Madame Bovary, Gustave Flaubert [book club recommendations txt] 📗

whence there afterwards issued, elaborated by his hands, all sorts of pills, boluses, infusions, lotions, and potions, that would bear far and wide his celebrity. No one in the world set foot there, and he respected it so, that he swept it himself. Finally, if the pharmacy, open to all comers, was the spot where he displayed his pride, the Capharnaüm was the refuge where, egoistically concentrating himself, Homais delighted in the exercise of his predilections, so that Justin’s thoughtlessness seemed to him a monstrous piece of irreverence, and, redder than the currants, he repeated⁠—

“Yes, from the Capharnaüm! The key that locks up the acids and caustic alkalies! To go and get a spare pan! a pan with a lid! and that I shall perhaps never use! Everything is of importance in the delicate operations of our art! But, devil take it! one must make distinctions, and not employ for almost domestic purposes that which is meant for pharmaceutical! It is as if one were to carve a fowl with a scalpel; as if a magistrate⁠—”

“Now be calm,” said Madame Homais.

And Athalie, pulling at his coat, cried “Papa! papa!”

“No, let me alone,” went on the druggist, “let me alone, hang it! My word! One might as well set up for a grocer. That’s it! go it! respect nothing! break, smash, let loose the leeches, burn the mallow-paste, pickle the gherkins in the window jars, tear up the bandages!”

“I thought you had⁠—” said Emma.

“Presently! Do you know to what you exposed yourself? Didn’t you see anything in the corner, on the left, on the third shelf? Speak, answer, articulate something.”

“I⁠—don’t⁠—know,” stammered the young fellow.

“Ah! you don’t know! Well, then, I do know! You saw a bottle of blue glass, sealed with yellow wax, that contains a white powder, on which I have even written ‘Dangerous!’ And do you know what is in it? Arsenic! And you go and touch it! You take a pan that was next to it!”

“Next to it!” cried Madame Homais, clasping her hands. “Arsenic! You might have poisoned us all.”

And the children began howling as if they already had frightful pains in their entrails.

“Or poison a patient!” continued the druggist. “Do you want to see me in the prisoner’s dock with criminals, in a court of justice? To see me dragged to the scaffold? Don’t you know what care I take in managing things, although I am so thoroughly used to it? Often I am horrified myself when I think of my responsibility; for the Government persecutes us, and the absurd legislation that rules us is a veritable Damocles’ sword over our heads.”

Emma no longer dreamed of asking what they wanted her for, and the druggist went on in breathless phrases⁠—

“That is your return for all the kindness we have shown you! That is how you recompense me for the really paternal care that I lavish on you! For without me where would you be? What would you be doing? Who provides you with food, education, clothes, and all the means of figuring one day with honour in the ranks of society? But you must pull hard at the oar if you’re to do that, and get, as, people say, callosities upon your hands. Fabricando fit faber, age quod agis.”16

He was so exasperated he quoted Latin. He would have quoted Chinese or Greenlandish had he known those two languages, for he was in one of those crises in which the whole soul shows indistinctly what it contains, like the ocean, which, in the storm, opens itself from the seaweeds on its shores down to the sands of its abysses.

And he went on⁠—

“I am beginning to repent terribly of having taken you up! I should certainly have done better to have left you to rot in your poverty and the dirt in which you were born. Oh, you’ll never be fit for anything but to herd animals with horns! You have no aptitude for science! You hardly know how to stick on a label! And there you are, dwelling with me snug as a parson, living in clover, taking your ease!”

But Emma, turning to Madame Homais, “I was told to come here⁠—”

“Oh, dear me!” interrupted the good woman, with a sad air, “how am I to tell you? It is a misfortune!”

She could not finish, the druggist was thundering⁠—“Empty it! Clean it! Take it back! Be quick!”

And seizing Justin by the collar of his blouse, he shook a book out of his pocket. The lad stooped, but Homais was the quicker, and, having picked up the volume, contemplated it with staring eyes and open mouth.

“Conjugal⁠—love!” he said, slowly separating the two words. “Ah! very good! very good! very pretty! And illustrations! Oh, this is too much!”

Madame Homais came forward.

“No, do not touch it!”

The children wanted to look at the pictures.

“Leave the room,” he said imperiously; and they went out.

First he walked up and down with the open volume in his hand, rolling his eyes, choking, tumid, apoplectic. Then he came straight to his pupil, and, planting himself in front of him with crossed arms⁠—

“Have you every vice, then, little wretch? Take care! you are on a downward path. Did not you reflect that this infamous book might fall in the hands of my children, kindle a spark in their minds, tarnish the purity of Athalie, corrupt Napoléon. He is already formed like a man. Are you quite sure, anyhow, that they have not read it? Can you certify to me⁠—”

“But really, sir,” said Emma, “you wished to tell me⁠—”

“Ah, yes! madame. Your father-in-law is dead.”

In fact, Monsieur Bovary senior had expired the evening before suddenly from an attack of apoplexy as he got up from table, and by way of greater precaution, on account of Emma’s sensibility, Charles had begged Homais to break the horrible news to her gradually. Homais had thought over his speech; he had rounded, polished it, made it rhythmical; it was a masterpiece of prudence and transitions, of subtle