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Valentine to see Tietjens’ large, uncouth, but quite collected figure, and to observe the affection that these two had for each other.

But, on the second occasion, the throne was occupied by a very young woman who talked a great deal and with great assurance. Valentine didn’t know who she was. Mrs. Wannop, very gay and distracted, stood nearly the whole afternoon by a window. And even at that, Valentine was contented, quite a number of young men crowding round the old lady and leaving the younger one’s circle rather bare.

There came in a very tall, clean run and beautiful, fair woman, dressed in nothing particular. She stood with extreme⁠—with noticeable⁠—unconcern near the doorway. She let her eyes rest on Valentine, but looked away before Valentine could speak. She must have had an enormous quantity of fair tawny hair, for it was coiled in a great surface over her ears. She had in her hand several visiting cards which she looked at with a puzzled expression and then laid on a card table. She was no one who had ever been there before.

Edith Ethel⁠—it was for the second time!⁠—had just broken up the ring that surrounded Mrs. Wannop, bearing the young men tributary to the young women in the walnut chair and leaving Tietjens and the older woman high and dry in a window: thus Tietjens saw the stranger, and there was no doubt left in Valentine’s mind. He came, diagonally, right down the room to his wife and marched her straight up to Edith Ethel. His face was perfectly without expression.

Macmaster, perched on the centre of the hearthrug, had an emotion that was extraordinarily comic to witness, but that Valentine was quite unable to analyse. He jumped two paces forward to meet Mrs. Tietjens, held out a little hand, half withdrew it, retreated half a step. The eyeglass fell from his perturbed eye: this gave him actually an expression less perturbed, but, in revenge, the hairs on the back of his scalp grew suddenly untidy. Sylvia, wavering along beside her husband, held out her long arm and careless hand. Macmaster winced almost at the contact, as if his fingers had been pinched in a vise. Sylvia wavered desultorily towards Edith Ethel, who was suddenly small, insignificant and relatively coarse. As for the young woman celebrity in the armchair, she appeared to be about the size of a white rabbit.

A complete silence had fallen on the room. Every woman in it was counting the pleats of Sylvia’s skirt and the amount of material in it. Valentine Wannop knew that because she was doing it herself. If one had that amount of material and that number of pleats one’s skirt might hang like that.⁠ ⁠… For it was extraordinary: it fitted close round the hips, and gave an effect of length and swing⁠—yet it did not descend as low as the ankles. It was, no doubt, the amount of material that did that, like the Highlander’s kilt that takes twelve yards to make. And from the silence Valentine could tell that every woman and most of the men⁠—if they didn’t know that this was Mrs. Christopher Tietjens⁠—knew that this was a personage of Illustrated Weekly, as who should say of county family, rank. Little Mrs. Swan, lately married, actually got up, crossed the room and sat down beside her bridegroom. It was a movement with which Valentine could sympathise.

And Sylvia, having just faintly greeted Mrs. Duchemin, and completely ignored the celebrity in the armchair⁠—in spite of the fact that Mrs. Duchemin had tried half-heartedly to effect an introduction⁠—stood still, looking round her. She gave the effect of a lady in a nurseryman’s hothouse considering what flower should interest her, collectedly ignoring the nurserymen who bowed round her. She had just dropped her eyelashes, twice, in recognition of two staff officers with a good deal of scarlet streak about them who were tentatively rising from their chairs. The staff officers who came to the Tietjens were not of the first vintages; still they had the labels and passed as such.

Valentine was by that time beside her mother, who had been standing all alone between two windows. She had dispossessed, in hot indignation, a stout musical critic of his chair and had sat her mother in it. And, just as Mrs. Duchemin’s deep voice sounded, yet a little waveringly:

“Valentine⁠ ⁠… a cup of tea for⁠ ⁠…” Valentine was carrying a cup of tea to her mother.

Her indignation had conquered her despairing jealousy, if you could call it jealousy. For what was the good of living or loving when Tietjens had beside him, forever, the radiant, kind and gracious perfection. On the other hand, of her two deep passions, the second was for her mother.

Rightly or wrongly, Valentine regarded Mrs. Wannop as a great, an august figure: a great brain, a high and generous intelligence. She had written, at least, one great book, and if the rest of her time had been frittered away in the desperate struggle to live that had taken both their lives, that could not detract from that one achievement that should last and forever take her mother’s name down time. That this greatness should not weigh with the Macmasters had hitherto neither astonished nor irritated Valentine. The Macmasters had their game to play and, for the matter of that, they had their predilections. Their game kept them amongst the officially influential, the semiofficial and the officially accredited. They moved with such C.B.’s, knights, presidents, and the rest as dabbled in writing or the arts: they went upwards with such reviewers, art critics, musical writers and archæologists as had posts in, if possible, first-class public offices or permanent positions on the more august periodicals. If an imaginative author seemed assured of position and lasting popularity Macmaster would send out feelers towards him, would make himself humbly useful, and sooner or later either Mrs. Duchemin would be carrying on with him one of her high-souled correspondences⁠—or she wouldn’t.

Mrs. Wannop they had formerly accepted as permanent leader writer and chief critic of a great organ,

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