Short Fiction, Xavier de Maistre [books to read in your 20s txt] 📗

is no imaginable cheat I do not put upon the poor fellow to lengthen the blissful moment. I give him a hundred preliminary orders. He knows that these orders, given somewhat peevishly, are mere excuses for my staying in bed without seeming to wish to do so. But this he affects not to see through, and I am truly thankful to him.

At last, when I have exhausted all my resources, he advances to the middle of the room, and with folded arms, plants himself there in a perfectly immovable position. It must be admitted that it would be impossible to show disapproval of my idleness with greater judgment and address. I never resist this tacit invitation, but, stretching out my arms to show I understand him, get up at once.

If the reader will reflect upon the behavior of my servant, he will convince himself that in certain delicate matters of this kind, simplicity and good sense are much better than the sharpest wit. I dare assert that the most studied discourse on the impropriety of sloth would not make me spring so readily from my bed as the silent reproach of Monsieur Joannetti.

This Monsieur Joannetti is a thoroughly honest fellow, and at the same time just the man for such a traveller as I. He is accustomed to the frequent journeys of my soul, and never laughs at the inconsistencies of the other. He even directs it occasionally when it is alone, so that one might say it is then conducted by two souls. When it is dressing, for instance, he will warn it by a gesture that it is on the point of putting on its stockings the wrong way, or its coat before its waistcoat.

Many a time has my soul been amused at seeing poor Joannetti running after this foolish creature under the arches of the citadel, to remind it of a forgotten hat or handkerchief. One day, I must confess, had it not been for this faithful servant, who caught it up just at the bottom of the staircase, the silly creature would have presented itself at court without a sword, as boldly as if it had been the chief gentleman-usher, bearing the august rod.

XV

“Come, Joannetti,” I said, “hang up this picture.” He had helped to clean it, and had no more notion than the man in the moon what had produced our chapter on the portrait. He it was, who, of his own accord, held out the wet sponge, and who, through that seemingly unimportant act, caused my soul to travel a hundred millions of leagues in a moment of time. Instead of restoring it to its place, he held it to examine it in his turn. A difficulty, a problem, gave him an inquisitive air, which I did not fail to observe.

“Well, and what fault do you find with that portrait?” said I.

“O, none at all, sir.”

“But come now, you have some remark to make, I know.”

He placed it upright on one of the wings of my bureau, and then drawing back a little, “I wish, sir,” he said, “that you would explain how it is that in whatever part of the room one may be, this portrait always watches you. In the morning, when I am making your bed, the face turns towards me; and if I move toward the window, it still looks at me, and follows me with its eyes as I go about.”

“So that, Joannetti,” said I, “if my room were full of people, that beautiful lady would eye everyone, on all sides, at once.”

“Just so, sir.”

“She would smile on every comer and goer, just as she would on me?”

Joannetti gave no further answer. I stretched myself in my easy-chair, and, hanging down my head, gave myself up to the most serious meditations. What a ray of light fell upon me! Alack, poor lover! While thou pinest away, far from thy mistress, at whose side another perhaps, has already replaced thee; whilst thou fixest thy longing eyes on her portrait, imagining that at least in picture, thou art the sole being she deigns to regard⁠—the perfidious image, as faithless as the original, bestows its glances on all around, and smiles on everyone alike!

And in this behold a moral resemblance between certain portraits and their originals, which no philosopher, no painter, no observer, had before remarked.

I go on from discovery to discovery.

XVI

Joannetti remained in the attitude I have described, awaiting the explanation he had asked of me. I withdrew my head from the folds of my travelling dress, into which I had thrust it that I might meditate more at my ease; and after a moment’s silence, to enable me to collect my thoughts after the reflections I had just made, I said, turning my armchair toward him⁠—

“Do you not see that as a picture is a plane surface, the rays of light proceeding from each point on that surface⁠ ⁠… ?”

At that explanation, Joannetti stretched his eyes to their very widest, while he kept his mouth half open. These two movements of the human face express, according to the famous Le Brun, the highest pitch of astonishment. It was, without doubt, my animal, that had undertaken this dissertation, while my soul was well aware that Joannetti knew nothing whatever about plane surfaces and rays of light. The prodigious dilatation of his eyelids caused me to draw back. I ensconced my head in the collar of my travelling coat, and this so effectively that I well-nigh succeeded in altogether hiding it. I determined to dine where I was. The morning was far advanced, and another step in my room would have delayed my dinner until nightfall. I let myself slip to the edge of my chair, and putting both feet on the mantelpiece, patiently awaited my meal. This was a most comfortable attitude; indeed, it would be difficult to find another possessing so many advantages, and so well adapted to the inevitable sojourns of a long