Short Fiction, Philip K. Dick [best large ereader .txt] 📗

Cole blushed and turned his head quickly away. The woman was scarcely dressed! He flicked the reins and urged the horses to hurry.

Behind him, the woman still stood. He stole a brief, hasty look back⁠—and then shouted hoarsely to his team, ears scarlet. He had seen right. She wore only a pair of translucent shorts. Nothing else. A mere fragment of the same half-luminous material that glowed and sparkled. The rest of her small body was utterly naked.

He slowed the team down. She had been pretty. Brown hair and eyes, deep red lips. Quite a good figure. Slender waist, downy legs, bare and supple, full breasts⁠—. He clamped the thought furiously off. He had to get to work. Business.

Cole halted the Fixit cart and leaped down onto the pavement. He selected a house at random and approached it cautiously. The house was attractive. It had a certain simple beauty. But it looked frail⁠—and exactly like the others.

He stepped up on the porch. There was no bell. He searched for it, running his hand uneasily over the surface of the door. All at once there was a click, a sharp snap on a level with his eyes. Cole glanced up, startled. A lens was vanishing as the door section slid over it. He had been photographed.

While he was wondering what it meant, the door swung suddenly open. A man filled up the entrance, a big man in a tan uniform, blocking the way ominously.

“What do you want?” the man demanded.

“I’m looking for work,” Cole murmured. “Any kind of work. I can do anything, fix any kind of thing. I repair broken objects. Things that need mending.” His voice trailed off uncertainly. “Anything at all.”

“Apply to the Placement Department of the Federal Activities Control Board,” the man said crisply. “You know all occupational therapy is handled through them.” He eyed Cole curiously. “Why have you got on those ancient clothes?”

“Ancient? Why, I⁠—”

The man gazed past him at the Fixit cart and the two dozing horses. “What’s that? What are those two animals? Horses?” The man rubbed his jaw, studying Cole intently. “That’s strange,” he said.

“Strange?” Cole murmured uneasily. “Why?”

“There haven’t been any horses for over a century. All the horses were wiped out during the Fifth Atomic War. That’s why it’s strange.”

Cole tensed, suddenly alert. There was something in the man’s eyes, a hardness, a piercing look. Cole moved back off the porch, onto the path. He had to be careful. Something was wrong.

“I’ll be going,” he murmured.

“There haven’t been any horses for over a hundred years.” The man came toward Cole. “Who are you? Why are you dressed up like that? Where did you get that vehicle and pair of horses?”

“I’ll be going,” Cole repeated, moving away.

The man whipped something from his belt, a thin metal tube. He stuck it toward Cole.

It was a rolled-up paper, a thin sheet of metal in the form of a tube. Words, some kind of script. He could not make any of them out. The man’s picture, rows of numbers, figures⁠—

“I’m Director Winslow,” the man said. “Federal Stockpile Conservation. You better talk fast, or there’ll be a Security car here in five minutes.”

Cole moved⁠—fast. He raced, head down, back along the path to the cart, toward the street.

Something hit him. A wall of force, throwing him down on his face. He sprawled in a heap, numb and dazed. His body ached, vibrating wildly, out of control. Waves of shock rolled over him, gradually diminishing.

He got shakily to his feet. His head spun. He was weak, shattered, trembling violently. The man was coming down the walk after him. Cole pulled himself onto the cart, gasping and retching. The horses jumped into life. Cole rolled over against the seat, sick with the motion of the swaying cart.

He caught hold of the reins and managed to drag himself up in a sitting position. The cart gained speed, turning a corner. Houses flew past. Cole urged the team weakly, drawing great shuddering breaths. Houses and streets, a blur of motion, as the cart flew faster and faster along.

Then he was leaving the town, leaving the neat little houses behind. He was on some sort of highway. Big buildings, factories, on both sides of the highway. Figures, men watching in astonishment.

After a while the factories fell behind. Cole slowed the team down. What had the man meant? Fifth Atomic War. Horses destroyed. It didn’t make sense. And they had things he knew nothing about. Force fields. Planes without wings⁠—soundless.

Cole reached around in his pockets. He found the identification tube the man had handed him. In the excitement he had carried it off. He unrolled the tube slowly and began to study it. The writing was strange to him.

For a long time he studied the tube. Then, gradually, he became aware of something. Something in the top right-hand corner.

A date. October 6, 2128.

Cole’s vision blurred. Everything spun and wavered around him. October, 2128. Could it be?

But he held the paper in his hand. Thin, metal paper. Like foil. And it had to be. It said so, right in the corner, printed on the paper itself.

Cole rolled the tube up slowly, numbed with shock. Two hundred years. It didn’t seem possible. But things were beginning to make sense. He was in the future, two hundred years in the future.

While he was mulling this over, the swift black Security ship appeared overhead, diving rapidly toward the horse-drawn cart, as it moved slowly along the road.

Reinhart’s vidscreen buzzed. He snapped it quickly on. “Yes?”

“Report from Security.”

“Put it through.” Reinhart waited tensely as the lines locked in place. The screen re-lit.

“This is Dixon. Western Regional Command.” The officer cleared his throat, shuffling his message plates. “The man from the past has been reported, moving away from the New York area.”

“Which side of your net?”

“Outside. He evaded the net around Central Park by entering one of the small towns at the rim of the slag area.”

“Evaded?”

“We assumed he would avoid the towns. Naturally the