A Week on the Concord and Merrimack Rivers, Henry David Thoreau [best non fiction books of all time .TXT] 📗

wonder to see some heads wear a whole hat, yet fear not that the race will fail or waver in them; like the crabs which grow in hedges, they furnish the stocks of sweet and thrifty fruits still. Thus is nature recruited from age to age, while the fair and palatable varieties die out, and have their period. This is that mankind. How cheap must be the material of which so many men are made.

The wind blew steadily down the stream, so that we kept our sails set, and lost not a moment of the forenoon by delays, but from early morning until noon were continually dropping downward. With our hands on the steering-paddle, which was thrust deep into the river, or bending to the oar, which indeed we rarely relinquished, we felt each palpitation in the veins of our steed, and each impulse of the wings which drew us above. The current of our thoughts made as sudden bends as the river, which was continually opening new prospects to the east or south, but we are aware that rivers flow most rapidly and shallowest at these points. The steadfast shores never once turned aside for us, but still trended as they were made; why then should we always turn aside for them?

A man cannot wheedle nor overawe his Genius. It requires to be conciliated by nobler conduct than the world demands or can appreciate. These winged thoughts are like birds, and will not be handled; even hens will not let you touch them like quadrupeds. Nothing was ever so unfamiliar and startling to a man as his own thoughts.

To the rarest genius it is the most expensive to succumb and conform to the ways of the world. Genius is the worst of lumber, if the poet would float upon the breeze of popularity. The bird of paradise is obliged constantly to fly against the wind, lest its gay trappings, pressing close to its body, impede its free movements.

He is the best sailor who can steer within the fewest points of the wind, and extract a motive power out of the greatest obstacles. Most begin to veer and tack as soon as the wind changes from aft, and as within the tropics it does not blow from all points of the compass, there are some harbors which they can never reach.

The poet is no tender slip of fairy stock, who requires peculiar institutions and edicts for his defence, but the toughest son of earth and of Heaven, and by his greater strength and endurance his fainting companions will recognize the God in him. It is the worshippers of beauty, after all, who have done the real pioneer work of the world.

The poet will prevail to be popular in spite of his faults, and in spite of his beauties too. He will hit the nail on the head, and we shall not know the shape of his hammer. He makes us free of his hearth and heart, which is greater than to offer one the freedom of a city.

Great men, unknown to their generation, have their fame among the great who have preceded them, and all true worldly fame subsides from their high estimate beyond the stars.

Orpheus does not hear the strains which issue from his lyre, but only those which are breathed into it; for the original strain precedes the sound, by as much as the echo follows after. The rest is the perquisite of the rocks and trees and beasts.

When I stand in a library where is all the recorded wit of the world, but none of the recording, a mere accumulated, and not truly cumulative treasure, where immortal works stand side by side with anthologies which did not survive their month, and cobweb and mildew have already spread from these to the binding of those; and happily I am reminded of what poetry is⁠—I perceive that Shakespeare and Milton did not foresee into what company they were to fall. Alas! that so soon the work of a true poet should be swept into such a dust-hole!

The poet will write for his peers alone. He will remember only that he saw truth and beauty from his position, and expect the time when a vision as broad shall overlook the same field as freely.

We are often prompted to speak our thoughts to our neighbors, or the single travellers whom we meet on the road, but poetry is a communication from our home and solitude addressed to all Intelligence. It never whispers in a private ear. Knowing this, we may understand those sonnets said to be addressed to particular persons, or “To a Mistress’s Eyebrow.” Let none feel flattered by them. For poetry write love, and it will be equally true.

No doubt it is an important difference between men of genius or poets, and men not of genius, that the latter are unable to grasp and confront the thought which visits them. But it is because it is too faint for expression, or even conscious impression. What merely quickens or retards the blood in their veins and fills their afternoons with pleasure they know not whence, conveys a distinct assurance to the finer organization of the poet.

We talk of genius as if it were a mere knack, and the poet could only express what other men conceived. But in comparison with his task, the poet is the least talented of any; the writer of prose has more skill. See what talent the smith has. His material is pliant in his hands. When the poet is most inspired, is stimulated by an aura which never even colors the afternoons of common men, then his talent is all gone, and he is no longer a poet. The gods do not grant him any skill more than another. They never put their gifts into his hands, but they encompass and sustain him with their breath.

To say that God has given a man many and great talents, frequently means that he has brought his heavens