Poetical Works of Akenside, Mark Akenside [top novels to read TXT] 📗

710
To this their proper action and their end?--
Ask thy own heart, when, at the midnight hour,
Slow through that studious gloom thy pausing eye,
Led by the glimmering taper, moves around
The sacred volumes of the dead, the songs
Of Grecian bards, and records writ by Fame
For Grecian heroes, where the present power
Of heaven and earth surveys the immortal page,
Even as a father blessing, while he reads
The praises of his son. If then thy soul, 720
Spurning the yoke of these inglorious days,
Mix in their deeds, and kindle with their flame,
Say, when the prospect blackens on thy view,
When, rooted from the base, heroic states
Mourn in the dust, and tremble at the frown
Of cursed ambition; when the pious band
Of youths who fought for freedom and their sires,
Lie side by side in gore; when ruffian pride
Usurps the throne of Justice, turns the pomp
Of public power, the majesty of rule, 730
The sword, the laurel, and the purple robe,
To slavish empty pageants, to adorn
A tyrant's walk, and glitter in the eyes
Of such as bow the knee; when honour'd urns
Of patriots and of chiefs, the awful bust
And storied arch, to glut the coward rage
Of regal envy, strew the public way
With hallow'd ruins; when the Muse's haunt,
The marble porch where Wisdom wont to talk
With Socrates or Tully, hears no more, 740
Save the hoarse jargon of contentious monks,
Or female Superstition's midnight prayer;
When ruthless Rapine from the hand of Time
Tears the destroying scythe, with surer blow
To sweep the works of glory from their base;
Till Desolation o'er the grass-grown street
Expands his raven wings, and up the wall,
Where senates once the price of monarchs doom'd,
Hisses the gliding snake through hoary weeds
That clasp the mouldering column; thus defaced, 750
Thus widely mournful when the prospect thrills
Thy beating bosom, when the patriot's tear
Starts from thine eye, and thy extended arm
In fancy hurls the thunderbolt of Jove
To fire the impious wreath on Philip's [Endnote W] brow,
Or dash Octavius from the trophied car;
Say, does thy secret soul repine to taste
The big distress? Or wouldst thou then exchange
Those heart-ennobling sorrows for the lot
Of him who sits amid the gaudy herd 760
Of mute barbarians bending to his nod,
And bears aloft his gold-invested front,
And says within himself, I am a king,
And wherefore should the clamorous voice of woe
Intrude upon mine ear?--The baleful dregs
Of these late ages, this inglorious draught
Of servitude and folly, have not yet,
Bless'd be the eternal Ruler of the world!
Defiled to such a depth of sordid shame
The native honours of the human soul, 770
Nor so effaced the image of its Sire.'


BOOK III.


ARGUMENT.

Pleasure in observing the tempers and manners of men, even where vicious or absurd. The origin of Vice, from false representations of the fancy, producing false opinions concerning good and evil. Inquiry into ridicule. The general sources of ridicule in the minds and characters of men, enumerated. Final cause of the sense of ridicule. The resemblance of certain aspects of inanimate things to the sensations and properties of the mind. The operations of the mind in the production of the works of Imagination, described. The secondary pleasure from Imitation. The benevolent order of the world illustrated in the arbitrary connexion of these pleasures with the objects which excite them. The nature and conduct of taste. Concluding with an account of the natural and moral advantages resulting from a sensible and well formed imagination.

What wonder therefore, since the endearing ties
Of passion link the universal kind
Of man so close, what wonder if to search
This common nature through the various change
Of sex, and age, and fortune, and the frame
Of each peculiar, draw the busy mind
With unresisted charms? The spacious west,
And all the teeming regions of the south,
Hold not a quarry, to the curious flight
Of Knowledge, half so tempting or so fair, 10
As man to man. Nor only where the smiles
Of Love invite; nor only where the applause
Of cordial Honour turns the attentive eye
On Virtue's graceful deeds. For, since the course
Of things external acts in different ways
On human apprehensions, as the hand
Of Nature temper'd to a different frame
Peculiar minds; so haply where the powers
Of Fancy [Endnote X] neither lessen nor enlarge
The images of things, but paint in all 20
Their genuine hues, the features which they wore
In Nature; there Opinion will be true,
And Action right. For Action treads the path
In which Opinion says he follows good,
Or flies from evil; and Opinion gives
Report of good or evil, as the scene
Was drawn by Fancy, lovely or deform'd:
Thus her report can never there be true
Where Fancy cheats the intellectual eye,
With glaring colours and distorted lines. 30
Is there a man, who, at the sound of death,
Sees ghastly shapes of terror conjured up,
And black before him; nought but death-bed groans
And fearful prayers, and plunging from the brink
Of light and being, down the gloomy air,
An unknown depth? Alas! in such a mind,
If no bright forms of excellence attend
The image of his country; nor the pomp
Of sacred senates, nor the guardian voice
Of Justice on her throne, nor aught that wakes 40
The conscious bosom with a patriot's flame;
Will not Opinion tell him, that to die,
Or stand the hazard, is a greater ill
Than to betray his country? And in act
Will he not choose to be a wretch and live?
Here vice begins then. From the enchanting cup
Which Fancy holds to all, the unwary thirst
Of youth oft swallows a Circaean draught,
That sheds a baleful tincture o'er the eye
Of Reason, till no longer he discerns, 50
And only guides to err. Then revel forth
A furious band that spurn him from the throne,
And all is uproar. Thus Ambition grasps
The empire of the soul; thus pale Revenge
Unsheaths her murderous dagger; and the hands
Of Lust and Rapine, with unholy arts,
Watch to o'erturn the barrier of the laws
That keeps them from their prey; thus all the plagues
The wicked bear, or o'er the trembling scone
The tragic Muse discloses, under shapes 60
Of honour, safety, pleasure, ease, or pomp,
Stole first into the mind. Yet not by all
Those lying forms, which Fancy in the brain
Engenders, are the kindling passions driven
To guilty deeds; nor Reason bound in chains,
That Vice alone may lord it: oft adorn'd
With solemn pageants, Folly mounts the throne,
And plays her idiot antics, like a queen.
A thousand garbs she wears; a thousand ways
She wheels her giddy empire.--Lo! thus far 70
With bold adventure, to the Mantuan lyre
I sing of Nature's charms, and touch well pleased
A stricter note: now haply must my song
Unbend her serious measure, and reveal
In lighter strains, how Folly's awkward arts [Endnote Y]
Excite impetuous Laughter's gay rebuke;
The sportive province of the comic Muse.

See! in what crowds the uncouth forms advance:
Each would outstrip the other, each prevent
Our careful search, and offer to your gaze, 80
Unask'd, his motley features. Wait awhile,
My curious friends! and let us first arrange
In proper order your promiscuous throng.

Behold the foremost band; [Endnote Z] of slender thought,
And easy faith; whom flattering Fancy soothes
With lying spectres, in themselves to view
Illustrious forms of excellence and good,
That scorn the mansion. With exulting hearts
They spread their spurious treasures to the sun,
And bid the world admire! But chief the glance 90
Of wishful Envy draws their joy-bright eyes,
And lifts with self-applause each lordly brow.
In number boundless as the blooms of Spring,
Behold their glaring idols, empty shades
By Fancy gilded o'er, and then set up
For adoration. Some in Learning's garb,
With formal band, and sable-cinctured gown,
And rags of mouldy volumes. Some elate
With martial splendour, steely pikes and swords
Of costly frame, and