Tono-Bungay, H. G. Wells [reading like a writer .TXT] 📗

hillside that looked toward Seven Oaks and commanded a wide sweep of country, and that I was thinking out my destiny. I could almost write my thought down now, I believe, as they came to me that afternoon. Effie, restless little cockney that she was, rustled and struggled in a hedgerow below, gathering flowers, discovering flowers she had never seen before. I had. I remember, a letter from Marion in my pocket. I had even made some tentatives for return, for a reconciliation; Heaven knows now how I had put it! but her cold, ill-written letter repelled me. I perceived I could never face that old inconclusive dullness of life again, that stagnant disappointment. That, anyhow, wasn’t possible. But what was possible? I could see no way of honour or fine living before me at all.

“What am I to do with life?” that was the question that besieged me.

I wondered if all the world was even as I, urged to this by one motive and to that by another, creatures of chance and impulse and unmeaning traditions. Had I indeed to abide by what I had said and done and chosen? Was there nothing for me in honour but to provide for Effie, go back penitent to Marion and keep to my trade in rubbish⁠—or find some fresh one⁠—and so work out the residue of my days? I didn’t accept that for a moment. But what else was I to do? I wondered if my case was the case of many men, whether in former ages, too, men had been so guideless, so uncharted, so haphazard in their journey into life. In the Middle Ages, in the old Catholic days, one went to a priest, and he said with all the finality of natural law, this you are and this you must do. I wondered whether even in the Middle Ages I should have accepted that ruling without question.

I remember too very distinctly how Effie came and sat beside me on a little box: that was before the casement window of our room.

“Gloomkins,” said she.

I smiled and remained head on hand, looking out of the window forgetful of her.

“Did you love your wife so well?” she whispered softly.

“Oh!” I cried, recalled again; “I don’t know. I don’t understand these things. Life is a thing that hurts, my dear! It hurts without logic or reason. I’ve blundered! I didn’t understand. Anyhow⁠—there is no need to go hurting you, is there?”

And I turned about and drew her to me, and kissed her ear.⁠ ⁠…

Yes, I had a very bad time⁠—I still recall. I suffered, I suppose, from a sort of ennui of the imagination. I found myself without an object to hold my will together. I sought. I read restlessly and discursively. I tried Ewart and got no help from him. As I regard it all now in this retrospect, it seems to me as if in those days of disgust and abandoned aims I discovered myself for the first time. Before that I had seen only the world and things in it, had sought them self-forgetful of all but my impulse. Now I found myself grouped with a system of appetites and satisfactions, with much work to do⁠—and no desire, it seemed, left in me.

There were moments when I thought of suicide. At times my life appeared before me in bleak, relentless light, a series of ignorances, crude blunderings, degradation and cruelty. I had what the old theologians call a “conviction of sin.” I sought salvation⁠—not perhaps in the formula a Methodist preacher would recognise but salvation nevertheless.

Men find their salvation nowadays in many ways. Names and forms don’t, I think, matter very much; the real need is something that we can hold and that holds one. I have known a man find that determining factor in a dry-plate factory, and another in writing a history of the Manor. So long as it holds one, it does not matter. Many men and women nowadays take up some concrete aspect of Socialism or social reform. But Socialism for me has always been a little bit too human, too set about with personalities and foolishness. It isn’t my line. I don’t like things so human. I don’t think I’m blind to the fun, the surprises, the jolly little coarsenesses and insufficiency of life, to the “humour of it,” as people say, and to adventure, but that isn’t the root of the matter with me. There’s no humour in my blood. I’m in earnest in warp and woof. I stumble and flounder, but I know that over all these merry immediate things, there are other things that are great and serene, very high, beautiful things⁠—the reality. I haven’t got it, but it’s there nevertheless. I’m a spiritual guttersnipe in love with unimaginable goddesses. I’ve never seen the goddesses nor ever shall⁠—but it takes all the fun out of the mud⁠—and at times I fear it takes all the kindliness, too.

But I’m talking of things I can’t expect the reader to understand, because I don’t half understand them myself. There is something links things for me, a sunset or so, a mood or so, the high air, something there was in Marion’s form and colour, something I find and lose in Mantegna’s pictures, something in the lines of these boats I make. (You should see X2, my last and best!)

I can’t explain myself, I perceive. Perhaps it all comes to this, that I am a hard and morally limited cad with a mind beyond my merits. Naturally I resist that as a complete solution. Anyhow, I had a sense of inexorable need, of distress and insufficiency that was unendurable, and for a time this aeronautical engineering allayed it.⁠ ⁠…

In the end of this particular crisis of which I tell so badly, I idealised Science. I decided that in power and knowledge lay the salvation of my life, the secret that would fill my need; that to these things I would give myself.

I emerged at last like a