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a docile, toiling monster. But in order that the motor may cease to be injurious and become beneficent we must build roads suited to its speed, roads which it cannot tear up with its ferocious tyres, and from which it will send no clouds of poisonous dust into human lungs. We ought not to allow slower vehicles or mere animals to go upon those roads, and we should establish garages upon them and footbridges over them, and so create order and harmony among the means of communication of the future. That is the wish of every good citizen.”

Madame Clarence led the conversation back to the improvements in M. Cérès’ constituency. M. Cérès showed his enthusiasm for demolitions, tunnelings, constructions, reconstructions, and all other fruitful operations.

“We build today in an admirable style,” said he; “everywhere majestic avenues are being reared. Was ever anything as fine as our arcaded bridges and our domed hotels!”

“You are forgetting that big palace surmounted an immense melon-shaped dome,” grumbled by M. Daniset, an old art amateur, in a voice of restrained rage. “I am amazed at the degree of ugliness which a modern city can attain. Alca is becoming Americanised. Everywhere we are destroying all that is free, unexpected, measured, restrained, human, or traditional among the things that are left us. Everywhere we are destroying that charming object, a piece of an old wall that bears up the branches of a tree. Everywhere we are suppressing some fragment of light and air, some fragment of nature, some fragment of the associations that still remain with us, some fragment of our fathers, some fragment of ourselves. And we are putting up frightful, enormous, infamous houses, surmounted in Viennese style by ridiculous domes, or fashioned after the models of the ‘new art’ without mouldings, or having profiles with sinister corbels and burlesque pinnacles, and such monsters as these shamelessly peer over the surrounding buildings. We see bulbous protuberances stuck on the fronts of buildings and we are told they are ‘new art’ motives. I have seen the ‘new art’ in other countries, but it is not so ugly as with us; it has fancy and it has simplicity. It is only in our own country that by a sad privilege we may behold the newest and most diverse styles of architectural ugliness. Not an enviable privilege!”

“Are you not afraid,” asked M. Cérès severely, “are you not afraid that these bitter criticisms tend to keep out of our capital the foreigners who flow into it from all arts of the world and who leave millions behind them?”

“You may set your mind at rest about that,” answered M. Daniset. “Foreigners do not come to admire our buildings; they come to see our courtesans, our dressmakers, and our dancing saloons.”

“We have one bad habit,” sighed M. Cérès, “it is that we calumniate ourselves.”

Madame Clarence as an accomplished hostess thought it was time to return to the subject of love and asked M. Jumel his opinion of M. Leon Blum’s recent book in which the author complained.⁠ ⁠…

“… That an irrational custom,” went on Professor Haddock, “prevents respectable young ladies from making love, a thing they would enjoy doing, whilst mercenary girls do it too much and without getting any enjoyment out of it. It is indeed deplorable. But M. Leon Blum need not fret too much. If the evil exists, as he says it does, in our middle-class society, I can assure him that everywhere else he would see a consoling spectacle. Among the people, the mass of the people through town and country, girls do not deny themselves that pleasure.”

“It is depravity!” said Madame Crémeur.

And she praised the innocence of young girls in terms full of modesty and grace. It was charming to hear her.

Professor Haddock’s views on the same subject were, on the contrary, painful to listen to.

“Respectable young girls,” said he, “are guarded and watched over. Besides, men do not, as a rule, pursue them much, either through probity, or from a fear of grave responsibilities, or because the seduction of a young girl would not be to their credit. Even then we do not know what really takes place, for the reason that what is hidden is not seen. This is a condition necessary to the existence of all society. The scruples of respectable young girls could be more easily overcome than those of married women if the same pressure were brought to bear on them, and for this there are two reasons: they have more illusions, and their curiosity has not been satisfied. Women, for the most part, have been so disappointed by their husbands that they have not courage enough to begin again with somebody else. I myself have been met by this obstacle several times in my attempts at seduction.”

At the moment when Professor Haddock ended his unpleasant remarks, Mademoiselle Eveline Clarence entered the drawing room and listlessly handed about tea with that expression of boredom which gave an oriental charm to her beauty.

“For my part,” said Hippolyte Cérès, looking at her, “I declare myself the young ladies’ champion.”

“He must be a fool,” thought the girl.

Hippolyte Cérès, who had never set foot outside of his political world of electors and elected, thought Madame Clarence’s drawing room most select, its mistress exquisite, and her daughter amazingly beautiful. His visits became frequent and he paid court to both of them. Madame Clarence, who now liked attention, thought him agreeable. Eveline showed no friendliness towards him, and treated him with a hauteur and disdain that he took for aristocratic behaviour and fashionable manners, and he thought all the more of her on that account. This busy man taxed his ingenuity to please them, and he sometimes succeeded. He got them cards for fashionable functions and boxes at the Opera. He furnished Mademoiselle Clarence with several opportunities of appearing to great advantage and in particular at a garden party which, although given by a Minister, was regarded as really fashionable, and gained its first success in society circles for the Republic.

At that party Eveline had been much noticed and

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