The Duel, Aleksandr Kuprin [if you give a mouse a cookie read aloud TXT] 📗

eyes were dimmed with tears. Artschakovski seconded him with unimpeachable care. To make his voice thrill he grasped his larynx with two fingers and shook it. Osadchi accompanied it all with his heavy, long-drawn, organ notes.

After the singing there reigned a deep silence for a few moments. Suddenly Osadchi began again to recite in a subdued tone and eyes cast down⁠—

“All ye who wander in sorrow’s heavy, narrow road⁠—”

“No, that’s enough of it,” a voice exclaimed. “This is now, I suppose, the tenth time we have taken up this cursed Mass of Requiem⁠—”

But the rest had already intoned the solemn melody that divides the recitative of the antiphon, and once more, in the reeking and dirty room, resounded the requiem over St. John of Damascus in clear, full-voiced strains that express in so masterly a way the inconsolable sorrow for death’s inexorable cruelty⁠—

“All ye who believe in Me enter into the joy of My Father.”

Artschakovski, who was as familiar with the ritual as the most experienced choir-singer, at once repeated the following answer in accordance with the text⁠—

“With our whole soul we all praise,” etc.

And so the whole antiphon was chanted; but when Osadchi’s turn came to take up the recitation for the last time, he lowered his head like an infuriated bull, the veins in his neck swelled, and as he directed his melancholy, cruel, and threatening glances towards those present, he declaimed in a half-singing tone, and in a voice that resembled the roar of distant thunder⁠—

“Give, O Lord, Thy departed slave, Nikifor,
A blessed departure hence and eternal rest.”

In the midst of this lofty and pious invocation he stopped short, and, to the horror of the bystanders, uttered two words of the most blasphemous, cynical, and disgusting import.

Romashov jumped up, and thumped his fist, like a madman, on the table.

“Be silent! I forbid this,” he roared in a voice trembling with anger and pain. “What are you laughing at, Captain Osadchi? You ought to be ashamed. Your eyes are mocking, but I see and know that remorse, terror, and the tortures of hell are raging in your heart.”

A hideous silence on the part of all followed this outbreak of temper. Then a voice from the crowd was heard to exclaim⁠—

“Is he drunk?”

These three words relaxed all the terrible tension of the situation; but at the same moment let loose afresh⁠—just as a few hours previously in Schleyfer’s den of infamy⁠—all the evil spirits of orgy. There was shrieking, hooting, stamping, jumping, and dancing; the whole room was turned in a trice into an indescribable, savage, motley chaos. Viätkin, who jumped on to a table, hit his head against the big hanging lamp, which then swayed in awful zigzag curves, producing for some time a fantastic series of dissolving views on the ceiling and walls, on which drunken, frantic human beings were depicted as marvellous, gigantic shapes, or as huddled, dwarfish figures resembling embryos.

The debauch seemed at last to reach its height. All these wretched creatures were possessed, as it were, by a savage, exultant, ruthless fiend who, mocking at all the laws of sense and decency, forced his victims, by blasphemies, oaths, and all kinds of shamelessness, to abdicate the last shreds of their human dignity.

Romashov, in the smoke and stuffiness, suddenly caught sight of a person with features distorted by rage and incessant hooting, which for that reason seemed to him, in the first instant, unrecognizable. It was none other than Nikoläiev, who, now foaming with hate and fury, roared to his enemy:

“You’re a disgrace to the whole regiment, you and Nasanski! Not a word or, by God! I’ll⁠—”

Romashov felt that someone was pulling him, gently and cautiously, a few paces backwards. He turned round and recognized Agamalov, but at the same instant forgot him, and turned quickly round to Nikoläiev. White with suppressed rage, he answered in a low, hoarse voice and a forced and bitter smile⁠—

“What reason have you to mention Nasanski’s name? But perhaps you have some private, secret cause for hating him?”

“Rascal, scoundrel, your hour is come!” screamed Nikoläiev in a loud, trembling voice. With flashing eyes he raised his tightly clenched fist to Romashov’s face, but the expected blow never fell. Romashov experienced a momentary fear, together with a torturing, sickening sensation in his chest and ribs, and he now noticed, for the first time, that he was grasping some object with the fingers of his right hand. Then with a rapid movement he threw the remains of his half-emptied glass of ale into Nikoläiev’s face.

Instantly after this a violent blow in the region of his left eye struck him like a deafening thunderclap, and with the howl of a wounded wild beast, Romashov rushed at his foe. A heavy fall, and the two rolled over one another on the ground with furious blows and kicks. A thick cloud of dust eddied round the combatants; chairs and tables were flung in all directions, but the two continued, with unabated fury, to force, in turn, each other’s head against the filthy floor, and panting and with rattling throats, tried to tear each other to pieces. Romashov knew he had managed somehow or other to get his fingers well into Nikoläiev’s mouth at one of the corners, and he strove with all his might to rend Nikoläiev’s cheek, with the object of destroying those hateful features for all time. He himself, however, felt no pain when his head and elbows were bumped time after time, in the course of the fight, against the hard floor.

He had not the slightest notion as to how the battle finally ended. He suddenly found himself standing in a corner, plucked from the fight by kindly hands, and, by the same well-meaning helper, prevented from renewing his attack on Nikoläiev. Biek-Agamalov handed Romashov a glass of water, and his teeth could be heard chattering, through the convulsive twitchings of his lower jaw, against the side of the glass. His uniform was torn to tatters in the