The Age of Fable, Thomas Bulfinch [mini ebook reader TXT] 📗

She replied, “Baldur hath ridden over Gyoll’s bridge, and yonder lieth the way he took to the abodes of death”

Hermod pursued his journey until he came to the barred gates of Hel. Here he alighted, girthed his saddle tighter, and remounting clapped both spurs to his horse, who cleared the gate by a tremendous leap without touching it. Hermod then rode on to the palace, where he found his brother Baldur occupying the most distinguished seat in the hall, and passed the night in his company. The next morning he besought Hela to let Baldur ride home with him, assuring her that nothing but lamentations were to be heard among the gods. Hela answered that it should now be tried whether Baldur was so beloved as he was said to be. “If, therefore,” she added, “all things in the world, both living and lifeless, weep for him, then shall he return to life; but if any one thing speak against him or refuse to weep, he shall be kept in Hel.”

Hermod then rode back to Asgard and gave an account of all he had heard and witnessed.

The gods upon this despatched messengers throughout the world to beg everything to weep in order that Baldur might be delivered from Hel. All things very willingly complied with this request, both men and every other living being, as well as earths, and stones, and trees, and metals, just as we have all seen these things weep when they are brought from a cold place into a hot one. As the messengers were returning, they found an old hag named Thaukt sitting in a cavern, and begged her to weep Baldur out of Hel. But she answered,

“Thaukt will wail With dry tears Baldur’s bale-fire. Let Hela keep her own.”

It was strongly suspected that this hag was no other than Loki himself, who never ceased to work evil among gods and men. So Baldur was prevented from coming back to Asgard.

[Footnote: In Longfellow’s Poems will be found a poem entitled “Tegner’s Drapa,” upon the subject of Baldur’s death.]

The gods took up the dead body and bore it to the seashore where stood Baldur’s ship “Hringham,” which passed for the largest in the world. Baldur’s dead body was put on the funeral pile, on board the ship, and his wife Nanna was so struck with grief at the sight that she broke her heart, and her body was burned on the same pile as her husband’s. There was a vast concourse of various kinds of people at Baldur’s obsequies. First came Odin accompanied by Frigga, the Valkyrie, and his ravens; then Frey in his car drawn by Gullinbursti, the boar; Heimdall rode his horse Gulltopp, and Freya drove in her chariot drawn by cats. There were also a great many Frost giants and giants of the mountain present. Baldur’s horse was led to the pile fully caparisoned and consumed in the same flames with his master.

But Loki did not escape his deserved punishment. When he saw how angry the gods were, he fled to the mountain, and there built himself a hut with four doors, so that he could see every approaching danger. He invented a net to catch the fishes, such as fishermen have used since his time. But Odin found out his hiding-place and the gods assembled to take him. He, seeing this, changed himself into a salmon, and lay hid among the stones of the brook. But the gods took his net and dragged the brook, and Loki, finding he must be caught, tried to leap over the net; but Thor caught him by the tail and compressed it, so that salmons ever since have had that part remarkably fine and thin. They bound him with chains and suspended a serpent over his head, whose venom falls upon his face drop by drop. His wife Siguna sits by his side and catches the drops as they fall, in a cup; but when she carries it away to empty it, the venom falls upon Loki, which makes him howl with horror, and twist his body about so violently that the whole earth shakes, and this produces what men call earthquakes.

THE ELVES

The Edda mentions another class of beings, inferior to the gods, but still possessed of great power; these were called Elves. The white spirits, or Elves of Light, were exceedingly fair, more brilliant than the sun, and clad in garments of a delicate and transparent texture. They loved the light, were kindly disposed to mankind, and generally appeared as fair and lovely children. Their country was called Alfheim, and was the domain of Freyr, the god of the sun, in whose light they were always sporting.

The Black or Night Elves were a different kind of creatures. Ugly, long-nosed dwarfs, of a dirty brown color, they appeared only at night, for they avoided the sun as their most deadly enemy, because whenever his beams fell upon any of them they changed them immediately into stones. Their language was the echo of solitudes, and their dwelling-places subterranean caves and clefts. They were supposed to have come into existence as maggots produced by the decaying flesh of Ymir’s body, and were afterwards endowed by the gods with a human form and great understanding. They were particularly distinguished for a knowledge of the mysterious powers of nature, and for the runes which they carved and explained. They were the most skilful artificers of all created beings, and worked in metals and in wood. Among their most noted works were Thor’s hammer, and the ship “Skidbladnir,” which they gave to Freyr, and which was so large that it could contain all the deities with their war and household implements, but so skillfully was it wrought that when folded together it could be put into a side pocket.

RAGNAROK, THE TWILIGHT OF THE GODS

It was a firm belief of the northern nations that a time would come when all the visible creation, the gods of Valhalla and Niffleheim, the inhabitants of Jotunheim, Alfheim, and Midgard, together with their habitations, would be destroyed. The fearful day of destruction will not, however, be without its forerunners. First will come a triple winter, during which snow will fall from the four corners of the heavens, the frost be very severe, the wind piercing, the weather tempestuous, and the sun impart no gladness. Three such winters will pass away without being tempered by a single summer. Three other similar winters will then follow, during which war and discord will spread over the universe. The earth itself will be frightened and begin to tremble, the sea leave its basin, the heavens tear asunder, and men perish in great numbers, and the eagles of the air feast upon their still quivering bodies. The wolf Fenris will now break his bands, the Midgard serpent rise out of her bed in the sea, and Loki, released from his bonds, will join the enemies of the gods. Amidst the general devastation the sons of Muspelheim will rush forth under their leader Surtur, before and behind whom are flames and burning fire. Onward they ride over Bifrost, the rainbow bridge, which breaks under the horses’ hoofs. But they, disregarding its fall, direct their course to the battlefield called Vigrid. Thither also repair the wolf Fenris, the Midgard serpent, Loki with all the followers of Hela, and the Frost giants.

Heimdall now stands up and sounds the Giallar horn to assemble the gods and heroes for the contest. The gods advance, led on by Odin, who engages the wolf Fenris, but falls a victim to the monster, who is, however, slain by Vidar, Odin’s son. Thor gains great renown by killing the Midgard serpent, but recoils and falls dead, suffocated with the venom which the dying monster vomits over him. Loki and Heimdall meet and fight till they are both slain. The gods and their enemies having fallen in battle, Surtur, who has killed Freyr, darts fire and flames over the world, and the whole universe is burned up. The sun becomes dim, the earth sinks into the ocean, the stars fall from heaven, and time is no more.

After this Alfadur (the Almighty) will cause a new heaven and a new earth to arise out of the sea. The new earth filled with abundant supplies will spontaneously produce its fruits without labor or care. Wickedness and misery will no more be known, but the gods and men will live happily together.

RUNIC LETTERS

One cannot travel far in Denmark, Norway, or Sweden without meeting with great stones of different forms, engraven with characters called Runic, which appear at first sight very different from all we know. The letters consist almost invariably of straight lines, in the shape of little sticks either singly or put together. Such sticks were in early times used by the northern nations for the purpose of ascertaining future events. The sticks were shaken up, and from the figures that they formed a kind of divination was derived.

The Runic characters were of various kinds. They were chiefly used for magical purposes. The noxious, or, as they called them, the BITTER runes, were employed to bring various evils on their enemies; the favorable averted misfortune. Some were medicinal, others employed to win love, etc. In later times they were frequently used for inscriptions, of which more than a thousand have been found. The language is a dialect of the Gothic, called Norse, still in use in Iceland. The inscriptions may therefore be read with certainty, but hitherto very few have been found which throw the least light on history. They are mostly epitaphs on tombstones.

Gray’s ode on the “Descent of Odin” contains an allusion to the use of Runic letters for incantation:

“Facing to the northern clime, Thrice he traced the Runic rhyme; Thrice pronounced, in accents dread, The thrilling verse that wakes the dead, Till from out the hollow ground Slowly breathed a sullen sound.”

THE SKALDS

The Skalds were the bards and poets of the nation, a very important class of men in all communities in an early stage of civilization. They are the depositaries of whatever historic lore there is, and it is their office to mingle something of intellectual gratification with the rude feasts of the warriors, by rehearsing, with such accompaniments of poetry and music as their skill can afford, the exploits of their heroes living or dead. The compositions of the Skalds were called Sagas, many of which have come down to us, and contain valuable materials of history, and a faithful picture of the state of society at the time to which they relate.

ICELAND

The Eddas and Sagas have come to us from Iceland. The following extract from Carlyle’s lectures on “Heroes and Hero Worship” gives an animated account of the region where the strange stories we have been reading had their origin. Let the reader contrast it for a moment with Greece, the parent of classical mythology:

“In that strange island, Iceland,—burst up, the geologists say, by fire from the bottom of the sea, a wild land of barrenness and lava, swallowed many months of every year in black tempests, yet with a wild, gleaming beauty in summer time, towering up there stern and grim in the North Ocean, with its snow yokuls [mountains], roaring geysers [boiling springs], sulphur pools, and horrid volcanic chasms, like the waste, chaotic battlefield of Frost and Fire,—where, of all places, we least looked for literature or written memorials,—the record of these things was written down. On the seaboard of this wild land is a rim of grassy country, where cattle can subsist, and men by means of them and of what the sea yields; and it seems they were poetic men these, men who had deep thoughts in them and uttered musically their thoughts. Much would be lost had Iceland