The Life of Reason, George Santayana [e novels to read .txt] 📗
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Reason accordingly requires the fusion of two types of life, commonly led in the world in well-nigh total separation, one a life of impulse expressed in affairs and social passions, the other a life of reflection expressed in religion, science, and the imitative arts. In the Life of Reason, if it were brought to perfection, intelligence would be at once the universal method of practice and its continual reward. All reflection would then be applicable in action and all action fruitful in happiness. Though this be an ideal, yet everyone gives it from time to time a partial embodiment when he practises useful arts, when his passions happily lead him to enlightenment, or when his fancy breeds visions pertinent to his ultimate good. Everyone leads the Life of Reason in so far as he finds a steady light behind the world's glitter and a clear residuum of joy beneath pleasure or success. No experience not to be repented of falls without its sphere. Every solution to a doubt, in so far as it is not a new error, every practical achievement not neutralised by a second maladjustment consequent upon it, every consolation not the seed of another greater sorrow, may be gathered together and built into this edifice. The Life of Reason is the happy marriage of two elements—impulse and ideation—which if wholly divorced would reduce man to a brute or to a maniac. The rational animal is generated by the union of these two monsters. He is constituted by ideas which have ceased to be visionary and actions which have ceased to be vain.
Thus the Life of Reason is another name for what, in the widest sense of the word, might be called Art. Operations become arts when their purpose is conscious and their method teachable. In perfect art the whole idea is creative and exists only to be embodied, while every part of the product is rational and gives delightful expression to that idea. Like art, again, the Life of Reason is not a power but a result, the spontaneous expression of liberal genius in a favouring environment. Both art and reason have natural sources and meet with natural checks; but when a process is turned successfully into an art, so that its issues have value and the ideas that accompany it become practical and cognitive, reflection, finding little that it cannot in some way justify and understand, begins to boast that it directs and has created the world in which it finds itself so much at home. Thus if art could extend its sphere to include every activity in nature, reason, being everywhere exemplified, might easily think itself omnipotent. This ideal, far as it is from actual realisation, has so dazzled men, that in their religion and mythical philosophy they have often spoken as if it were already actual and efficient. This anticipation amounts, when taken seriously, to a confusion of purposes with facts and of functions with causes, a confusion which in the interests of wisdom and progress it is important to avoid; but these speculative fables, when we take them for what they are—poetic expressions of the ideal—help us to see how deeply rooted this ideal is in man's mind, and afford us a standard by which to measure his approaches to the rational perfection of which he dreams. For the Life of Reason, being the sphere of all human art, is man's imitation of divinity.
To study such an ideal, dimly expressed though it be in human existence, is no prophetic or visionary undertaking. Every genuine ideal has a natural basis; anyone may understand and safely interpret it who is attentive to the life from which it springs. To decipher the Life of Reason nothing is needed but an analytic spirit and a judicious love of man, a love quick to distinguish success from failure in his great and confused experiment of living. The historian of reason should not be a romantic poet, vibrating impotently to every impulse he finds afoot, without a criterion of excellence or a vision of perfection. Ideals are free, but they are neither more numerous nor more variable than the living natures that generate them. Ideals are legitimate, and each initially envisages a genuine and innocent good; but they are not realisable together, nor even singly when they have no deep roots in the world. Neither is the philosopher compelled by his somewhat judicial office to be a satirist or censor, without sympathy for those tentative and ingenuous passions out of which, after all, his own standards must arise. He is the chronicler of human progress, and to measure that progress he should be equally attentive to the impulses that give it direction and to the circumstances amid which it stumbles toward its natural goal.
There is unfortunately no school of modern philosophy to which a critique of human progress can well be attached. Almost every school, indeed, can furnish something useful to the critic, sometimes a physical theory, sometimes a piece of logical analysis. We shall need to borrow from current science and speculation the picture they draw of man's conditions and environment, his history and mental habits. These may furnish a theatre and properties for our drama; but they offer no hint of its plot and meaning. A great imaginative apathy has fallen on the mind. One-half the learned world is amused in tinkering obsolete armour, as Don Quixote did his helmet; deputing it, after a series of catastrophes, to be at last sound and invulnerable. The other half, the naturalists who have studied psychology and evolution, look at life from the outside, and the processes of Nature make them forget her uses. Bacon indeed had prized science for adding to the comforts of life, a function still commemorated by positivists in their eloquent moments. Habitually, however, when they utter the word progress it is, in their mouths, a synonym for inevitable change, or at best for change in that direction which they conceive to be on the whole predominant. If they combine with physical speculation some elements of morals, these are usually purely formal, to the effect that happiness is to be pursued (probably, alas! because to do so is a psychological law); but what happiness consists in we gather only from casual observations or by putting together their national prejudices and party saws.
The truth is that even this radical school, emancipated as it thinks itself, is suffering from the after-effects of supernaturalism. Like children escaped from school, they find their whole happiness in freedom. They are proud of what they have rejected, as if a great wit were required to do so; but they do not know what they want. If you astonish them by demanding what is their positive ideal, further than that there should be a great many people and that they should be all alike, they will say at first that what ought to be is obvious, and later they will submit the matter to a majority vote. They have discarded the machinery in which their ancestors embodied the ideal; they have not perceived that those symbols stood for the Life of Reason and gave fantastic and embarrassed expression to what, in itself, is pure humanity; and they have thus remained entangled in the colossal error that ideals are something adventitious and unmeaning, not having a soil in mortal life nor a possible fulfilment there.
The profound and pathetic ideas which inspired Christianity were attached in the beginning to ancient myths and soon crystallised into many new ones. The mythical manner pervades Christian philosophy; but myth succeeds in expressing ideal life only by misrepresenting its history and conditions. This method was indeed not original with the Fathers; they borrowed it from Plato, who appealed to parables himself in an open and harmless fashion, yet with disastrous consequences to his school. Nor was he the first; for the instinct to regard poetic fictions as revelations of supernatural facts is as old as the soul's primitive incapacity to distinguish dreams from waking perceptions, sign from thing signified, and inner emotions from external powers. Such confusions, though in a way they obey moral forces, make a rational estimate of things impossible. To misrepresent the conditions and consequences of action is no merely speculative error; it involves a false emphasis in character and an artificial balance and co-ordination among human pursuits. When ideals are hypostasised into powers alleged to provide for their own expression, the Life of Reason cannot be conceived; in theory its field of operation is pre-empted and its function gone, while in practice its inner impulses are turned awry by artificial stimulation and repression.
The Patristic systems, though weak in their foundations, were extraordinarily wise and comprehensive in their working out; and while they inverted life they preserved it. Dogma added to the universe fabulous perspectives; it interpolated also innumerable incidents and powers which gave a new dimension to experience. Yet the old world remained standing in its strange setting, like the Pantheon in modern Rome; and, what is more important, the natural springs of human action were still acknowledged, and if a supernatural discipline was imposed, it was only because experience and faith had disclosed a situation in which the pursuit of earthly happiness seemed hopeless. Nature was not destroyed by its novel appendages, nor did reason die in the cloister: it hibernated there, and could come back to its own in due season, only a little dazed and weakened by its long confinement. Such, at least, is the situation in Catholic regions, where the Patristic philosophy has not appreciably varied. Among Protestants Christian dogma has taken a new and ambiguous direction, which has at once minimised its disturbing effect in practice and isolated its primary illusion. The symptoms have been cured and the disease driven in.
The tenets of Protestant bodies are notoriously varied and on principle subject to change. There is hardly a combination of tradition and spontaneity which has not been tried in some quarter. If we think, however, of broad tendencies and ultimate issues, it appears that in Protestantism myth, without disappearing, has changed its relation to reality: instead of being an extension to the natural world myth has become its substratum. Religion no longer reveals divine personalities, future rewards, and tenderer Elysian consolations; nor does it seriously propose a heaven to be reached by a ladder nor a purgatory to be shortened by prescribed devotions. It merely gives the real world an ideal status and teaches men to accept a natural life on supernatural grounds. The consequence is that the most pious can give an unvarnished description of things. Even immortality and the idea of God are submitted, in liberal circles, to scientific treatment. On the other hand, it would be hard to conceive a more inveterate obsession than that which keeps the attitude of these same minds inappropriate to the objects
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