The Shaving of Shagpat, George Meredith [popular e readers TXT] 📗

than bondage gave peace to Abarak. He was of the class enumerated by the sage:

“Who, with the strength of giants, are but tools,
The weighty hands which serve selected fools.”

Now, this was how it was in the case of Baba Mustapha, and the four Kings, and Feshnavat, and Abarak, and Ravaloke, and Kadza, together with Shagpat; but, in the case of Noorna bin Noorka, surely she was withering from a sting of the scorpion shot against her bosom, but the Seven Sons of Aklis gave her a pass into Aklis on the wings of Koorookh, and Gulrevaz, the daughter of Aklis, tended her, she that was alone capable of restoring her, and counteracting the malice of the scorpion by the hand of purity. So Noorna prospered; but Shibli Bagarag drooped in uncertainty of her state, and was as a reaper in a field of harvest, around whom lie the yellow sheaves, and the brown beam of autumn on his head, the blaze of plenty; yet is he joyless and stands musing, for one is away who should be there, and without whom the goblet of Success giveth an unsweetened draught, and there is nothing pleasant in life, and the flower on the summit of achievement is blighted. At last, as he was listlessly dispensing justice in the Great Hall, seven days after the mastery of the Event, lo, Noorna, in air, borne by Gulrevaz, she fair and fresh in the revival of health and beauty, and the light of constant love. Of her entry into the Great Hall, to the embrace of her betrothed, the poet exclaims, picturing her in a rapture:

“Her march is music, and my soul obeys
Each motion, as a lute to cunning fingers
I see the Earth throb for her as she sways
Wavelike in air, and like a great flower lingers
Heavily over all, as loath to leave
What loves her so, and for her loss would grieve.

But oh, what other hand than heaven’s can paint
Her eyes, and that black bow from which their lightning
Pierces afar! long lustrous eyes, that faint
In languor, or with stormy passion brightening:
Within them world in world lights up from sleep,
And gives a glimpse of the eternal deep.

Sigh round her, odorous winds; and, envious rose,
So vainly envious, with such blushes gifted,
Bow to her; die, strangled with jealous throes,
O Bulbul! when she sings with brow uplifted;
Gather her, happy youth, and for thy gain
Thank Him who could such loveliness ordain.”

Surely the Master of the Event advanced to her in the glory of a Sultan, and seated her beside him in majesty, and their contract of marriage was read aloud in the hall, and witnessed, and sealed: joyful was he! Then commenced that festival which lasted forty days, and is termed the Festival of the honours of hospitality to the Sons of Aldis, wherein the head-cook of the palace, Uruish, performed wonders in his science, and menaced the renown of Zrmack, the head-cook of King Shamshureen. Even so the confectioner, Dob, excelled himself in devices and inventions, and his genius urged him to depict in sugars and pastes the entire adventures of Shibli Bagarag in search of the Sword. Honour we Uruish and Dob! as the poet sayeth:

“Divide not this fraternal twain;
One are they, and one should forever remain:
As to sweet close in fine music we look,
So the Confectioner follows the Cook.”

And one of the Sons of Aklis, Zaragal, beholding this masterpiece of Dob, which was served to the guests in the Great Hall on the fortieth evening, was fair to exclaim in extemporaneous verse:

“Have I been wafted to a rise
Of banquet spread in Paradise,
Dower’d with consuming powers divine;⁠—
That I, who have not fail’d to dine,
And greatly,
Fall thus upon the cater and wine
Sedately?”

So there was feasting in the hall, and in the City, and over Earth; great pledging the Sovereign of Barbers, who had mastered an Event, and become the benefactor of his craft and of his kind. ’Tis certain the race of the Bagarags endured for many centuries, and his seed were the rulers of men, and the seal of their empire stamped on mighty wax the Tackle of Barbers.

Now, of the promise made by the Sons of Aklis to visit Shibli Bagarag before their compulsory return to the labour of the Sword, and recount to him the marvel of their antecedent adventures; and of the love and grief nourished in the souls of men by the beauty and sorrowful eyes of Gulrevaz, that was mined the Bleeding Lily, and of her engagement to tell her story, on condition of receiving the firstborn of Noorna to nurse for a season in Aklis; and of Shibli Bagarag’s restoration of towns and monuments destroyed by his battle with Karaz; and of the constancy of passion of Shibli Bagarag for Noorna, and his esteem for her sweetness, and his reverence for her wisdom; and of the glory of his reign, and of the Songs and Sentences of Noorna, and of his Laws for the protection and upholding of women, in honour of Noorna, concerning which the Sage has said:

“Were men once clad in them, we should create
A race not following, but commanding, fate”:

—of all these records, and of the reign of Baba Mustapha in Oolb, surely the chronicles give them in fullness; and they that have searched say of them, there is matter therein for the amusement of generations.

Colophon

The Shaving of Shagpat
was published in 1856 by
George Meredith.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2004 by
Pat Castevans and David Widger
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
The Muezzin,
a painting completed in 1866 by
Jean-Léon Gérôme.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
March