Loverly:The Life and Times of My Fair Lady (Broadway Legacies), McHugh, Dominic [fantasy books to read TXT] 📗

the emphasis placed on Loewe’s early life in Europe.

21. Zinsser, Easy to Remember, 229.

22. Lerner himself said that “Luck” was intended to be “an English music hall song.” Alan Jay Lerner, “Creation of a Lady,” Alpha RHO Journal 1, no. 2 (Fall, 1960): 7.

23. Ibid., 10.

24. Ibid., 11.

25. Lerner once wrote an article mentioning “the deep and true influence of Oklahoma! … [S]ince that spring of 1943, no musical could ever again aspire to success with a sketchbook foundation, and no amount of unrelated choreographic virtuosity could rescue a raggedy second act.” Alan Jay Lerner, “Oh What a Beautiful Musical,” New York Times Magazine, May 12, 1963, 29–33. When he later wrote a book on the history of the genre, Lerner devoted an entire chapter to the importance of Oklahoma! Alan Jay Lerner, The Musical Theatre: A Celebration (London: Collins, 1986), 150–53.

26. Margaret Landon’s part-novel, part-biography Anna and the King of Siam was published in 1944 and filmed in 1946. The novel was based on Anna Leonowens’s two memoirs, The English Governess at the Siamese Court (1870) and Romance of the Harem (1872).

27. Page numbers in parentheses refer to the published script. Ultimately, of course, the fact that Eliza’s desire to better herself has been over-satisfied—because she is fit to be “a consort to a king” (again Higgins’s words, 147)—means that this ambition is now too modest, and perhaps impossible now that she has entered high society. One of the tensions of the story, indeed, is that Eliza’s ambition to become a lady is realized by the end of act 1. The remainder of the story concerns the resolution of the Eliza-Higgins relationship, but in truth Eliza’s question to Higgins—“What’s to become of me?” (110)—is never really answered.

28. Hobe Morrison, review of “My Fair Lady, ” Variety, March 21, 1956.

29. John Beaufort, “My Fair Lady from Pygmalion,” Christian Science Monitor, March 24, 1956.

30. Letter of March 2, 1959, Levin to Kenneth Allen, ed., Tribune, HLP, 33/6. The exact same wording is used in numerous letters to similar journalists and editors contained in this folder, which is marked “Editorial Campaign.”

31. Swain, Broadway Musical, 199.

32. Ibid., 197.

33. Ibid., 200.

34. Block, Enchanted Evenings, 231 and 234.

35. Ibid., 242.

36. Raymond Knapp, The American Musical and the Performance of Personal Identity (Princeton, NJ: Princeton University Press, 2006), 284–93.

37. Lerner, “Creation of a Lady,” 9.

38. Ibid., 12.

BIBLIOGRAPHY

PUBLISHED SCRIPTS

Lerner, Alan Jay. My Fair Lady. New York: Coward-McCann, 1956.

Lerner, Alan Jay. My Fair Lady. London: Signet, 1958.

Lerner, Alan Jay. My Fair Lady. London: Penguin 1999, repr. 2008.

Shaw, George Bernard, and Alan Jay Lerner. Pygmalion and My Fair Lady. New York: Signet Classics, 1969.

PUBLISHED SCORES

Loewe, Frederick. My Fair Lady. London: Warner-Chappell, 1956.

Loewe, Frederick. My Fair Lady. New York: Chappell/Intersong, 1969.

SECONDARY LITERATURE

Altman, Rick, ed. Genre: The Musical. London: Routledge and Kegan Paul, 1981.

Andrews, Julie. Home. New York: Hyperion, 2008.

Atkinson, Brooks. Broadway. New York: Macmillan, 1970.

Bach, Steven. Dazzler: The Life and Times of Moss Hart. New York: Knopf, 2001.

Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press, 1995.

Beaton, Cecil. Cecil Beaton’s Fair Lady. London: Weidenfeld and Nicolson, 1964.

Beaton, Cecil. The Restless Years: Diaries 1955–63. London: Weidenfeld and Nicolson, 1976.

Bennett, Robert Russell. The Broadway Sound: The Autobiography and Selected Essays of Robert Russell Bennett. Edited by George J Ferencz. Eastman Studies in Music. Rochester, NY: University of Rochester Press, 1999.

Block, Geoffrey. Enchanted Evenings: The Broadway Musical from “Show Boat” to Sondheim and Lloyd Webber. New York: Oxford University Press, 1997; rev. ed., 2008.

Block, Geoffrey. Richard Rodgers. New Haven, CT: Yale University Press, 2003.

Brahms, Caryl, and Ned Sherrin. Song by Song: 14 Great Lyric Writers. London: R. Anderson Publishers, 1984.

Buckle, Richard, ed. Self-Portrait with Friends: The Selected Diaries of Cecil Beaton. London: Pimlico, 1981.

Bush Jones, John. Our Musicals, Ourselves: A Social History of the American Musical Theatre. London: Praeger, 2003.

Carter, Tim. “In the Workshop of Rodgers and Hammerstein.” In Colleen Reardon and Susan Parisi, eds., Music Observed: Studies in Memory of William C Holmes. Warren, MI: Harmonie Park Press, 2004.

Carter, Tim. Oklahoma! The Making of an American Musical. New Haven, CT: Yale University Press, 2006.

Castle, Charles. Noël. London: W. H. Allen, 1972.

Citron, Stephen. The Wordsmiths: Oscar Hammerstein 2nd and Alan Jay Lerner. New York: Oxford University Press, 1996.

Crawford, Cheryl. One Naked Individual. New York: Bobbs-Merrill, 1977.

D’Andre, David Mark. “The Theatre Guild, Carousel, and the Cultural Field of American Musical Theatre.” PhD diss., Yale University, May 2000.

Day, Barry, ed. The Letters of Noël Coward. London: Methuen, 2007.

Drew, David. Kurt Weill: A Handbook. London: Faber, 1987.

Dukore, Bernard F., ed. Bernard Shaw and Gabriel Pascal: Selected Correspondence. Toronto: University of Toronto Press, 1996.

Dukore, Bernard F., ed. The Collected Screenplays of Bernard Shaw. London: Prior, 1980.

Dunne, Michael. American Film Musical Themes and Forms. Jefferson, NC: McFarland and Co., 2004.

Emmet Long, Robert. Broadway: The Golden Years. New York: Continuum, 2001.

Engel, Lehman. The American Musical Theater. New York: Macmillan, 1967.

Engel, Lehman. Words with Music. New York: Macmillan, 1972.

Everett, William A., and Paul R Laird, eds. The Cambridge Companion to the Musical. Cambridge: Cambridge University Press, 2002.

Feuer, Jane. The Hollywood Musical. Bloomington: Indiana University Press, 1982.

Fordin, Hugh. MGM’s Greatest Musicals. New York: Da Capo Press, 1996.

Gänzl, Kurt, and Andrew Lamb. Gänzl’s Book of the Musical Theatre. London: Bodley Head, 1988.

Garebian, Keith. The Making of My Fair Lady. Toronto: ECW Press, 1993.

Garland, Patrick. The Incomparable Rex. London: Macmillan, 1998.

Gottfried, Martin. Broadway Musicals. New York: Abrams, 1979.

Green, Benny, ed. A Hymn to Him: The Lyrics of Alan Jay Lerner. London: Pavilion Books, 1987.

Green, Benny. Let’s Face the Music: The Golden Age of Popular Song. London: Pavilion Books, 1989.

Green, Stanley. Encyclopaedia of the Musical Film. New York: Oxford University Press, 1981.

Green, Stanley. Encyclopaedia of the Musical Theatre. New York: Dodd Mead 1976. Green, Stanley. The World of Musical Comedy. 3rd ed. New York: Da Capo, 1974.

Guernsey, Otis L. Jr., ed. Playwrights, Lyricists, Composers on Theater. New York: Dodd, Mead, 1974.

Harrison, Rex. A Damned Serious Business: My Life in Comedy. London: Bantam Press, 1990.

Harrison, Rex. Rex: An Autobiography by Rex Harrison. London: Macmillan, 1974.

Hart,