Gold Diggers, Sanjena Sathian [hardest books to read .txt] 📗

the Dayal women for the first time in a month. At the end of May, my whole family donned our Indian clothes and headed to a big party celebrating the Bhatt twins’ graduation. I scratched at the blue kurta my mother had made me wear. Talk on the way there focused on the honorees: Jay was Ivy League–bound in the fall, while Meena would attend a state school, and not one of the “better” ones, in my parents’ eyes. Meena’s fate offended my mother.

“She fooled around all high school, didn’t she?” my mother said to Prachi. This was the latest tactic in the wake of Prachi’s Spring Fling moral miscarriage. My mother would ask her to recite the fates of those who “fooled around”—which might, in her view, include anything from neglecting to take AP Biology to shooting up hard drugs. She educated us about the wider world by assembling a kind of shoe-box diorama of other people’s lives—a cardboard drama. She arranged the characters, moved them about, and showed you how they were doing it wrong, turning the diorama into the set of a morality play.

Upon arriving at the Bhatts’, I prepared to abscond to the basement. Basements were the safest places to survive an Indian party in the suburbs. In a basement, the itchy clothes could be loosened, the girls’ dupattas dropped on the floor and trampled upon, the guys’ kurtas removed to reveal that all along someone had been smart enough to wear a T-shirt beneath the fabric, and jeans rather than churidars below. In basements you never encountered garish images of multiarmed gods, or family portraits shot in the mall photography studio—sisters draped in lehengas and brothers’ hair stiff with gel. In basements you found foosball and Ping-Pong tables, big-screen televisions, and, depending on the benevolence of the parents, video game consoles. In basements, I learned the secrets of sex, according to information curated from older brothers who were certainly still virgins. In basements, a semblance of our due—American teenagedom.

The Narayan family basement was, by the way, unfinished.

“Lavish-shmavish,” my mother whispered as I made for the underground. This was her general opinion on the Bhatts, and on any carpeting or televisions below the earth.

New graduates kicked back in oversize leather recliners. Meena Bhatt sat on the lap of George Warner-Wilson, who had spent high school as one of the only white people among Asians. He was going to Georgia Tech in the fall, where he might continue dwelling at this demographic crossroads.

“Neilo, Neilium, Neilius,” he said through his sinuses, saluting me. I waved. “Your crew’s in the exercise room.” He pointed.

As I opened the door, I heard Meena sigh, with a voice less damned (per my mother’s diorama) than insouciant: “Can someone bring me something that’s not frickin’ Indian food?”

The gym looked unused. Half the walls were mirrors. Folded up against an un-mirrored wall was a treadmill draped in plastic. Mounted in one corner, a television, and beneath it, a video game console. A report of gunfire went off on-screen.

“Fuck you, Osama, this is America!” yelled Kartik Jain, as Aleem Khan’s avatar, a square-jawed white soldier, expired.

Anita sat cross-legged on the floor, examining a glossy magazine. She hovered a pencil above the pages, marking off answers in some quiz.

“Oh, good, Neil! Everyone was wondering where you were,” she said in that brisk voice of hers. Her eyes alighted on me for only an instant. Anita was a bit like a windup toy, capable of spinning fast for a period—laughing easily, tending to social niceties—only to run out later, in private. When it was just the two of us, she’d always been slower, laxer.

Amnesia, I thought viciously. Ignoring me all spring, and now here she was, bending over the magazine so that I spied the top of her newly grown chest.

Now Anita was turning to Aleem, saying, “You got ‘mostly B’s,’ so your future wife is Lauren Bennett . . .” (giggles from Manu at the improbability). “But really, don’t take it too seriously—these are designed for girls.”

Anita loved these games and quizzes—anything that offered a prognostication, anything to help her better articulate her future, no matter how trite. I understood why. A positive result—you’d marry Melanie Cho!—could turn you briefly dreamy with a picture of a life to come. The worst result you could land in one of these divinations? Shruti Patel.

“Who’d you get, Anita?” I asked.

“Jake Gyllenhaal.” She smirked.

“Doesn’t count.”

“That’s what I said,” Isha Arora put in. “No celebrities.”

“Whatever,” Anita said. “It’s not like we know the people we’re going to marry now. Like, what about the whole rest of life? I could meet Jake Gyllenhaal sometime. Or whoever.”

“My parents met when they were sixteen,” Juhi said.

“Yeah, and got an arranged marriage.” Anita gave a little shiver of revulsion, one I’d seen before when she spoke about the parents of Hammond Creek, whose lives she roundly disdained. “Anyway. It’s not like I’m going to marry an Indian guy.”

Everything hung dead in the air for a moment, and then Juhi and Isha started to guffaw, looking around at me and Manu and Kartik and Aleem. The video game was forgotten; a soldier spun on-screen, displaying his machine gun impotently.

“I mean, no offense,” Anita said to the air.

“Yeah, well, it’s not like I’m going to marry—” Manu was saying, when in came Shruti Patel. The room stiffened at the sight of her, standing there in her wiry, frizzy manner. Her presence fractured a party. You were too aware of the sounds of her mouth-breathing, the way her face contorted when she tried to participate. It required emotional labor to include her, and it was simpler to dispense with all the kindergarten rules of engagement and ignore her. That day, Shruti seemed to know more than ever these facts about herself. Those bushy eyebrows, which so often met in the middle of her forehead as she considered a problem in class, raised almost to her hairline and then flattened. She wanted us to believe she had never given us any thought