Animal Ghosts, Elliott O'Donnell [classic literature list txt] 📗

the camp fire I took the trouble to make enquiries as to the antecedents of the white horse. And the old Boer, after he had commanded silence, began. He said:

"'The English are not brave, but foolish. We beat them at Majuba, some twenty-five seasons back. There was an Englishman here like you; he had brought a horse with him, against our advice, to be killed with the fly, the same as yours will be in a day or two. And he, like you, would go where he was told not to go; and one day he went into a bush (that very bush you rode through to-night), and he shot seven elephants, and the next day he went in to fetch the ivory, and about night his horse came into camp riderless, and was dead from the fly before the sun went down. The Englishman is in that bush now; anyway, he never came back. And now anybody who ventures into that bush is chased by the white horse. I wouldn't go into that bush for all the ivory in the land. The English are not brave, but foolish; we beat them at Majuba.'

"Here he ran into a torrent of abuse of all Englishmen in general, and in particular. And I took the opportunity of rolling myself up in my blankets for the night, sleeping all the better for my adventure.

"Now, Mr. Stead, I don't believe in ghosts, but I was firmly convinced during that run of mine, and can vouch for the accuracy of it, not having heard a word of the Englishman or his white horse before my headlong return to the camp that night. I shortly hope to be near that bush again, but, like the old Boer, I can say I wouldn't go into that bush again for all the ivory in the land.

"P.S.—A few days after we dropped across a troop of elephants without entering the fatal bush, and managed to bag seven, photographs of which I took, and shall be pleased to send for your inspection, if desired."

There can be very little doubt that the phantom the Afrikander saw was the actual spirit of a dead horse.

Another experience of haunting by the same animal was told me by a Chelsea artist who assured me it was absolutely true. I append it as nearly as possible in his own words.

Heralds of Death

"It is many years ago," he began, "since I came into my property, Heatherleigh Hall, near Carlisle, Cumberland. It was left me by my great-uncle, General Wimpole, whom I had never seen, but who had made me his heir in preference to his other nephews, owing to my reputed likeness to an aunt, to whom he was greatly attached. Of course I was much envied, and I dare say a good many unkind things were said about me, but I did not care—Heatherleigh Hall was mine, and I had as much right to it as anyone else. I came there all alone—my two brothers, Dick and Hal, the one a soldier and the other a sailor, were both away on foreign service, whilst Beryl, my one and only sister, was staying with her fiancé's family in Bath. Never shall I forget my first impressions. Depict the day—an October afternoon. The air mellow, the leaves yellow, and the sun a golden red. Not a trace of clouds or wind anywhere. Everything serene and still. A broad highway; a wood; a lodge in the midst of the wood; large iron gates; a broad carriage drive, planted on either side with lofty pines and elms, whose gnarled and forked branches threw grotesque and not altogether pleasing shadows on the pale gravel.

"At the end of the avenue, at least a quarter of a mile long, wide expanses of soft, velvety grass, interspersed at regular intervals with plots of flowers—dahlias, michaelmas daisies—no longer in their first bloom—chrysanthemums, etc. Beyond the lawn, the house, and beyond that again, and on either side, big, old-fashioned gardens full of fruit—fruit of all kinds, some, such as grapes and peaches, in monster green-houses, and others—luscious pears, blenheim oranges, golden pippins, etc.—in rich profusion in the open, the whole encompassed by a high and solid brick wall, topped with a bed of mortar and broken glass. The house, which was built, or, rather, faced with split flints, and edged and buttressed with cut grey stone, had a majestic but gloomy appearance. Its front, lofty and handsome, was somewhat castellated in style, two semicircular bows, or half-moons, placed at a suitable distance from each other, rising from the base to the summit of the edifice; these were pierced, at every floor, with rows of stone-mullioned windows, rising to the height of four or five stories. The flat wall between had larger windows, lighting the great hall, gallery, and upper apartments. These windows were abundantly ornamented with stained glass, representing the arms, honours, and alms-deeds of the Wimpole family.

"The towers, half included in the building, were completely circular within, and contained the winding stair of the mansion; and whoso ascended them, when the winter wind was blowing, seemed rising by a tornado to the clouds. Midway between the towers was a heavy stone porch, with a Gothic gateway, surmounted by a battlemented parapet, made gable fashion, the apex of which was garnished by a pair of dolphins, rampant and antagonistic, whose corkscrew tails seemed contorted by the last agonies of rage convulsed.

"The porch doors thrown open to receive me, led into a hall, wide, vaulted and lofty, and decorated here and there with remnants of tapestry and grim portraits of the Wimpoles. One picture in particular riveted my attention. Hung in an obscure corner, where the light rarely penetrated, it represented the head and shoulders of a young man with a strikingly beautiful face—the features small and regular like those of a woman—the hair yellow and curly. It was the eyes that struck me most—they followed me everywhere I went with a persistency that was positively alarming. There was something in them I had never seen in canvas eyes before, something deeper and infinitely more intricate than could be produced by mere paint—something human and yet not human, friendly and yet not friendly; something baffling, enigmatical, haunting. I enquired of my deceased relative's aged housekeeper, Mrs. Grimstone—whom I had retained—whose portrait it was, and she replied with a scared look, 'Horace, youngest son of Sir Algernon Wimpole, who died here in 1745.'

"'The face fascinates me,' I said. 'Is there any history attached to it?'

"'Why, yes, sir!' she responded, her eyes fixed on the floor, 'but the late master never liked referring to it.'

"'Is it as bad as that?' I said, laughing. 'Tell me!'

"'Well, sir,' she began, 'they do say as how Sir Algernon, who was a thorough country squire—very fond of hunting and shooting and all sorts of manly exercises—never liked Mr. Horace, who was delicate and dandified—what the folk in those days used to style a macaroni. The climax came when Mr. Horace took up with the Jacobites. Sir Algernon would have nothing more to do with him then and turned him adrift. One day there was a great commotion in the neighbourhood, the Government troops were hunting the place in search of rebels, and who should come galloping up the avenue with a couple of troopers in hot pursuit but Mr. Horace. The noise brought out Sir Algernon, and he was so infuriated to think that his son was the cause of the disturbance, a "disgraceful young cub," he called him, that despite Mr. Horace's entreaties for protection, he ran him through with his sword. It was a dreadful thing for a father to do, and Sir Algernon bitterly repented it. His wife, who had been devoted to Mr. Horace, left him, and at last, in a fit of despondency, he hanged himself—out there, on one of the elms lining the avenue. It is still standing. Ever since then they do say that the wood is haunted, and that before the death of any member of the family Mr. Horace is seen galloping along the old carriage drive.'

"'Pleasant,' I grunted. 'And how about the house—is it haunted too?'

"'I daresn't say,' she murmured. 'Some will tell you it is, and some will tell you it isn't.'

"'In which category are you included?' I asked.

"'Well!' she said 'I have lived here happy and comfortable forty-five years the day after to-morrow, and that speaks for itself, don't it?' And with that she hobbled off and showed me the way to the dining-room.

"What a house it was! From the hall proceeded doorways and passages, more than the ordinary memory could retain. Of these portals, one at each end conducted to the tower stairs, others, to the reception-rooms and domestic offices. In the right wing, besides bedrooms galore, was a lofty and spacious picture gallery; in the left—a chapel; for the Wimpoles were, formerly, Roman Catholics. The general fittings and furniture, both of the hall and house in general, were substantial, venerable and strongly corroborative of what Mrs. Grimstone hinted at—they suggested ghosts.

"The walls, lined with black oak panels, or dark hangings that fluttered mysteriously each time the wind blew, were funereal indeed; and so high and narrow were the windows, that little was to be discerned through them but cross-barred portions of the sky. One spot in particular appealed to my nerves—and that, a long, vaulted stone passage leading from a morning room to the foot of the back staircase. Here the voice and even the footsteps echoed with a hollow, low response, and often when I have been hurrying along it—I never dared walk slowly—I have fancied—and maybe it was more than fancy—I have been pursued.

"Time passed, and from being merely used to my new environments, I grew to take a pride in them, to love them. I made the acquaintance of several of my neighbours, those I deemed the most desirable, and on returning from wintering abroad, brought home a bride, a young Polish girl, who added lustre to the surroundings, and in no small degree helped to dissipate the gloom. Indeed, had it not been for the picture in the hall, and for the twilight shadows and twilight footsteps in the stone passage, I should soon have ceased to think of ghosts. Ghosts, forsooth! When all around me vibrated with the sounds of girlish laughter, and the summer sunshine, sparkling on the golden curls of my child-wife, saw itself reflected a millionfold in the alluring depths of her azure eyes. In halcyon days like these who thinks of ghosts and death?

"And yet! It is in just such times as these that hell is nearest. There came a night in August when the air was so hot and sultry that I could scarcely breathe, and unable to bear the atmosphere of the house and gardens any longer, I sought the coolness of the wood. Olga—my wife—did not accompany me, as she was suffering from a slight—thank God, it was only slight—sunstroke. It was close on midnight, and there was a dead stillness abroad that seemed as if it must be universal—as if it enveloped the whole of nature. I tried to realize London—to depict the Strand and Piccadilly, aglow with artificial light and reverberating with the roll of countless traffic and the tread of millions of feet.

"I failed. The incongruity of such imaginings here—here amidst omnipotent silence—rendered such thoughts impossible. A leaf rustled, and its rustling sounded to my ears like the gentle closing of some giant door. A twig fell, and I turned sharply round, convinced I should see a pile of broken debris. I love all trees, but I love them best by day—to me it seems that night utterly metamorphizes them—brings out in them a subtler, darker side one would little suspect. Here, in this oak, for instance, was an example. In the morning one sees in it nought but quiet dignity, venerable old age, benevolence, and, by reason of the ample