friend, Albert Smith, whom I met soon after my first arrival in London and with whom I became very intimate. After my arrival in Paris, seeing the decided success of “Petit Poucet,” it occurred to me that I should want such a play when I returned to England and the United States. So I wrote to Mr. Albert Smith, inviting him to make me a visit in Paris, intending to have him see this play and either translate or adapt it, or write a new one in English. He came and stayed with me a week, visiting the Vaudeville Theater to see “Petit Poucet” nearly every night, and we compared notes and settled upon a plan for “Hop o’ my Thumb.” He went back to London and wrote the play and it was very popular indeed.

During our stay of three months, at this time, in Egyptian Hall, we made occasional excursions and gave exhibitions at Brighton, Bath, Cheltenham, Leamington and other watering places and fashionable resorts. It was at the height of the season in these places, and our houses were very large and our profits in proportion.

In October, 1844, I made my first return visit to the United States, leaving General Tom Thumb in England, in the hands of an accomplished and faithful agent, who continued the exhibitions during my absence. One of the principal reasons for my return at this time, was my anxiety to renew the Museum building lease, although my first lease of five years had still three years longer to run. I told Mr. Olmsted that if he would not renew my lease on the same terms, for at least five years more, I would immediately put up a new building, remove my Museum, close his building during the last year of my lease, and cover it from top to bottom with placards, stating where my new Museum was to be found. Pending an arrangement, I went to Mr. A. T. Stewart, who had just purchased the Washington Hall property, at the corner of Broadway and Chambers Street, intending to erect a store on the site, and proposed to join him in building, he to take the lower floor of the new store for his business, and I to own and occupy the upper stories for my Museum. He said he would give me an answer in the course of a week. Meanwhile, Mr. Olmsted gave me the additional five years lease I asked, and I so notified Mr. Stewart. Seeing the kind of building that Mr. Stewart erected on his lots, I do not know if he seriously entertained my proposition to join him in the enterprise; but he was by no means the great merchant then he afterwards became, and neither of us then thought, probably, of the gigantic enterprises we were subsequently to undertake, and the great things we were to accomplish. Having completed my business arrangements in New York, I returned to England with my wife and daughters, and hired a house in London. My house was the scene of constant hospitality which I extended to my numerous friends in return for the many attentions shown to me. It seemed then as if I had more and stronger friends in London than in New York. I had met and had been introduced to “almost everybody who was anybody,” and among them all, some of the best soon became to me much more than mere acquaintances.

Among the distinguished people whom I met, I was introduced to the poet-banker, Samuel Rogers. I saw him at a dinner party at the residence of the American Minister, the Honorable Edward Everett. The old banker was very feeble, but careful nursing and all the appliances that unbounded wealth could bring, still kept the life in him and he managed, not only to continue to give his own celebrated breakfasts, but to go out frequently to enjoy the hospitality of others. As we were going in to dinner, I stepped aside, so that Mr. Rogers who was tottering along leaning on the arm of a friend, could go in before me, when Mr. Rogers said:

“Pass in, Mr. Barnum, pass in; I always consider it an honor to follow an American.”

When our three months’ engagement at Egyptian Hall had expired, I arranged for a protracted provincial tour through Great Britain. I had made a flying visit to Scotland before we went to Paris⁠—mainly to procure the beautiful Scotch costumes, daggers, etc., which were carefully made for the General at Edinburgh, and to teach the General the Scotch dances, with a bit of the Scotch dialect, which added so much to the interest of his exhibitions in Paris and elsewhere. My second visit to Scotland, for the purpose of giving exhibitions, extended as far as Aberdeen.

In England we went to Manchester, Birmingham, and to almost every city, town, and even village of importance. We travelled by post much of the time⁠—that is, I had a suitable carriage made for my party, and a van which conveyed the General’s carriage, ponies, and such other “property” as was needed for our levees⁠—and we never had the slightest difficulty in finding good post horses at every station where we wanted them. This mode of travelling was not only very comfortable and independent, but it enabled us to visit many out of the way places, off from the great lines of travel, and in such places we gave some of our most successful exhibitions. We also used the railway lines freely, leaving our carriages at any station, and taking them up again when we returned.

I remember once making an extraordinary effort to reach a branch-line station, where I meant to leave my teams and take the rail for Rugby. I had a timetable, and knew at

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