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finishing stroke to his creation, the last touches require more time than the whole groundwork of the picture.

“Why, you are not dressed!” she cried.

“Madame, your father⁠—”

“My father again!” she exclaimed, breaking in upon him. “You need not teach me what is due to my father, I have known my father this long while. Not a word, Eugène. I will hear what you have to say when you are dressed. My carriage is waiting, take it, go round to your rooms and dress, Thérèse has put out everything in readiness for you. Come back as soon as you can; we will talk about my father on the way to Mme. de Beauséant’s. We must go early; if we have to wait our turn in a row of carriages, we shall be lucky if we get there by eleven o’clock.”

“Madame⁠—”

“Quick! not a word!” she cried, darting into her dressing-room for a necklace.

“Do go, Monsieur Eugène, or you will vex madame,” said Thérèse, hurrying him away; and Eugène was too horror-stricken by this elegant parricide to resist.

He went to his rooms and dressed, sad, thoughtful, and dispirited. The world of Paris was like an ocean of mud for him just then; and it seemed that whoever set foot in that black mire must needs sink into it up to the chin.

“Their crimes are paltry,” said Eugène to himself. “Vautrin was greater.”

He had seen society in its three great phases⁠—Obedience, Struggle, and Revolt; the Family, the World, and Vautrin; and he hesitated in his choice. Obedience was dull, Revolt impossible, Struggle hazardous. His thoughts wandered back to the home circle. He thought of the quiet uneventful life, the pure happiness of the days spent among those who loved him there. Those loving and beloved beings passed their lives in obedience to the natural laws of the hearth, and in that obedience found a deep and constant serenity, unvexed by torments such as these. Yet, for all his good impulses, he could not bring himself to make profession of the religion of pure souls to Delphine, nor to prescribe the duties of piety to her in the name of love. His education had begun to bear its fruits; he loved selfishly already. Besides, his tact had discovered to him the real nature of Delphine; he divined instinctively that she was capable of stepping over her father’s corpse to go to the ball; and within himself he felt that he had neither the strength of mind to play the part of mentor, nor the strength of character to vex her, nor the courage to leave her to go alone.

“She would never forgive me for putting her in the wrong over it,” he said to himself. Then he turned the doctor’s dictum over in his mind; he tried to believe that Goriot was not so dangerously ill as he had imagined, and ended by collecting together a sufficient quantity of traitorous excuses for Delphine’s conduct. She did not know how ill her father was; the kind old man himself would have made her go to the ball if she had gone to see him. So often it happens that this one or that stands condemned by the social laws that govern family relations; and yet there are peculiar circumstances in the case, differences of temperament, divergent interests, innumerable complications of family life that excuse the apparent offence.

Eugène did not wish to see too clearly; he was ready to sacrifice his conscience to his mistress. Within the last few days his whole life had undergone a change. Woman had entered into his world and thrown it into chaos, family claims dwindled away before her; she had appropriated all his being to her uses. Rastignac and Delphine found each other at a crisis in their lives when their union gave them the most poignant bliss. Their passion, so long proved, had only gained in strength by the gratified desire that often extinguishes passion. This woman was his, and Eugène recognized that not until then had he loved her; perhaps love is only gratitude for pleasure. This woman, vile or sublime, he adored for the pleasure she had brought as her dower; and Delphine loved Rastignac as Tantalus would have loved some angel who had satisfied his hunger and quenched the burning thirst in his parched throat.

“Well,” said Mme. de Nucingen when he came back in evening dress, “how is my father?”

“Very dangerously ill,” he answered; “if you will grant me a proof of your affections, we will just go in to see him on the way.”

“Very well,” she said. “Yes, but afterwards. Dear Eugène, do be nice, and don’t preach to me. Come.”

They set out. Eugène said nothing for a while.

“What is it now?” she asked.

“I can hear the death-rattle in your father’s throat,” he said almost angrily. And with the hot indignation of youth, he told the story of Mme. de Restaud’s vanity and cruelty, of her father’s final act of self-sacrifice, that had brought about this struggle between life and death, of the price that had been paid for Anastasie’s golden embroideries. Delphine cried.

“I shall look frightful,” she thought. She dried her tears.

“I will nurse my father; I will not leave his bedside,” she said aloud.

“Ah! now you are as I would have you,” exclaimed Rastignac.

The lamps of five hundred carriages lit up the darkness about the Hôtel de Beauséant. A gendarme in all the glory of his uniform stood on either side of the brightly lighted gateway. The great world was flocking thither that night in its eager curiosity to see the great lady at the moment of her fall, and the rooms on the ground floor were already full to overflowing, when Mme. de Nucingen and Rastignac appeared. Never since Louis XIV tore her lover away from La grand Mademoiselle, and the whole court hastened to visit that unfortunate princess, had a disastrous love affair made such a sensation in Paris. But the youngest daughter of the almost royal house of Burgundy had risen proudly above her pain,

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