The Dead Secret, Wilkie Collins [best historical biographies .TXT] 📗

out to her. Uncle Joseph, looking all round the room in his discursive manner, spied, in the farthest corner of it from the door that led into the passage, a beautiful maple-wood table and cabinet, of a very peculiar pattern. His workmanlike enthusiasm was instantly aroused, and he darted across the room to examine the make of the cabinet closely. The table beneath projected a little way in front of it, and, of all the objects in the world, what should he see reposing on the flat space of the projection but a magnificent musical box at least three times the size of his own!

“Aïe! Aïe!! Aïe!!!” cried Uncle Joseph, in an ascending scale of admiration, which ended at the very top of his voice. “Open him! set him going! let me hear what he plays!” He stopped for want of words to express his impatience, and drummed with both hands on the lid of the musical box in a burst of uncontrollable enthusiasm.

“Mr. Munder!” exclaimed the housekeeper, hurrying across the room in great indignation. “Why don’t you look? why don’t you stop him? He’s breaking open the musical box. Be quiet, Sir! How dare you touch me?”

“Set him going! set him going!” reiterated Uncle Joseph, dropping Mrs. Pentreath’s arm, which he had seized in his agitation. “Look here! this by my side is a music box too! Set him going! Does he play Mozart? He is three times bigger than ever I saw! See! see! this box of mine⁠—this tiny bit of box that looks nothing by the side of yours⁠—it was given to my own brother by the king of all music-composers that ever lived, by the divine Mozart himself. Set the big box going, and you shall hear the little baby-box pipe after! Ah, dear and good madam, if you love me⁠—”

“Sir!!!” exclaimed the housekeeper, reddening with virtuous indignation to the very roots of her hair.

“What do you mean, Sir, by addressing such outrageous language as that to a respectable female?” inquired Mr. Munder, approaching to the rescue. “Do you think we want your foreign noises, and your foreign morals, and your foreign profanity here? Yes, Sir! profanity. Any man who calls any human individual, whether musical or otherwise, ‘divine,’ is a profane man. Who are you, you extremely audacious person? Are you an infidel?”

Before Uncle Joseph could say a word in vindication of his principles, before Mr. Munder could relieve himself of any more indignation, they were both startled into momentary silence by an exclamation of alarm from the housekeeper.

“Where is she?” cried Mrs. Pentreath, standing in the middle of the drawing-room, and looking with bewildered eyes all around her.

The lady in the quiet dress had vanished.

She was not in the library, not in the breakfast-room, not in the passage outside. After searching in those three places, the housekeeper came back to Mr. Munder with a look of downright terror in her face, and stood staring at him for a moment perfectly helpless and perfectly silent. As soon as she recovered herself she turned fiercely on Uncle Joseph.

“Where is she? I insist on knowing what has become of her! You cunning, wicked, impudent old man! where is she?” cried Mrs. Pentreath, with no color in her cheeks and no mercy in her eyes.

“I suppose she is looking about the house by herself,” said Uncle Joseph. “We shall find her surely as we take our walks through the other rooms.” Simple as he was, the old man had, nevertheless, acuteness enough to perceive that he had accidentally rendered the very service to his niece of which she stood in need. If he had been the most artful of mankind, he could have devised no better means of diverting Mrs. Pentreath’s attention from Sarah to himself than the very means which he had just used in perfect innocence, at the very moment when his thoughts were farthest away from the real object with which he and his niece had entered the house. “So! so!” thought Uncle Joseph to himself, “while these two angry people were scolding me for nothing, Sarah has slipped away to the room where the letter is. Good! I have only to wait till she comes back, and to let the two angry people go on scolding me as long as they please.”

“What are we to do? Mr. Munder! what on earth are we to do?” asked the housekeeper. “We can’t waste the precious minutes staring at each other here. This woman must be found. Stop! she asked questions about the stairs⁠—she looked up at the second floor the moment we got on the landing. Mr. Munder! wait here, and don’t let that foreigner out of your sight for a moment. Wait here while I run up and look into the second-floor passage. All the bedroom doors are locked⁠—I defy her to hide herself if she has gone up there.” With those words, the housekeeper ran out of the drawing-room, and breathlessly ascended the second flight of stairs.

While Mrs. Pentreath was searching on the west side of the house, Sarah was hurrying, at the top of her speed, along the lonely passages that led to the north rooms.

Terrified into decisive action by the desperate nature of the situation, she had slipped out of the drawing-room into the passage the instant she saw Mrs. Pentreath’s back turned on her. Without stopping to think, without attempting to compose herself, she ran down the stairs of the first floor, and made straight for the housekeeper’s room. She had no excuses ready, if she had found anybody there, or if she had met anybody on the way. She had formed no plan where to seek for them next, if the keys of the north rooms were not hanging in the place where she still expected to find them. Her mind was lost in confusion, her temples throbbed as if they would burst with the heat at her brain. The one blind, wild, headlong purpose of getting into the Myrtle Room drove her on, gave unnatural swiftness to her trembling feet, unnatural