One of Ours, Willa Cather [feel good fiction books txt] 📗

“There she is!” “Hello, old girl!” “Goodbye, sweetheart!”

The swarm surged to starboard. They shouted and gesticulated to the image they were all looking for⁠—so much nearer than they had expected to see her, clad in green folds, with the mist streaming up like smoke behind. For nearly every one of those twenty-five hundred boys, as for Claude, it was their first glimpse of the Bartholdi statue. Though she was such a definite image in their minds, they had not imagined her in her setting of sea and sky, with the shipping of the world coming and going at her feet, and the moving cloud masses behind her. Postcard pictures had given them no idea of the energy of her large gesture, or how her heaviness becomes light among the vapourish elements. “France gave her to us,” they kept saying, as they saluted her. Before Claude had got over his first thrill, the Kansas band in the bow began playing “Over There.” Two thousand voices took it up, booming out over the water the gay, indomitable resolution of that jaunty air.

A Staten Island ferryboat passed close under the bow of the transport. The passengers were office-going people, on their way to work, and when they looked up and saw these hundreds of faces, all young, all bronzed and grinning, they began to shout and wave their handkerchiefs. One of the passengers was an old clergyman, a famous speaker in his day, now retired, who went over to the City every morning to write editorials for a church paper. He closed the book he was reading, stood by the rail, and taking off his hat began solemnly to quote from a poet who in his time was still popular. “Sail on,” he quavered,

“Thou, too, sail on, O Ship of State,
Humanity, with all its fears,
With all its hopes of future years,
Is hanging breathless on thy fate.”

As the troop ship glided down the sea lane, the old man still watched it from the turtle-back. That howling swarm of brown arms and hats and faces looked like nothing, but a crowd of American boys going to a football game somewhere. But the scene was ageless; youths were sailing away to die for an idea, a sentiment, for the mere sound of a phrase⁠ ⁠… and on their departure they were making vows to a bronze image in the sea.

All the first morning Tod Fanning showed Claude over the boat⁠—not that Fanning had ever been on anything bigger than a Lake Michigan steamer, but he knew a good deal about machinery, and did not hesitate to ask the deck stewards to explain anything he didn’t know. The stewards, indeed all the crew, struck the boys as an unusually good-natured and obliging set of men.

The fourth occupant of number 96, Claude’s cabin, had not turned up by noon, nor had any of his belongings, so the three who had settled their few effects there began to hope they would have the place to themselves. It would be crowded enough, at that. The third bunk was assigned to an officer from the Kansas regiment, Lieutenant Bird, a Virginian, who had been working in his uncle’s bank in Topeka when he enlisted. He and Claude sat together at mess. When they were at lunch, the Virginian said in his very gentle voice:

“Lieutenant, I wish you’d explain Lieutenant Fanning to me. He seems very immature. He’s been telling me about a submarine destroyer he’s invented, but it looks to me like foolishness.”

Claude laughed. “Don’t try to understand Fanning. Just let him sink in, and you’ll come to like him. I used to wonder how he ever got a commission. You never can tell what crazy thing he’ll do.”

Fanning had, for instance, brought on board a pair of white flannel pants, his first and only tailor-made trousers, because he had a premonition that the boat would make a port and that he would be asked to a garden party! He had a way of using big words in the wrong place, not because he tried to show off, but because all words sounded alike to him. In the first days of their acquaintance in camp he told Claude that this was a failing he couldn’t help, and that it was called “anaesthesia.” Sometimes this failing was confusing; when Fanning sententiously declared that he would like to be on hand when the Crown Prince settled his little account with Plato, Claude was perplexed until subsequent witticisms revealed that the boy meant Pluto.

At three o’clock there was a band concert on deck. Claude fell into talk with the bandmaster, and was delighted to find that he came from Hillport, Kansas, a town where Claude had once been with his father to buy cattle, and that all his fourteen men came from Hillport. They were the town band, had enlisted in a body, had gone into training together, and had never been separated. One was a printer who helped to get out the Hillport Argus every week, another clerked in a grocery store, another was the son of a German watch repairer, one was still in High School, one worked in an automobile livery. After supper Claude found them all together, very much interested in their first evening at sea, and arguing as to whether the sunset on the water was as fine as those they saw every night in Hillport. They hung together in a quiet, determined way, and if you began to talk to one, you soon found that all the others were there.

When Claude and Fanning and Lieutenant Bird were undressing in their narrow quarters that night, the fourth berth was still unclaimed. They were in their bunks and almost asleep, when the missing man came in and unceremoniously turned on the light. They were astonished to see that he wore the uniform of the Royal Flying Corps and carried a cane. He seemed very young, but the three who peeped out at