Crime and Punishment, Fyodor Dostoevsky [classic children's novels .TXT] 📗

This was too much for Razumihin; he gripped him firmly by the shoulder.

“Let you go? You dare tell me to let you go? Do you know what I’ll do with you directly? I’ll pick you up, tie you up in a bundle, carry you home under my arm and lock you up!”

“Listen, Razumihin,” Raskolnikov began quietly, apparently calm⁠—“can’t you see that I don’t want your benevolence? A strange desire you have to shower benefits on a man who⁠ ⁠… curses them, who feels them a burden in fact! Why did you seek me out at the beginning of my illness? Maybe I was very glad to die. Didn’t I tell you plainly enough today that you were torturing me, that I was⁠ ⁠… sick of you! You seem to want to torture people! I assure you that all that is seriously hindering my recovery, because it’s continually irritating me. You saw Zossimov went away just now to avoid irritating me. You leave me alone too, for goodness’ sake! What right have you, indeed, to keep me by force? Don’t you see that I am in possession of all my faculties now? How, how can I persuade you not to persecute me with your kindness? I may be ungrateful, I may be mean, only let me be, for God’s sake, let me be! Let me be, let me be!”

He began calmly, gloating beforehand over the venomous phrases he was about to utter, but finished, panting for breath, in a frenzy, as he had been with Luzhin.

Razumihin stood a moment, thought and let his hand drop.

“Well, go to hell then,” he said gently and thoughtfully. “Stay,” he roared, as Raskolnikov was about to move. “Listen to me. Let me tell you, that you are all a set of babbling, posing idiots! If you’ve any little trouble you brood over it like a hen over an egg. And you are plagiarists even in that! There isn’t a sign of independent life in you! You are made of spermaceti ointment and you’ve lymph in your veins instead of blood. I don’t believe in any one of you! In any circumstances the first thing for all of you is to be unlike a human being! Stop!” he cried with redoubled fury, noticing that Raskolnikov was again making a movement⁠—“hear me out! You know I’m having a housewarming this evening, I dare say they’ve arrived by now, but I left my uncle there⁠—I just ran in⁠—to receive the guests. And if you weren’t a fool, a common fool, a perfect fool, if you were an original instead of a translation⁠ ⁠… you see, Rodya, I recognise you’re a clever fellow, but you’re a fool!⁠—and if you weren’t a fool you’d come round to me this evening instead of wearing out your boots in the street! Since you have gone out, there’s no help for it! I’d give you a snug easy chair, my landlady has one⁠ ⁠… a cup of tea, company.⁠ ⁠… Or you could lie on the sofa⁠—anyway you would be with us.⁠ ⁠… Zossimov will be there too. Will you come?”

“No.”

“R-rubbish!” Razumihin shouted, out of patience. “How do you know? You can’t answer for yourself! You don’t know anything about it.⁠ ⁠… Thousands of times I’ve fought tooth and nail with people and run back to them afterwards.⁠ ⁠… One feels ashamed and goes back to a man! So remember, Potchinkov’s house on the third storey.⁠ ⁠…”

“Why, Mr. Razumihin, I do believe you’d let anybody beat you from sheer benevolence.”

“Beat? Whom? Me? I’d twist his nose off at the mere idea! Potchinkov’s house, 47, Babushkin’s flat.⁠ ⁠…”

“I shall not come, Razumihin.” Raskolnikov turned and walked away.

“I bet you will,” Razumihin shouted after him. “I refuse to know you if you don’t! Stay, hey, is Zametov in there?”

“Yes.”

“Did you see him?”

“Yes.”

“Talked to him?”

“Yes.”

“What about? Confound you, don’t tell me then. Potchinkov’s house, 47, Babushkin’s flat, remember!”

Raskolnikov walked on and turned the corner into Sadovy Street. Razumihin looked after him thoughtfully. Then with a wave of his hand he went into the house but stopped short of the stairs.

“Confound it,” he went on almost aloud. “He talked sensibly but yet⁠ ⁠… I am a fool! As if madmen didn’t talk sensibly! And this was just what Zossimov seemed afraid of.” He struck his finger on his forehead. “What if⁠ ⁠… how could I let him go off alone? He may drown himself.⁠ ⁠… Ach, what a blunder! I can’t.” And he ran back to overtake Raskolnikov, but there was no trace of him. With a curse he returned with rapid steps to the Palais de Cristal to question Zametov.

Raskolnikov walked straight to X⁠⸺ Bridge, stood in the middle, and leaning both elbows on the rail stared into the distance. On parting with Razumihin, he felt so much weaker that he could scarcely reach this place. He longed to sit or lie down somewhere in the street. Bending over the water, he gazed mechanically at the last pink flush of the sunset, at the row of houses growing dark in the gathering twilight, at one distant attic window on the left bank, flashing as though on fire in the last rays of the setting sun, at the darkening water of the canal, and the water seemed to catch his attention. At last red circles flashed before his eyes, the houses seemed moving, the passersby, the canal banks, the carriages, all danced before his eyes. Suddenly he started, saved again perhaps from swooning by an uncanny and hideous sight. He became aware of someone standing on the right side of him; he looked and saw a tall woman with a kerchief on her head, with a long, yellow, wasted face and red sunken eyes. She was looking straight at him, but obviously she saw nothing and recognised no one. Suddenly she leaned her right hand on the parapet, lifted her right leg over the railing, then her left and threw herself into the canal. The filthy water parted and swallowed up its victim for a moment, but an instant