Far from the Madding Crowd, Thomas Hardy [best ereader for pdf txt] 📗

door seemed to advertise itself as a species of Traitor’s Gate translated to another sphere. That entry and exit hereby was only at rare intervals became apparent on noting that tufts of grass were allowed to flourish undisturbed in the chinks of the sill.

As the clock from the tower of St. George’s Church pointed at three minutes to three, a blue spring wagon, picked out with red, and containing boughs and flowers, passed the end of the street, and up towards this side of the building. Whilst the chimes were yet stammering out a shattered form of “Malbrook,” Joseph Poorgrass rang the bell, and received directions to back his wagon against the high door under the gable. The door then opened, and a plain elm coffin was slowly thrust forth, and laid by two men in fustian along the middle of the vehicle.

One of the men then stepped up beside it, took from his pocket a lump of chalk, and wrote upon the cover the name and a few other words in a large scrawling hand. (We believe that they do these things more tenderly now, and provide a plate.) He covered the whole with a black cloth, threadbare, but decent, the tail-board of the wagon was returned to its place, one of the men handed a certificate of registry to Poorgrass, and both entered the door, closing it behind them. Their connection with her, short as it had been, was over for ever.

Joseph then placed the flowers as enjoined, and the evergreens around the flowers, till it was difficult to divine what the wagon contained; he smacked his whip, and the rather pleasing funeral car crept down the hill, and along the road to Weatherbury.

The afternoon drew on apace, and, looking to the right towards the sea as he walked beside the horse, Poorgrass saw strange clouds and scrolls of mist rolling over the long ridges which girt the landscape in that quarter. They came in yet greater volumes, and indolently crept across the intervening valleys, and around the withered papery flags of the moor and river brinks. Then their dank spongy forms closed in upon the sky. It was a sudden overgrowth of atmospheric fungi which had their roots in the neighbouring sea, and by the time that horse, man, and corpse entered Yalbury Great Wood, these silent workings of an invisible hand had reached them, and they were completely enveloped, this being the first arrival of the autumn fogs, and the first fog of the series.

The air was as an eye suddenly struck blind. The wagon and its load rolled no longer on the horizontal division between clearness and opacity, but were imbedded in an elastic body of a monotonous pallor throughout. There was no perceptible motion in the air, not a visible drop of water fell upon a leaf of the beeches, birches, and firs composing the wood on either side. The trees stood in an attitude of intentness, as if they waited longingly for a wind to come and rock them. A startling quiet overhung all surrounding things⁠—so completely, that the crunching of the wagon-wheels was as a great noise, and small rustles, which had never obtained a hearing except by night, were distinctly individualized.

Joseph Poorgrass looked round upon his sad burden as it loomed faintly through the flowering laurustinus, then at the unfathomable gloom amid the high trees on each hand, indistinct, shadowless, and spectre-like in their monochrome of grey. He felt anything but cheerful, and wished he had the company even of a child or dog. Stopping the horse, he listened. Not a footstep or wheel was audible anywhere around, and the dead silence was broken only by a heavy particle falling from a tree through the evergreens and alighting with a smart rap upon the coffin of poor Fanny. The fog had by this time saturated the trees, and this was the first dropping of water from the overbrimming leaves. The hollow echo of its fall reminded the wagoner painfully of the grim Leveller. Then hard by came down another drop, then two or three. Presently there was a continual tapping of these heavy drops upon the dead leaves, the road, and the travellers. The nearer boughs were beaded with the mist to the greyness of aged men, and the rusty-red leaves of the beeches were hung with similar drops, like diamonds on auburn hair.

At the roadside hamlet called Roy-Town, just beyond this wood, was the old inn Buck’s Head. It was about a mile and a half from Weatherbury, and in the meridian times of stage-coach travelling had been the place where many coaches changed and kept their relays of horses. All the old stabling was now pulled down, and little remained besides the habitable inn itself, which, standing a little way back from the road, signified its existence to people far up and down the highway by a sign hanging from the horizontal bough of an elm on the opposite side of the way.

Travellers⁠—for the variety tourist had hardly developed into a distinct species at this date⁠—sometimes said in passing, when they cast their eyes up to the sign-bearing tree, that artists were fond of representing the signboard hanging thus, but that they themselves had never before noticed so perfect an instance in actual working order. It was near this tree that the wagon was standing into which Gabriel Oak crept on his first journey to Weatherbury; but, owing to the darkness, the sign and the inn had been unobserved.

The manners of the inn were of the old-established type. Indeed, in the minds of its frequenters they existed as unalterable formulae: e.g.⁠—

Rap with the bottom of your pint for more liquor.
For tobacco, shout.
In calling for the girl in waiting, say, “Maid!”
Ditto for the landlady, “Old Soul!” etc., etc.

It was a relief to Joseph’s heart when the friendly signboard came in view, and, stopping his horse immediately beneath it, he proceeded to fulfil an intention made a long time