Dead Souls, Nikolai Gogol [best biographies to read .TXT] 📗

that all her self were flying in pursuit of her words. Nor did she know reticence: before anyone she would disclose her mind, and no force could compel her to maintain silence when she desired to speak. Also, her enchanting, peculiar gait⁠—a gait which belonged to her alone⁠—was so absolutely free and unfettered that every one involuntarily gave her way. Lastly, in her presence churls seemed to become confused and fall to silence, and even the roughest and most outspoken would lose their heads, and have not a word to say; whereas the shy man would find himself able to converse as never in his life before, and would feel, from the first, as though he had seen her and known her at some previous period⁠—during the days of some unremembered childhood, when he was at home, and spending a merry evening among a crowd of romping children. And for long afterwards he would feel as though his man’s intellect and estate were a burden.

This was what now befell Tientietnikov; and as it did so a new feeling entered into his soul, and his dreamy life lightened for a moment.

At first the General used to receive him with hospitable civility, but permanent concord between them proved impossible; their conversation always merged into dissension and soreness, seeing that, while the General could not bear to be contradicted or worsted in an argument, Tientietnikov was a man of extreme sensitiveness. True, for the daughter’s sake, the father was for a while deferred to, and thus peace was maintained; but this lasted only until the time when there arrived, on a visit to the General, two kinswomen of his⁠—the Countess Bordirev and the Princess Uziakin, retired Court dames, but ladies who still kept up a certain connection with Court circles, and therefore were much fawned upon by their host. No sooner had they appeared on the scene than (so it seemed to Tientietnikov) the General’s attitude towards the young man became colder⁠—either he ceased to notice him at all or he spoke to him familiarly, and as to a person having no standing in society. This offended Tientietnikov deeply, and though, when at length he spoke out on the subject, he retained sufficient presence of mind to compress his lips, and to preserve a gentle and courteous tone, his face flushed and his inner man was boiling.

“General,” he said, “I thank you for your condescension. By addressing me in the second person singular, you have admitted me to the circle of your most intimate friends. Indeed, were it not that a difference of years forbids any familiarity on my part, I should answer you in similar fashion.”

The General sat aghast. At length, rallying his tongue and his faculties, he replied that, though he had spoken with a lack of ceremony, he had used the term “thou” merely as an elderly man naturally employs it towards a junior (he made no reference to difference of rank).

Nevertheless, the acquaintance broke off here, and with it any possibility of lovemaking. The light which had shed a momentary gleam before Tientietnikov’s eyes had become extinguished forever, and upon it there followed a darkness denser than before. Henceforth everything conduced to evolve the regime which the reader has noted⁠—that regime of sloth and inaction which converted Tientietnikov’s residence into a place of dirt and neglect. For days at a time would a broom and a heap of dust be left lying in the middle of a room, and trousers tossing about the salon, and pairs of worn-out braces adorning the whatnot near the sofa. In short, so mean and untidy did Tientietnikov’s mode of life become, that not only his servants, but even his very poultry ceased to treat him with respect. Taking up a pen, he would spend hours in idly sketching houses, huts, wagons, troikas, and flourishes on a piece of paper; while at other times, when he had sunk into a reverie, the pen would, all unknowingly, sketch a small head which had delicate features, a pair of quick, penetrating eyes, and a raised coiffure. Then suddenly the dreamer would perceive, to his surprise, that the pen had executed the portrait of a maiden whose picture no artist could adequately have painted; and therewith his despondency would become greater than ever, and, believing that happiness did not exist on Earth, he would relapse into increased ennui, increased neglect of his responsibilities.

But one morning he noticed, on moving to the window after breakfast, that not a word was proceeding either from the butler or the housekeeper, but that, on the contrary, the courtyard seemed to smack of a certain bustle and excitement. This was because through the entrance gates (which the kitchen maid and the scullion had run to open) there were appearing the noses of three horses⁠—one to the right, one in the middle, and one to the left, after the fashion of triumphal groups of statuary. Above them, on the box seat, were seated a coachman and a valet, while behind, again, there could be discerned a gentleman in a scarf and a fur cap. Only when the equipage had entered the courtyard did it stand revealed as a light spring britchka. And as it came to a halt, there leapt on to the verandah of the mansion an individual of respectable exterior, and possessed of the art of moving with the neatness and alertness of a military man.

Upon this Tientietnikov’s heart stood still. He was unused to receiving visitors, and for the moment conceived the new arrival to be a government official, sent to question him concerning an abortive society to which he had formerly belonged. (Here the author may interpolate the fact that, in Tientietnikov’s early days, the young man had become mixed up in a very absurd affair. That is to say, a couple of philosophers belonging to a regiment of hussars had, together with an aesthete who had not yet completed his student’s course and a gambler who