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which carry the wireless messages. I must assume also that they are familiar with the elementary fact of physics that the vibrations of light and sound are interchangeable. The hearing-talking globes utilize both these principles, and with consummate simplicity. The light with which they shone was produced by an atomic “motor” within their base, similar to that which activated the merely illuminating globes. The composition of the phonic spheres gave their surfaces an acute sensitivity and resonance. In conjunction with its energizing power, the metal set up what is called a “field of force,” which linked it with every particle of its kind no matter how distant. When vibrations of speech impinged upon the resonant surface its rhythmic light-vibrations were broken, just as a telephone transmitter breaks an electric current. Simultaneously these light-vibrations were changed into sound⁠—on the surfaces of all spheres tuned to that particular instrument. The “crawling” colours which showed themselves at these times were literally the voice of the speaker in its spectrum equivalent. While usually the sounds produced required considerable familiarity with the apparatus to be understood quickly, they could, on occasion, be made startlingly loud and clear⁠—as I was soon to realize⁠—W. T. G. ↩

A tal in Muria is the equivalent of thirty hours of Earth surface time. —⁠W. T. G. ↩

The Akka are viviparous. The female produces progeny at five-year intervals, never more than two at a time. They are monogamous, like certain of our own Ranidae. Pending my monograph upon what little I had time to learn of their interesting habits and customs, the curious will find instruction and entertainment in Brandes and Schvenichen’s Brutpfleige der Schwanzlosen Bat Rachier, p. 395; and Lilian V. Sampson’s Unusual Modes of Breeding Among Anura, Amer. Nat. xxxiv, 1900. —⁠W. T. G. ↩

The Yekta of the Crimson Sea, are as extraordinary developments of hydroid forms as the giant Medusae, of which, of course, they are not too remote cousins. The closest resemblances to them in outer water forms are among the Gymnoblastic Hydroids, notably Clavetella prolifera, a most interesting ambulatory form of six tentacles. Almost every bather in Southern waters, Northern too, knows the pain that contact with certain “jelly fish” produces. The Yekta’s development was prodigious and, to us, monstrous. It secretes in its five heads an almost incredibly swiftly acting poison which I suspect, for I had no chance to verify the theory, destroys the entire nervous system to the accompaniment of truly infernal agony; carrying at the same time the illusion that the torment stretches through infinities of time. Both ether and nitrous oxide gas produce in the majority this sensation of time extension, without of course the pain symptom. What Lakla called the Yekta kiss is I imagine about as close to the orthodox idea of Hell as can be conceived. The secret of her control over them I had no opportunity of learning in the rush of events that followed. Knowledge of the appalling effects of their touch came, she told me, from those few “who had been kissed so lightly” that they recovered. Certainly nothing, not even the Shining One, was dreaded by the Murians as these were. —⁠W. T. G. ↩

Reprinted in full in Nature, in which those sufficiently interested may peruse it. —⁠W. T. G. ↩

Professor Svante August Arrhenius, in his Worlds in the Making⁠—the conception that life is universally diffused, constantly emitted from all habitable worlds in the form of spores which traverse space for years and ages, the majority being ultimately destroyed by the heat of some blazing star, but some few finding a resting-place on globes which have reached the habitable stage. —⁠W. T. G. ↩

Colophon The Standard Ebooks logo.

The Moon Pool
was published in 1919 by
A. Merritt.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2008 by
Judith Boss and Al Haines
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.

The cover page is adapted from
Brook by Moonlight,
a painting completed before 1891 by
Ralph Albert Blakelock.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
September 30, 2016, 10:24 p.m.
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