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the armor of pure souls. He fought among his own, the low, the grasping, and the wicked, with that unbending righteousness which is the sword of the just. He never faltered, he seldom complained; he simply worked, inspiring the young, rebuking the old, helping the weak, guiding the strong.

So he grew, and brought within his wide influence all that was best of those who walk within the Veil. They who live without knew not nor dreamed of that full power within, that mighty inspiration which the dull gauze of caste decreed that most men should not know. And now that he is gone, I sweep the Veil away and cry, Lo! the soul to whose dear memory I bring this little tribute. I can see his face still, dark and heavy-lined beneath his snowy hair; lighting and shading, now with inspiration for the future, now in innocent pain at some human wickedness, now with sorrow at some hard memory from the past. The more I met Alexander Crummell, the more I felt how much that world was losing which knew so little of him. In another age he might have sat among the elders of the land in purple-bordered toga; in another country mothers might have sung him to the cradles.

He did his work⁠—he did it nobly and well; and yet I sorrow that here he worked alone, with so little human sympathy. His name today, in this broad land, means little, and comes to fifty million ears laden with no incense of memory or emulation. And herein lies the tragedy of the age: not that men are poor⁠—all men know something of poverty; not that men are wicked⁠—who is good? not that men are ignorant⁠—what is Truth? Nay, but that men know so little of men.

He sat one morning gazing toward the sea. He smiled and said, “The gate is rusty on the hinges.” That night at star-rise a wind came moaning out of the west to blow the gate ajar, and then the soul I loved fled like a flame across the Seas, and in its seat sat Death.

I wonder where he is today? I wonder if in that dim world beyond, as he came gliding in, there rose on some wan throne a King⁠—a dark and pierced Jew, who knows the writhings of the earthly damned, saying, as he laid those heart-wrung talents down, “Well done!” while round about the morning stars sat singing.

XIII Of the Coming of John

What bring they ’neath the midnight,
Beside the River-sea?
They bring the human heart wherein
No nightly calm can be;
That droppeth never with the wind,
Nor drieth with the dew;
O calm it, God; thy calm is broad
To cover spirits too.
The river floweth on.

Mrs. Browning Three lines of musical notation representing a truncated fragment of melody.

Carlisle Street runs westward from the centre of Johnstown, across a great black bridge, down a hill and up again, by little shops and meat-markets, past single-storied homes, until suddenly it stops against a wide green lawn. It is a broad, restful place, with two large buildings outlined against the west. When at evening the winds come swelling from the east, and the great pall of the city’s smoke hangs wearily above the valley, then the red west glows like a dreamland down Carlisle Street, and, at the tolling of the supper-bell, throws the passing forms of students in dark silhouette against the sky. Tall and black, they move slowly by, and seem in the sinister light to flit before the city like dim warning ghosts. Perhaps they are; for this is Wells Institute, and these black students have few dealings with the white city below.

And if you will notice, night after night, there is one dark form that ever hurries last and late toward the twinkling lights of Swain Hall⁠—for Jones is never on time. A long, straggling fellow he is, brown and hard-haired, who seems to be growing straight out of his clothes, and walks with a half-apologetic roll. He used perpetually to set the quiet dining-room into waves of merriment, as he stole to his place after the bell had tapped for prayers; he seemed so perfectly awkward. And yet one glance at his face made one forgive him much⁠—that broad, good-natured smile in which lay no bit of art or artifice, but seemed just bubbling good-nature and genuine satisfaction with the world.

He came to us from Altamaha, away down there beneath the gnarled oaks of Southeastern Georgia, where the sea croons to the sands and the sands listen till they sink half drowned beneath the waters, rising only here and there in long, low islands. The white folk of Altamaha voted John a good boy⁠—fine plough-hand, good in the rice-fields, handy everywhere, and always good-natured and respectful. But they shook their heads when his mother wanted to send him off to school. “It’ll spoil him⁠—ruin him,” they said; and they talked as though they knew. But full half the black folk followed him proudly to the station, and carried his queer little trunk and many bundles. And there they shook and shook hands, and the girls kissed him shyly and the boys clapped him on the back. So the train came, and he pinched his little sister lovingly, and put his great arms about his mother’s neck, and then was away with a puff and a roar into the great yellow world that flamed and flared about the doubtful pilgrim. Up the coast they hurried, past the squares and palmettos of Savannah, through the cotton-fields and through the weary night, to Millville, and came with the morning to the noise and bustle of Johnstown.

And they that stood behind, that morning in Altamaha, and watched the train as it noisily bore playmate and brother and son away to the world, had thereafter one ever-recurring word⁠—“When John comes.” Then what parties were to be, and what speakings in the churches; what new furniture in the front

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