The Letters of Charles Dickens, Charles Dickens [reading strategies book txt] 📗
- Author: Charles Dickens
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I have seen Charley only twice since I came to London, having regularly been in bed until mid-day. To my amazement, my eye fell upon him at the Adelphi yesterday.
This day I have paid the purchase-money for Gad's Hill Place. After drawing the cheque, I turned round to give it to Wills (£1,790), and said: "Now isn't it an extraordinary thing—look at the day—Friday! I have been nearly drawing it half-a-dozen times, when the lawyers have not been ready, and here it comes round upon a Friday, as a matter of course."
Kiss the noble Plorn a dozen times for me, and tell him I drank his health yesterday, and wished him many happy returns of the day; also that I hope he will not have broken all his toys before I come back.
49, Champs Elysées, Paris, Saturday, March 22nd, 1856.
I want you—you being quite well again, as I trust you are, and resolute to come to Paris—so to arrange your order of march as to let me know beforehand when you will come, and how long you will stay. We owe Scribe and his wife a dinner, and I should like to pay the debt when you are with us. Ary Scheffer too would be delighted to see you again. If I could arrange for a certain day I would secure them. We cannot afford (you and I, I mean) to keep much company, because we shall have to look in at a theatre or so, I daresay!
It would suit my work best, if I could keep myself clear until Monday, the 7th of April. But in case that day should be too late for the beginning of your brief visit with a deference to any other engagements you have in contemplation, then fix an earlier one, and I will make "Little Dorrit" curtsy to it. My recent visit to London and my having only just now come back have thrown me a little behindhand; but I hope to come up with a wet sail in a few days.
You should have seen the ruins of Covent Garden Theatre. I went in the moment I got to London—four days after the fire. Although the audience part and the stage were so tremendously burnt out that there was not a piece of wood half the size of a lucifer-match for the eye to rest on, though nothing whatever remained but bricks and smelted iron lying on a great black desert, the theatre still looked so wonderfully like its old self grown gigantic that I never saw so strange a sight. The wall dividing the front from the stage still remained, and the iron pass-doors stood ajar in an impossible and inaccessible frame. The arches that supported the stage were there, and the arches that supported the pit; and in the centre of the latter lay something like a Titanic grape-vine that a hurricane had pulled up by the roots, twisted, and flung down there; this was the great chandelier. Gye had kept the men's wardrobe at the top of the house over the great entrance staircase; when the roof fell in it came down bodily, and all that part of the ruins was like an old Babylonic pavement, bright rays tesselating the black ground, sometimes in pieces so large that I could make out the clothes in the "Trovatore."
I should run on for a couple of hours if I had to describe the spectacle as I saw it, wherefore I will immediately muzzle myself. All here unite in kindest loves to dear Miss Macready, to Katie, Lillie, Benvenuta, my godson, and the noble Johnny. We are charmed to hear such happy accounts of Willy and Ned, and send our loving remembrance to them in the next letters. All Parisian novelties you shall see and hear for yourself.
Your affectionate Friend.
P.S.—Mr. F.'s aunt sends her defiant respects.
49, Avenue des Champs Elysées, Paris,
Thursday Night, March 27th, 1856 (after post time).
If I had had any idea of your coming (see how naturally I use the word when I am three hundred miles off!) to London so soon, I would never have written one word about the jump over next week. I am vexed that I did so, but as I did I will not now propose a change in the arrangements, as I know how methodical you tremendously old fellows are. That's your secret I suspect. That's the way in which the blood of the Mirabels mounts in your aged veins, even at your time of life.
How charmed I shall be to see you, and we all shall be, I will not attempt to say. On that expected Sunday you will lunch at Amiens but not dine, because we shall wait dinner for you, and you will merely have to tell that driver in the glazed hat to come straight here. When the Whites left I added their little apartment to this little apartment, consequently you shall have a snug bedroom (is it not waiting expressly for you?) overlooking the Champs Elysées. As to the arm-chair in my heart, no man on earth——but, good God! you know all about it.
You will find us in the queerest of little rooms all alone, except that the son of Collins the painter (who writes a good deal in "Household Words") dines with us every day. Scheffer and Scribe shall be admitted for one evening, because they know how to appreciate you. The Emperor we will not ask unless you expressly wish it; it makes a fuss.
If you have no appointed hotel at Boulogne, go to the Hôtel des Bains, there demand "Marguerite," and tell her that I commended you to her special care. It is the best house within my experience in France; Marguerite the best housekeeper in the world.
I shall charge at "Little Dorrit" to-morrow with new spirits. The sight of you is good for my boyish eyes, and the thought of you for my dawning mind. Give the enclosed lines a welcome, then send them on to Sherborne.
49, Champs Elysées, Paris, Sunday, April 6th, 1856.
Collins and I have a mighty original notion (mine in the beginning) for another play at Tavistock House. I propose opening on Twelfth Night the theatrical season of that great establishment. But now a tremendous question. Is
I have paid him his money. Here is the proof of life. If you will get me the receipt to sign, the money can go to my account at Coutts's.
Tavistock House, Monday, May 5th, 1856.
I did nothing at Dover (except for "Household Words"), and have not begun "Little Dorrit," No. 8, yet. But I took twenty-mile walks in the fresh air, and perhaps in the long run did better than if I had been at work. The report concerning Scheffer's portrait I had from Ward. It is in the best place in the largest room, but I find the general impression of the artists exactly mine. They almost all say that it wants something; that nobody could mistake whom it was meant for, but that it has something disappointing in it, etc. etc. Stanfield likes it better than any of the other painters, I think. His own picture is magnificent. And Frith, in a "Little Child's Birthday Party," is quite delightful. There are many interesting pictures. When you see Scheffer, tell him from me that Eastlake, in his speech at the dinner, referred to the portrait as "a contribution from a distinguished man of genius in France, worthy of himself and of his subject."
I did the maddest thing last night, and am deeply penitent this morning. We stayed at Webster's till any hour, and they wanted me, at last, to make punch, which couldn't be done when the jug was brought, because (to Webster's burning indignation) there was only one lemon in the house. Hereupon I then and there besought the establishment in general to come and drink punch on Thursday night, after the play; on which occasion it will become necessary to furnish fully the table with some cold viands from Fortnum and Mason's. Mark has looked in since I began this note, to suggest that the great festival may come off at "Household Words" instead. I am inclined to think it a good idea, and that I shall transfer the locality to that business establishment. But I am at present distracted with doubts and torn by remorse.
The school-room and dining-room I have brought into habitable condition and comfortable appearance. Charley and I breakfast at half-past eight, and meet again at dinner when he does not dine in the City, or has no engagement. He looks very well.
The audiences at Gye's are described to me as absolute marvels of coldness. No signs of emotion can be hammered, out of them. Panizzi sat next me at the Academy dinner, and took it very ill that I disparaged ——. The amateurs here are getting up another pantomime, but quarrel so violently among themselves that I doubt its ever getting on the stage. Webster expounded his scheme for rebuilding the Adelphi to Stanfield and myself last night, and I felt bound to tell him that I thought it wrong from beginning to end. This is all the theatrical news I know.
I write by this post to Georgy. Love to Mamey, Katey, Harry, and the noble Plorn. I should be glad to see him here.
Tavistock House, Monday, May 5th, 1856.
You will not be much surprised to hear that I have done nothing yet (except for H. W.), and have only just settled down into a corner of the school-room. The extent to which John and I wallowed in dust for four hours yesterday morning, getting things neat and comfortable about us, you may faintly imagine. At four in the afternoon came Stanfield, to whom I no sooner described the notion of the new play, than he immediately upset all my new arrangements by making a proscenium of the chairs, and planning the scenery with walking-sticks. One of the least things he did was getting on the top of the long table, and hanging over the bar in the middle window where that top sash opens, as if he had got a hinge in the middle of his body. He is immensely excited on the subject. Mark had a farce ready for the managerial perusal, but it won't do.
I went to the Dover theatre on Friday night, which was a miserable spectacle. The pit is boarded over, and it is a drinking and smoking place. It was "for the benefit of Mrs. ——," and the town had been very extensively placarded with "Don't forget Friday." I made out four and ninepence (I am serious) in the house, when
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