Madame Bovary, Gustave Flaubert [book club recommendations txt] 📗

the stones grated in the mud, the diligence rocked, and Hivert, from afar, hailed the carts on the road, while the bourgeois who had spent the night at the Guillaume woods came quietly down the hill in their little family carriages.

They stopped at the barrier; Emma undid her overshoes, put on other gloves, rearranged her shawl, and some twenty paces farther she got down from the Hirondelle.

The town was then awakening. Shop-boys in caps were cleaning up the shopfronts, and women with baskets against their hips, at intervals uttered sonorous cries at the corners of streets. She walked with downcast eyes, close to the walls, and smiling with pleasure under her lowered black veil.

For fear of being seen, she did not usually take the most direct road. She plunged into dark alleys, and, all perspiring, reached the bottom of the Rue Nationale, near the fountain that stands there. It is the quarter for theatres, public-houses, and whores. Often a cart would pass near her, bearing some shaking scenery. Waiters in aprons were sprinkling sand on the flagstones between green shrubs. It all smelt of absinthe, cigars, and oysters.

She turned down a street; she recognised him by his curling hair that escaped from beneath his hat.

Léon walked along the pavement. She followed him to the hotel. He went up, opened the door, entered⁠—What an embrace!

Then, after the kisses, the words gushed forth. They told each other the sorrows of the week, the presentiments, the anxiety for the letters; but now everything was forgotten; they gazed into each other’s faces with voluptuous laughs, and tender names.

The bed was large, of mahogany, in the shape of a boat. The curtains were in red levantine, that hung from the ceiling and bulged out too much towards the bell-shaped bedside; and nothing in the world was so lovely as her brown head and white skin standing out against this purple colour, when, with a movement of shame, she crossed her bare arms, hiding her face in her hands.

The warm room, with its discreet carpet, its gay ornaments, and its calm light, seemed made for the intimacies of passion. The curtain-rods, ending in arrows, their brass pegs, and the great balls of the firedogs shone suddenly when the sun came in. On the chimney between the candelabra there were two of those pink shells in which one hears the murmur of the sea if one holds them to the ear.

How they loved that dear room, so full of gaiety, despite its rather faded splendour! They always found the furniture in the same place, and sometimes hairpins, that she had forgotten the Thursday before, under the pedestal of the clock. They lunched by the fireside on a little round table, inlaid with rosewood. Emma carved, put bits on his plate with all sorts of coquettish ways, and she laughed with a sonorous and libertine laugh when the froth of the champagne ran over from the glass to the rings on her fingers. They were so completely lost in the possession of each other that they thought themselves in their own house, and that they would live there till death, like two spouses eternally young. They said “our room,” “our carpet,” she even said “my slippers,” a gift of Léon’s, a whim she had had. They were pink satin, bordered with swansdown. When she sat on his knees, her leg, then too short, hung in the air, and the dainty shoe, that had no back to it, was held only by the toes to her bare foot.

He for the first time enjoyed the inexpressible delicacy of feminine refinements. He had never met this grace of language, this reserve of clothing, these poses of the weary dove. He admired the exaltation of her soul and the lace on her petticoat. Besides, was she not “a lady” and a married woman⁠—a real mistress, in fine?

By the diversity of her humour, in turn mystical or mirthful, talkative, taciturn, passionate, careless, she awakened in him a thousand desires, called up instincts or memories. She was the mistress of all the novels, the heroine of all the dramas, the vague “she” of all the volumes of verse. He found again on her shoulder the amber colouring of the Odalisque Bathing; she had the long waist of feudal châtelaines, and she resembled the Pale Woman of Barcelona. But above all she was the Angel!

Often looking at her, it seemed to him that his soul, escaping towards her, spread like a wave about the outline of her head, and descended drawn down into the whiteness of her breast. He knelt on the ground before her, and with both elbows on her knees looked at her with a smile, his face upturned.

She bent over him, and murmured, as if choking with intoxication⁠—

“Oh, do not move! do not speak! look at me! Something so sweet comes from your eyes that helps me so much!”

She called him “child.” “Child, do you love me?”

And she did not listen for his answer in the haste of her lips that fastened to his mouth.

On the clock there was a bronze cupid, who smirked as he bent his arm beneath a golden garland. They had laughed at it many a time, but when they had to part everything seemed serious to them.

Motionless in front of each other, they kept repeating, “Till Thursday, till Thursday.”

Suddenly she seized his head between her hands, kissed him hurriedly on the forehead, crying, “Adieu!” and rushed down the stairs.

She went to a hairdresser’s in the Rue de la Comedie to have her hair arranged. Night fell; the gas was lighted in the shop. She heard the bell at the theatre calling the mummers to the performance, and she saw, passing opposite, men with white faces and women in faded gowns going in at the stage-door.

It was hot in the room, small, and too low where the stove was hissing in the midst of wigs and pomades. The smell of the tongs, together with the greasy