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at home. And the thing that ship was tethered to⁠—wasn’t it a real cannon that they had planted?

Pelle saw everything, and examined every single object in the appropriate manner, now only spitting appraisingly upon it, now kicking it or scratching it with his penknife. If he came across some strange wonder or other, that he could not get into his little brain in any other way, he set himself astride on it.

This was a new world altogether, and Pelle was engaged in making it his own. Not a shred of it would he leave. If he had had his playfellows from Tommelilla here, he would have explained it all to them. My word, how they would stare! But when he went home to Sweden again, he would tell them about it, and then he hoped they would call him a liar.

He was sitting astride an enormous mast that lay along the timber-yard upon some oak trestles. He kicked his feet together under the mast, as he had heard of knights doing in olden days under their horses, and imagined himself seizing hold of a ring and lifting himself, horse and all. He sat on horseback in the midst of his newly discovered world, glowing with the pride of conquest, struck the horse’s loins with the flat of his hand, and dug his heels into its sides, while he shouted a song at the top of his voice. He had been obliged to let go the sack to get up.

“Far away in Smaaland the little imps were dancing
With ready-loaded pistol and rifle-barrelled gun;
All the little devils they played upon the fiddle,
But for the grand piano Old Harry was the one.”

In the middle of his noisy joy, he looked up, and immediately burst into a roar of terror and dropped down on to the wood-shavings. On the top of the shed at the place where his father had left him stood a black man and two black, open-mouthed hellhounds; the man leaned half out over the ridge of the roof in a menacing attitude. It was an old figurehead, but Pelle thought it was Old Harry himself, come to punish him for his bold song, and he set off at a run up the hill. A little way up he remembered the sack and stopped. He didn’t care about the sack; and he wouldn’t get a thrashing if he did leave it behind, for Father Lasse never beat him. And that horrid devil would eat him up at the very least, if he ventured down there again; he could distinctly see how red the nostrils shone, both the devil’s and the dogs’.

But Pelle still hesitated. His father was so careful of that sack, that he would be sure to be sorry if he lost it⁠—he might even cry as he did when he lost Mother Bengta. For perhaps the first time, the boy was being subjected to one of life’s serious tests, and stood⁠—as so many had stood before him⁠—with the choice between sacrificing himself and sacrificing others. His love for his father, boyish pride, the sense of duty that is the social dower of the poor⁠—the one thing with the other⁠—determined his choice. He stood the test, but not bravely; he howled loudly the whole time, while, with his eyes fixed immovably upon the Evil One and his hellhounds, he crept back for the sack and then dragged it after him at a quick run up the street.

No one is perhaps a hero until the danger is over. But even then Pelle had no opportunity of shuddering at his own courage; for no sooner was he out of the reach of the black man, than his terror took a new form. What had become of his father? He had said he would be back again directly! Supposing he never came back at all! Perhaps he had gone away so as to get rid of his little boy, who was only a trouble and made it difficult for him to get a situation.

Pelle felt despairingly convinced that it must be so, as, crying, he went off with the sack. The same thing had happened to other children with whom he was well acquainted; but they came to the pancake cottage and were quite happy, and Pelle himself would be sure to⁠—perhaps find the king and be taken in there and have the little princes for his playmates, and his own little palace to live in. But Father Lasse shouldn’t have a thing, for now Pelle was angry and vindictive, although he was crying just as unrestrainedly. He would let him stand and knock at the door and beg to come in for three days, and only when he began to cry⁠—no, he would have to let him in at once, for to see Father Lasse cry hurt him more than anything else in the world. But he shouldn’t have a single one of the nails Pelle had filled his pockets with down in the timber-yard; and when the king’s wife brought them coffee in the morning before they were up⁠—

But here both his tears and his happy imaginings ceased, for out of a tavern at the top of the street came Father Lasse’s own living self. He looked in excellent spirits and held a bottle in his hand.

“Danish brandy, laddie!” he cried, waving the bottle. “Hats off to the Danish brandy! But what have you been crying for? Oh, you were afraid? And why were you afraid? Isn’t your father’s name Lasse⁠—Lasse Karlsson from Kungstorp? And he’s not one to quarrel with; he hits hard, he does, when he’s provoked. To come and frighten good little boys! They’d better look out! Even if the whole wide world were full of naming devils, Lasse’s here and you needn’t be afraid!”

During all this fierce talk he was tenderly wiping the boy’s tear-stained cheeks and nose with his rough hand, and taking the sack upon his back again. There was something touchingly

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