Essays, Henry David Thoreau [ebook reader with android os txt] 📗

hard to surprise him by the relation of any important human experience, but in some nook or corner of his works you will find that this, too, was sometimes dreamed of in his philosophy.

To sum up our most serious objections in a few words, we should say that Carlyle indicates a depth⁠—and we mean not impliedly, but distinctly⁠—which he neglects to fathom. We want to know more about that which he wants to know as well. If any luminous star or undissolvable nebula is visible from his station which is not visible from ours, the interests of science require that the fact be communicated to us. The universe expects every man to do his duty in his parallel of latitude. We want to hear more of his inmost life; his hymn and prayer, more; his elegy and eulogy, less; that he should speak more from his character, and less from his talent; communicate centrally with his readers, and not by a side; that he should say what he believes, without suspecting that men disbelieve it, out of his never-misunderstood nature. Homer and Shakespeare speak directly and confidently to us. The confidence implied in the unsuspicious tone of the world’s worthies, is a great and encouraging fact. Dig up some of the earth you stand on, and show that. If he gave us religiously the meagre results of his experience, his style would be less picturesque and diversified, but more attractive and impressive. His genius can cover all the land with gorgeous palaces, but the reader does not abide in them, but pitches his tent rather in the desert and on the mountain peak.

When we look about for something to quote, as the fairest specimen of the man, we confess that we labor under an unusual difficulty; for his philosophy is so little of the proverbial or sentential kind, and opens so gradually, rising insensibly from the reviewer’s level, and developing its thought completely and in detail, that we look in vain for the brilliant passages, for point and antithesis, and must end by quoting his works entire. What in a writer of less breadth would have been the proposition which would have bounded his discourse, his column of victory, his Pillar of Hercules, and ne plus ultra, is in Carlyle frequently the same thought unfolded; no Pillar of Hercules, but a considerable prospect, north and south, along the Atlantic coast. There are other pillars of Hercules, like beacons and lighthouses, still further in the horizon, toward Atlantis, set up by a few ancient and modern travelers; but, so far as this traveler goes, he clears and colonizes, and all the surplus population of London is bound thither at once. What we would quote is, in fact, his vivacity, and not any particular wisdom or sense, which last is ever synonymous with sentence [sententia], as in his contemporaries Coleridge, Landor, and Wordsworth.

We have not attempted to discriminate between his works, but have rather regarded them all as one work, as is the man himself. We have not examined so much as remembered them. To do otherwise would have required a more indifferent, and perhaps even less just review, than the present. The several chapters were chankfully received, as they came out, and now we find it impossible to say which was best; perhaps each was best in its turn. They do not require to be remembered by chapters⁠—that is a merit⁠—but are rather remembered as a well-known strain, reviving from time to time, when it had nearly died away, and always inspiring us to worthier and more persistent endeavors.

In his last work, The Letters and Speeches of Oliver Cromwell, Carlyle has added a chapter to the history of England; has actually written a chapter to the history of England; has actually written a chapter of her history, and, in comparison with this, there seems to be no other⁠—this, and the thirty thousand or three hundred thousand pamphlets in the British Museum, and that is all. This book is a practical comment on Universal History. What if there were a British Museum in Athens and Babylon, and nameless cities! It throws light on the history of the Iliad and the labors of Pisistratus. History is, then, an account of memorable events that have sometime transpired, and not incredible and confused fable, quarters for scholars merely, or a gymnasium for poets and orators. We may say that he has dug up a hero, who was buried alive in his battlefield, hauled him out of his cairn, on which every passer had cast a pamphlet. We had heard of their digging up Arthurs before to be sure they were there; and, to be sure they were there, their bones, seven feet of them; but they had to bury them again. Others have helped to make known Shakespeare, Milton, Herbert, to give a name to such treasures as we all possessed; but, in this instance, not only a lost character has been restored to our imaginations, but palpably a living body, as it were, to our senses, to wear and sustain the former. His Cromwell’s restoration, if England will read it faithfully, and addressed to New England, too. Every reader will make his own application.

To speak deliberately, we think that in this instance, vague rumor and a vague history have for the first time been subjected to a rigid scrutiny, and the wheat, with at least novel fidelity, sifted from the chaff; so that there remain for result⁠—first, Letters and Speeches of Oliver Cromwell, now for the first time read or readable, and well nigh as complete as the fates will permit; secondly, Deeds, making an imperfect and fragmentary life, which may, with probability, be fathered upon him; thirdly, this wreck of an ancient picture, the present editor has, to the best of his ability, restored, sedulously scraping away the daubings of successive bunglers, and endeavoring to catch the spirit of the artist himself. Not the worst, nor a barely