Those Barren Leaves, Aldous Huxley [best ereader for textbooks .txt] 📗

surrounded by a court of poets, philosophers and artists. Beautiful women should swim through the great saloons and the gardens, glowing with love for the men of genius. And periodically⁠—for the apartment of the dwarfs, which the Cybo Malaspina, in imitation of the Gonzaga, had included in their palace, demanded appropriate inhabitants to furnish it⁠—periodically they should bring forth, painlessly, children to the men of genius⁠—all curly-headed, fully toothed and two years old on the day of birth, and all infant prodigies. Rows of little Mozarts. In a word, the palace of Vezza should re-become what it had never been except in Mrs. Aldwinkle’s fancy.

What it had been in fact one could only guess by looking at the faces of the Ancestors who gave the banqueting-hall its name.

From circular niches set high in the walls of the huge square room the lords of Massa Carrara looked out, bust after bust, across the intervening centuries. Right round the room they went, beginning on the left of the fireplace and ending, with the penultimate Cybo Malaspina, who arranged the room, on the right. And as marquess succeeded marquess and prince, prince, an expression of ever profounder imbecility made itself apparent on the faces of the Ancestors. The vulture’s nose, the formidable jaw of the first robber marquess transformed themselves by gradual degrees into the vague proboscides of anteaters, into criminally prognathous deformities. The foreheads grew lower with every generation, the marble eyes stared ever blanklier and the look of conscious pride became more and more strongly marked on every countenance. It was the boast of the Cybo Malaspina that they had never married beneath them and that their heirs had always been legitimate. One had only to look at the faces of the last three Princes to feel sure that the boast was amply justified. Were these the Muses’ friends?

“You can imagine the splendour of the scene,” said Mrs. Aldwinkle rapturously as she entered the Saloon of the Ancestors on Calamy’s arm. “The innumerable candles, the silks, the jewels. And all the crowd manœuvring in the most stately manner according to the rules of etiquette.” The last representative, albeit adoptive, of these gorgeous beings, Mrs. Aldwinkle lifted her head still higher and with a still more swelling port sailed across the huge room towards the little table where, in shrunken splendour, the successors of Cybo Malaspina were to dine. The train of her coral-coloured velvet dress rustled after her.

“It must have been very fine,” Calamy agreed. “Certainly, from the point of view of picturesqueness, we’ve lost by the passing of etiquette. One wonders how much further informality will go. Mr. Gladstone, in his old age, paid a visit to Oxford and was horrified to observe the new fashions in undergraduates’ dress. In his young days every young man who respected himself had at least one pair of trousers in which he never sat down for fear of making them bag at the knees, while the outfit in which he normally walked about the streets was never worth less than seventy or eighty pounds. And yet, in the time of Mr. Gladstone’s visit, the undergraduates still wore stiff collars and bowler hats. What would he have said if he could have seen them now? And what shall we say fifty years hence?”

The company disposed itself round the table. Calamy, as the new arrival, occupied the place of honour on Mrs. Aldwinkle’s right.

“You’ve broached a very interesting subject,” said Mr. Cardan, who sat opposite him, on their hostess’s left. “Very interesting,” he repeated, as he unfolded his napkin. Mr. Cardan was a middle-sized, thickly built man. The upper hem of his trousers followed an ample geodesic; his shoulders were very broad, his neck short and powerful. The red face looked tough and knobbly like the head of a cudgel. It was an enigmatic and equivocal face, whose normal expression was at once gross and sensitively refined, serious and sly. The mouth was small and its thin lips fitted tightly together, as though they were the moving parts of a very well made piece of furniture. The line that marked the meeting of the lips was almost straight, but at one end its horizontal gravity was deflected a trifle downwards, so that Mr. Cardan seemed to be forever in process of suppressing a wry smile that was forever importunately troubling his demureness. The hair was smooth, silvery and saintly. The nose was short and straight, like a lion’s⁠—but a lion’s that had become, with time and good living, rather bottled. Looking out from the midst of a web-work of fine wrinkles, the eyes were small, but bright and very blue. As the result, perhaps, of an illness⁠—or perhaps it was merely under the weight of five-and-sixty years⁠—one white eyebrow had settled down permanently lower than the other. From the right side of his face Mr. Cardan looked at you mysteriously and confidentially through the gap in a kind of chronic wink. But from the left the glance was supercilious and aristocratic, as though the western socket had been stretched by an invisible monocle a size or so too large for it. An expression of benevolence mingled with malice shone in his glance while he was talking; and when he laughed, every polished red facet of his cudgel’s face twinkled with mirth, as though suddenly illumined from within. Mr. Cardan was neither a poet nor a philosopher; nor of a remarkably brilliant family; but Mrs. Aldwinkle, who had known him intimately for many years, justified his inclusion among her courtiers on the ground that he was one of the obscure Great: potentially anything he chose to be, but actually, through indolence, unknown.

Mr. Cardan took a couple of spoonfuls of soup before proceeding. “A very interesting subject,” he repeated yet again. He had a melodious voice, ripe, round, fruity and powdered, as it were, with a bloom of huskiness⁠—the faint hoarseness of those who have drunk well, eaten well and copiously made love. “Formality, external pomp, etiquette⁠—their practical disappearance from modern life is really a most extraordinary thing, when you