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guests still later; so that, punctual as he was, he had found Mrs. Lowder alone, with Kate herself not yet in the field. He had thus had with her several bewildering moments⁠—bewildering by reason, fairly, of their tacit invitation to him to be supernaturally simple. This was exactly, goodness knew, what he wanted to be; but he had never had it so largely and freely⁠—so supernaturally simply, for that matter⁠—imputed to him as of easy achievement. It was a particular in which Aunt Maud appeared to offer herself as an example, appeared to say quite agreeably: “What I want of you, don’t you see? is to be just exactly as I am.” The quantity of the article required was what might especially have caused him to stagger⁠—he liked so, in general, the quantities in which Mrs. Lowder dealt. He would have liked as well to ask her how feasible she supposed it for a poor young man to resemble her at any point; but he had after all soon enough perceived that he was doing as she wished by letting his wonder show just a little as silly. He was conscious moreover of a small strange dread of the results of discussion with her⁠—strange, truly, because it was her good nature, not her asperity, that he feared. Asperity might have made him angry⁠—in which there was always a comfort; good nature, in his conditions, had a tendency to make him ashamed⁠—which Aunt Maud indeed, wonderfully, liking him for himself, quite struck him as having guessed. To spare him therefore she also avoided discussion; she kept him down by refusing to quarrel with him. This was what she now proposed to him to enjoy, and his secret discomfort was his sense that on the whole it was what would best suit him. Being kept down was a bore, but his great dread, verily, was of being ashamed, which was a thing distinct; and it mattered but little that he was ashamed of that too. It was of the essence of his position that in such a house as this the tables could always be turned on him. “What do you offer, what do you offer?”⁠—the place, however muffled in convenience and decorum, constantly hummed for him with that thick irony. The irony was a renewed reference to obvious bribes, and he had already seen how little aid came to him from denouncing the bribes as ugly in form. That was what the precious metals⁠—they alone⁠—could afford to be; it was vain enough for him accordingly to try to impart a gloss to his own comparative brummagem. The humiliation of this impotence was precisely what Aunt Maud sought to mitigate for him by keeping him down; and as her effort to that end had doubtless never yet been so visible he had probably never felt so definitely placed in the world as while he waited with her for her half-dozen other guests. She welcomed him genially back from the States, as to his view of which her few questions, though not coherent, were comprehensive, and he had the amusement of seeing in her, as through a clear glass, the outbreak of a plan and the sudden consciousness of a curiosity. She became aware of America, under his eyes, as a possible scene for social operations; the idea of a visit to the wonderful country had clearly but just occurred to her, yet she was talking of it, at the end of a minute, as her favourite dream. He didn’t believe in it, but he pretended to; this helped her as well as anything else to treat him as harmless and blameless. She was so engaged, with the further aid of a complete absence of allusions, when the highest effect was given her method by the beautiful entrance of Kate. The method therefore received support all round, for no young man could have been less formidable than the person to the relief of whose shyness her niece ostensibly came. The ostensible, in Kate, struck him altogether, on this occasion, as prodigious; while scarcely less prodigious, for that matter, was his own reading, on the spot, of the relation between his companions⁠—a relation lighted for him by the straight look, not exactly loving nor lingering, yet searching and soft, that, on the part of their hostess, the girl had to reckon with as she advanced. It took her in from head to foot, and in doing so it told a story that made poor Densher again the least bit sick: it marked so something with which Kate habitually and consummately reckoned.

That was the story⁠—that she was always, for her beneficent dragon, under arms; living up, every hour, but especially at festal hours, to the “value” Mrs. Lowder had attached to her. High and fixed, this estimate ruled on each occasion at Lancaster Gate the social scene; so that he now recognised in it something like the artistic idea, the plastic substance, imposed by tradition, by genius, by criticism, in respect to a given character, on a distinguished actress. As such a person was to dress the part, to walk, to look, to speak, in every way to express, the part, so all this was what Kate was to do for the character she had undertaken, under her aunt’s roof, to represent. It was made up, the character, of definite elements and touches⁠—things all perfectly ponderable to criticism; and the way for her to meet criticism was evidently at the start to be sure her makeup had had the last touch and that she looked at least no worse than usual. Aunt Maud’s appreciation of that tonight was indeed managerial, and the performer’s own contribution fairly that of the faultless soldier on parade. Densher saw himself for the moment as in his purchased stall at the play; the watchful manager was in the depths of a box and the poor actress in the glare of the footlights. But she passed, the poor performer⁠—he could see how she always

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