The Created Legend, Fyodor Sologub [ebook reader with android os .txt] 📗

a white wall was visible, which concealed Trirodov’s house. They continued their way towards the house. In front of them, keeping close to the bushes, walked a boy in a white dress; he appeared to be showing them the way.

It was very quiet. High above them, protecting himself from the human eye by dark purple shields, the flaming Dragon rested. His look from behind the deceptive, vacillant shields was hot and evil; he poured out his dazzling light, tormented men with it, yet wished them to rejoice in his presence and to compose hymns to him. He wished to rule, and it seemed as though he were motionless, as though he would never decide to retire. But his livid weariness already began to incline him westwards. Still his passion grew, and his kisses were scorching, and his infuriated gaze with its livid purple dimmed the glances of the two girls.

The girls’ glances were seeking⁠—seeking Trirodov’s house.

Trirodov’s house stood about a verst and a half from the edge of the town, not at the end where the dirty and smoky factory buildings squatted, but quite at the other end, along the River Skorodyen, above the town of Skorodozh. This house and the estate attached to it occupied a considerable space, surrounded by a stone wall. One side of the place faced the river, the other the town, the rest adjoined the fields and woods. The house stood in the middle of an old garden. From behind the tall white stone wall the tops of the trees were to be seen, while between them, quite high, two turrets of the house, one somewhat higher than the other, were visible. The sisters felt as if someone in the high turret were looking down upon them.

There were ominous rumours concerning the house even in the days when it belonged to the previous tenant Matov, a kinsman of the Rameyev sisters. It was said that the house was inhabited by ghosts, and by phantoms who had left their graves. There was a footpath close to the house which led across the northern part of the estate, through a wood, to the Krutitsk cemetery. In the town they called this the footpath of Navii,2 and they were afraid to walk upon it even by day. Many legends grew up around it. The local intelligentsia tried vainly to disprove them. The whole property was sometimes called Navii’s playground. There were some who said that they had seen with their own eyes this enigmatic inscription on the gates: “Three went in, two came out.” This inscription was, of course, no longer there. Now only lightly cutout figures were to be seen, one under the other: “3” on top, “2” lower, and “1” at the bottom.

All the evil rumours and warnings did not prevent Giorgiy Sergeyevitch Trirodov from buying the house. He made changes in it, and then settled here after his comparatively brief educational career had been rudely cut short.

It took a long time to rebuild and transform the house. The high walls prevented anyone from seeing what was being done there. This aroused the curiosity of the townsfolk and caused all sorts of malicious gossip. The working men did not belong to the place, but were brought from a distance. Dark and short and rather gruff-looking, they did not understand the local speech, and seldom showed themselves in the streets.

“They are wicked and dark,” was said about them in the town. “They carry knives about with them, and dig underground passages in Navii’s playground. He himself is clean-shaven like a German, and he’s imported these foreign earth-diggers.”

“I like that red-haired instructress, Nadezhda Vestchezerova,” said Elena.

She looked searchingly at her sister.

“Yes, she’s very sincere,” answered Elisaveta. ‘ “A fine girl.”

“They are all charming,” said Elena with greater assurance.

“Yes,” observed Elisaveta, with indecision in her voice. “But there is that other⁠—the one that ran away from us⁠—there’s something I don’t like about her. Perhaps it’s a slight veneer of hypocrisy.”

“Why do you say so?” asked Elena.

“I simply feel it. She smiles too pleasantly, too lovingly. She seems in every way phlegmatic, yet she tries to appear animated. Her words come rather easily sometimes, and she exaggerates.”

It was quiet in the garden behind the stone wall. This was Kirsha’s free hour. But he could not play, though he tried to.

Little Kirsha, Trirodov’s son, whose mother had died not long before, was dark and thin. He had a very mobile face and restless dark eyes. He was dressed like the boys in the wood. He was quite restless today. He felt sad without knowing why. He felt as if some invisible being were drawing him on, calling to him in an inaudible whisper, demanding something⁠—what? And who was it approaching their house? Why? Friend or foe? It was a stranger⁠—yet curiously intimate.

At that moment, when the sisters were taking leave of the children in the wood, Kirsha felt especially perturbed. In the far corner of the garden he saw a boy in white dress; he ran up to him. They spoke long and quietly. Then Kirsha ran to his father.

Giorgiy Sergeyevitch Trirodov was all alone at home. He was lying on the sofa, reading a book by Wilde.

Trirodov was forty years old. He was slender and erect. His short-trimmed hair and clean-shaven face made him look very young. Only on closer scrutiny it was possible to detect the many grey hairs, the wrinkles on the forehead around the eyes. His face was pale. His broad forehead seemed very large⁠—it was partly due to a narrow chin, lean cheeks, and baldness.

The room where Trirodov was reading⁠—his study⁠—was large, bright, and simple, with a white, unpainted floor as smooth as a mirror. The walls were lined with open bookcases. In the wall opposite the windows, between the bookcases, a narrow space was left, large enough for a man to stand in. It gave the impression of a door being there, hidden by hangings. In the middle of the room stood a