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misfortunes. He had always kept in touch with the world through numerous publications, but in Dmitrov he had no access to these sources. His only channels of information now were the two government papers, Pravda and Izvestia. He was also greatly handicapped in his work on the new Ethics while he lived in the village. He was mentally starved, which to him was greater torture than physical malnutrition. It is true that he was given a better payck than the average person, but even that was insufficient to sustain his waning strength. Fortunately he occasionally received from various sources assistance in the form of provisions. His comrades from abroad, as well as the Anarchists of the Ukraine, often sent him food packages. Once he received some gifts from Makhno, at that time heralded by the Bolsheviki as the terror of counterrevolution in Southern Russia. Especially did the Kropotkins feel the lack of light. When I visited them in 1920 they were considering themselves fortunate to be able to have even one room lit. Most of the time Kropotkin worked by the flicker of a tiny oil lamp that nearly drove him blind. During the short hours of the day he would transcribe his notes on a typewriter, slowly and painfully pounding out every letter.

However, it was not his own discomfort which sapped his strength. It was the thought of the Revolution that had failed, the hardships of Russia, the persecutions, the endless raztrels, which made the last two years of his life a deep tragedy. On two occasions he attempted to bring the rulers of Russia to their senses: once in protest against the suppression of all non-Communist publications; the other time against the barbaric practice of taking hostages. Ever since the Cheka had begun its activities, the Bolshevik Government had sanctioned the taking of hostages. Old and young, mothers, fathers, sisters, brothers, even children, were kept as hostages for the alleged offence of one of their kin, of which they often knew nothing. Kropotkin regarded such methods as inexcusable under any circumstances.

In the fall of 1920, members of the Social Revolutionist Party that had succeeded in getting abroad threatened retaliation if Communist persecution of their comrades continued. The Bolshevik Government announced in its official press that for every Communist victim it would execute ten Social Revolutionists. It was then that the famous revolutionist Vera Figner and Peter Kropotkin sent their protest to the powers that be in Russia. They pointed out that such practices were the worst blot on the Russian Revolution and an evil that had already brought terrible results in its wake: history would never forgive such methods.

The other protest was made in reply to the plan of the Government to “liquidate” all private publishing establishments, including even those of the cooperatives. The protest was addressed to the Presidium of the All-Russian Congress of Soviets, then in session. It is interesting to note that Gorky, himself an official of the Commissariat of Education, had sent a similar protest. In this statement Kropotkin called attention to the danger of such a policy to all progress, in fact, to all thought, and emphasized that such State monopoly would make creative work utterly impossible. But the protests had no effect. Thereafter Kropotkin felt that it was useless to appeal to a government gone mad with power.

During the two days I spent in the Kropotkin household I learned more of his personal life than during all the years that I had known him. Even his closest friends were not aware that Peter Kropotkin was an artist and a musician of much talent. Among his effects I discovered a collection of drawings of great merit. He loved music passionately and was himself a musician of unusual ability. Much of his leisure he spent at the piano.

And now he lay on his couch, in the little workroom, as if peacefully asleep, his face as kindly in death as it had been in life. Thousands of people made pilgrimages to the Kropotkin cottage to pay homage to this great son of Russia. When his remains were carried to the station to be taken to Moscow, the whole population of the village attended the impressive funeral procession to express their last affectionate greeting to the man who had lived among them as their friend and comrade.

The friends and comrades of Kropotkin decided that the Anarchist organizations should have exclusive charge of the funeral, and a Peter Kropotkin Funeral Commission was formed in Moscow, consisting of representatives of the various Anarchist groups. The Committee wired Lenin, asking him to order the release of all Anarchists imprisoned in the capital in order to give them the opportunity to participate in the funeral.

Owing to the nationalization of all public conveyances, printing establishments, etc., the Anarchist Funeral Commission was compelled to ask the Moscow Soviet to enable it to carry out successfully the funeral programme. The Anarchists being deprived of their own press, the Commission had to apply to the authorities for the publication of the matter necessary in connection with the funeral arrangements. After considerable discussion permission was secured to print two leaflets and to issue a four-page bulletin in commemoration of Peter Kropotkin. The Commission requested that the paper be issued without censorship and stated that the reading matter would consist of appreciations of our dead comrade, exclusive of all polemical questions. This request was categorically refused. Having no choice, the Commission was forced to submit and the manuscripts were sent in for censorship. To forestall the possibility of remaining without any memorial issue because of the delaying tactics of the Government, the Funeral Commission resolved to open, on its own responsibility, a certain Anarchist printing office that had been sealed by the Government. The bulletin and the two leaflets were printed in that establishment.

In answer to the wire sent to Lenin the Central Committee of the All-Russian Executive of the Soviets resolved “to propose to the

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