The Enchanted Castle, E. Nesbit [books to read fiction .txt] 📗

the worn green Dutch carpet of the stairs and into the drawing-room, shutting the door softly and securely behind him.

“It is all over,” Mademoiselle was saying, her face buried in the beady arum-lilies on a red ground worked for a cushion cover by a former pupil: “he will not marry me!”

Do not ask me how Gerald had gained the lady’s confidence. He had, as I think I said almost at the beginning, very pretty ways with grownups, when he chose. Anyway, he was holding her hand, almost as affectionately as if she had been his mother with a headache, and saying “Don’t!” and “Don’t cry!” and “It’ll be all right, you see if it isn’t” in the most comforting way you can imagine, varying the treatment with gentle thumps on the back and entreaties to her to tell him all about it.

This wasn’t mere curiosity, as you might think. The entreaties were prompted by Gerald’s growing certainty that whatever was the matter was somehow the fault of that ring. And in this Gerald was (“once more,” as he told himself) right.

The tale, as told by Mademoiselle, was certainly an unusual one. Lord Yalding, last night after dinner, had walked in the park “to think of⁠—”

“Yes, I know,” said Gerald; “and he had the ring on. And he saw⁠—”

“He saw the monuments become alive,” sobbed Mademoiselle; “his brain was troubled by the ridiculous accounts of fairies that you tell him. He sees Apollon and Aphrodité alive on their marble. He remembers him of your story. He wish himself a statue. Then he becomes mad⁠—imagines to himself that your story of the island is true, plunges in the lake, swims among the beasts of the Ark of Noé, feeds with gods on an island. At dawn the madness become less. He think the Pantheon vanish. But him, no⁠—he thinks himself statue, hiding from gardeners in his garden till nine less a quarter. Then he thinks to wish himself no more a statue and perceives that he is flesh and blood. A bad dream, but he has lost the head with the tales you tell. He say it is no dream but he is fool⁠—mad⁠—how you say? And a mad man must not marry. There is no hope. I am at despair! And the life is vain!”

“There is,” said Gerald earnestly. “I assure you there is⁠—hope, I mean. And life’s as right as rain really. And there’s nothing to despair about. He’s not mad, and it’s not a dream. It’s magic. It really and truly is.”

“The magic exists not,” Mademoiselle moaned; “it is that he is mad. It is the joy to re-see me after so many days. Oh, la-la-la-la-la!”

“Did he talk to the gods?” Gerald asked gently.

“It is there the most mad of all his ideas. He say that Mercure give him rendezvous at some temple tomorrow when the moon raise herself.”

“Right,” cried Gerald, “righto! Dear nice, kind, pretty Mademoiselle Rapunzel, don’t be a silly little duffer”⁠—he lost himself for a moment among the consoling endearments he was accustomed to offer to Kathleen in moments of grief and emotion, but hastily added: “I mean, do not be a lady who weeps causelessly. Tomorrow he will go to that temple. I will go. Thou shalt go⁠—he will go. We will go⁠—you will go⁠—let ’em all go! And, you see, it’s going to be absolutely all right. He’ll see he isn’t mad, and you’ll understand all about everything. Take my handkerchief, it’s quite a clean one as it happens; I haven’t even unfolded it. Oh! do stop crying, there’s a dear, darling, long-lost lover.”

This flood of eloquence was not without effect. She took his handkerchief, sobbed, half smiled, dabbed at her eyes, and said: “Oh, naughty! Is it some trick you play him, like the ghost?”

“I can’t explain,” said Gerald, “but I give you my word of honour⁠—you know what an Englishman’s word of honour is, don’t you? even if you are French⁠—that everything is going to be exactly what you wish. I’ve never told you a lie. Believe me!”

“It is curious,” said she, drying her eyes, “but I do.” And once again, so suddenly that he could not have resisted, she kissed him. I think, however, that in this her hour of sorrow he would have thought it mean to resist.

“It pleases her and it doesn’t hurt me⁠—much,” would have been his thought.

And now it is near moonrise. The French governess, half-doubting, half-hoping, but wholly longing to be near Lord Yalding even if he be as mad as a March hare, and the four children⁠—they have collected Mabel by an urgent letter-card posted the day before⁠—are going over the dewy grass. The moon has not yet risen, but her light is in the sky mixed with the pink and purple of the sunset. The west is heavy with ink-clouds and rich colour, but the east, where the moon rises, is clear as a rock-pool.

They go across the lawn and through the beech wood and come at last, through a tangle of underwood and bramble, to a little level tableland that rises out of the flat hilltop⁠—one tableland out of another. Here is the ring of vast rugged stones, one pierced with a curious round hole, worn smooth at its edges. In the middle of the circle is a great flat stone, alone, desolate, full of meaning⁠—a stone that is covered thick with the memory of old faiths and creeds long since forgotten. Something dark moves in the circle. The French girl breaks from the children, goes to it, clings to its arm. It is Lord Yalding, and he is telling her to go.

“Never of the life!” she cries. “If you are mad I am mad too, for I believe the tale these children tell. And I am here to be with thee and see with thee whatever the rising moon shall show us.”

The children, holding hands by the flat stone, more moved by the magic in the girl’s voice than by any magic