Sinister Street, Compton Mackenzie [classic books for 10 year olds .TXT] 📗

Dr. Brownjohn’s forehead swelled with wrath, astonishment and dismay.

“Get out of my sight,” he thundered. “Get back into your classroom. I’ve done with you; I take no more interest in you. You’re here to earn glory for your school, you’re here to gain a scholarship, not to air your own opinions. Get out of my sight, you young scoundrel. How dare you argue with me? You shan’t go into the History Sixth! You shall stew in your own obstinate juice in the Upper Fifth until I choose to move you out of it. Do you hear? Go back into your classroom. I’ll write to your mother. She’s an idiotic woman, and you’re a slovenly, idle, good-for-nothing cub.”

Overwhelmed with failure and very sensitive to the inquisitive glances of his classmates, Michael sat down in his own desk again as unobtrusively as he could.

Michael’s peace of mind was not increased by the consciousness of Mr. Cray’s knowledge of his appeal to withdraw from the Upper Fifth, and he became exposed to a large amount of sarcasm in allusion to his expressed inclination towards history. He was continually referred to as an authority on Constitutions; he was invited to bring forward comparisons from more modern times to help the elucidation of the Syracusan expedition or the Delian Confederacy.

All that Michael gained from Mr. Cray was a passion for secondhand books⁠—the latest and most fervid of all his collecting hobbies.

One wintry evening in Elson’s Bookshop at Hammersmith he was enjoying himself on the top of a ladder, when he became aware of an interested gaze directed at himself over the dull-gilt edges of a large and expensive work on Greek sculpture. The face that so regarded him was at once fascinating and repulsive. The glittering blue eyes full of laughter were immediately attractive, but something in the pointed ears and curled-back lips, something in the peculiarly white fingers faintly pencilled about the knuckles with fine black hairs, and after a moment something cruel in the bright blue eyes themselves restrained him from an answering smile.

“What is the book, Hyacinthus?” asked the stranger, and his voice was so winning and so melodious in the shadowy bookshop that Michael immediately fell into the easiest of conversations.

“Fond of books?” asked the stranger. “Oh, by the way, my name is Wilmot, Arthur Wilmot.”

Something in Wilmot’s manner made Michael suppose that he ought to be familiar with the name, and he tried to recall it.

“What’s your name?” the stranger went on.

Michael told his name, and also his school, and before very long a good deal about himself.

“I live near you,” said Mr. Wilmot. “We’ll walk along presently. I’d like you to dine with me one night soon. When?”

“Oh, any time,” said Michael, trying to speak as if invitations to dinner occurred to him three or four times a day.

“Here’s my card,” said the stranger. “You’d better show it to your mother⁠—so that she’ll know it’s all right. I’m a writer, you know.”

“Oh, yes,” Michael vaguely agreed.

“I don’t suppose you’ve seen any of my stuff. I don’t publish much. Sometimes I read my poems to Interior people.”

Michael looked puzzled.

“Interior is my name for the people who understand. So few do. I should say you’d be sympathetic. You look sympathetic. You remind me of those exquisite boys who in scarlet hose run delicately with beakers of wine or stand in groups about the corners of old Florentine pictures.”

Michael tried to look severe, and yet, after the Upper Fifth, even so direct and embarrassing a compliment was slightly pleasant.

“Shall we go along? Tonight the Hammersmith Road is full of mystery. But, first, shall I not buy you a book⁠—some exquisite book full of strange perfumes and passionate courtly gestures? And so you are at school? How wonderful to be at school! How Sicilian! Strange youth, you should have been sung by Theocritus, or, better, been crowned with myrtle by some wonderful unknown Greek, some perfect blossom of the Anthology.”

Michael laughed rather foolishly. There seemed nothing else to do.

“Won’t you smoke? These Chian cigarettes in their diaphanous paper of mildest mauve would suit your oddly remote, your curiously shy glance. You had better not smoke so near to the savage confines of St. James’ School? How ascetic! How stringent! What book shall I buy for you, O greatly to be envied dreamer of Sicilian dreams? Shall I buy you Mademoiselle de Maupin, so that all her rococo soul may dance with gilded limbs across your vision? Or shall I buy you À Rebours, and teach you to live? And yet I think neither would suit you perfectly. So here is a volume of Pater⁠—Imaginary Portraits. You will like to read of Denys l’Auxerrois. One day I myself will write an imaginary portrait of you, wherein your secret, sidelong smile will reveal to the world the whole art of youth.”

“But really⁠—thanks very much,” stammered Michael, who was beginning to suspect the stranger of madness⁠—“it’s awfully kind of you, but, really, I think I’d rather not.”

“Do not be proud,” said Mr. Wilmot. “Pride is for the pure in heart, and you are surely not pure in heart. Or are you? Are you indeed like one of those wonderful white statues of antiquity, unaware of the soul with all its maladies?”

In the end, so urgent was Mr. Wilmot, Michael accepted the volume of Pater, and walked with the stranger through the foggy night. Somehow the conversation was so destructive of all experience that, as Michael and his new friend went by the school-gates and perceived beyond the vast bulk of St. James’ looming, Michael felt himself a stranger to it all, as if he never again would with a crowd of companions surge out from afternoon school. The stranger came as far as the corner of Carlington Road with Michael.

“I will write to your mother and ask her to let you dine with me one night next week. You interest me so much.”

Mr. Wilmot waved a pontifical goodbye and vanished in the direction of Kensington.

At home Michael told his mother of