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Believe me, sir, the work that lives
     Must furnish more than Nature gives.
     'The light that never was,' you know,
     That is your mark — but here,   hullo!

     What's this? What's this? Magnificent!
     I've wronged you, Wilson! I repent!
     A masterpiece! A perfect thing!
     What atmosphere! What colouring!
     Spanish Armada, is it not?
     A view of Ryde, no matter what,
     I pledge my critical renown
     That this will be the talk of Town.
     Where did you get those daring hues,
     Those blues on reds, those reds on
        blues?
     That pea-green face, that gamboge sky?
     You've far outcried the latest cry—
     Out Monet-ed Monet.   I have said
     Our Art was sleeping, but not dead.
     Long have we waited for the Star,
     I watched the skies for it afar,
     The hour has come—and here you are."

     And that is how our artist friend
     Found his struggles at an end,
     And from his little Chelsea flat
     Became the Park Lane plutocrat.
     'Neath his sheltered garden wall
     When the rain begins to fall,
     And the stormy winds do blow,
     You may see them in a row,
     Red effects and lake and yellow
     Getting nicely blurred and mellow.
     With the subtle gauzy mist
     Of the great Impressionist.
     Ask him how he chanced to find
     How to leave the French behind,
     And he answers quick and smart,
     "English climate's best for Art."





EMPIRE BUILDERS
     Captain Temple, D.S.O.,
          With his banjo and retriever.
     "Rough, I know, on poor old Flo,
          But, by Jove! I couldn't leave her."
     Niger ribbon on his breast,
          In his blood the Niger fever,
     Captain Temple, D.S.O.,
          With his banjo and retriever.

     Cox of the Politicals,
          With his cigarette and glasses,
     Skilled in Pushtoo gutturals,
          Odd-job man among the Passes,
     Keeper of the Zakka Khels,
          Tutor of the Khaiber Ghazis,
     Cox of the Politicals,
          With his cigarette and glasses.

     Mr. Hawkins, Junior Sub.,
          Late of Woolwich and Thames Ditton,
     Thinks his battery the hub
          Of the whole wide orb of Britain.
     Half a hero, half a cub,
          Lithe and playful as a kitten,
     Mr. Hawkins, Junior Sub.,
          Late of Woolwich and Thames Ditton.

     Eighty Tommies, big and small,
          Grumbling hard as is their habit.
     "Say, mate, what's a Bunerwal?"
          "Sometime like a bloomin' rabbit."
     "Got to hoof it to Chitral!"
          "Blarst ye, did ye think to cab it!"
     Eighty Tommies, big and small,
          Grumbling hard as is their habit.

     Swarthy Goorkhas, short and stout,
          Merry children, laughing, crowing,
     Don't know what it's all about,
          Don't know any use in knowing;
     Only know they mean to go
          Where the Sirdar thinks of going.
     Little Goorkhas, brown and stout,
          Merry children, laughing, crowing.

     Funjaub Rifles, fit and trim,
          Curly whiskered sons of battle,
     Very dignified and prim
          Till they hear the Jezails rattle;
     Cattle thieves of yesterday,
          Now the wardens of the cattle,
     Fighting Brahmins of Lahore,
          Curly whiskered sons of battle.

     Up the winding mountain path
          See the long-drawn column go;
     Himalayan aftermath
          Lying rosy on the snow.
     Motley ministers of wrath
          Building better than they know,
     In the rosy aftermath
          Trailing upward to the snow.





THE GROOM'S ENCORE

(Being a Sequel to "The Groom's Story" in "Songs of Action")
     Not tired of 'earin' stories! You're a nailer,
             so you are!
     I thought I should 'ave choked you off with
             that 'ere motor-car.
     Well, mister, 'ere's another; and, mind you,
             it's a fact,
     Though you'll think perhaps I copped it
             out o' some blue ribbon tract.

     It was in the days when farmer men were
             jolly-faced and stout,
     For all the cash was comin' in and little
             goin' out,
     But now, you see, the farmer men are
             'ungry-faced and thin,
     For all the cash is goin' out and little
             comin' in.

     But in the days I'm speakin' of, before
             the drop in wheat,
     The life them farmers led was such as
             couldn't well be beat;
     They went the pace amazin', they 'unted
             and they shot,
     And this 'ere Jeremiah Brown the liveliest
             of the lot.

     'E was a fine young fellar; the best roun'
             'ere by far,
     But just a bit full-blooded, as fine young
             fellars are;
     Which I know they didn't ought to, an' it's
             very wrong of course,
     But the colt wot never capers makes a
             mighty useless 'orse.

     The lad was never vicious, but 'e made the
             money go,
     For 'e was ready with 'is "yes," and back-
             ward with 'is "no."
     And so 'e turned to drink which is the
             avenoo to 'ell,
     An' 'ow 'e came to stop 'imself is wot' I
             'ave to tell.

     Four days on end 'e never knew 'ow 'e 'ad
             got to bed,
     Until one mornin' fifty clocks was tickin'
             in 'is 'ead,
     And on the same the doctor came, "You're
             very near D.T.,
     If you don't stop yourself, young chap,
             you'll pay the price," said 'e.

     "It takes the form of visions, as I fear
             you'll quickly know;
     Perhaps a string o' monkeys, all a-sittin' in
             a row,
     Perhaps it's frogs or beetles, perhaps it's
             rats or mice,
     There  are  many  sorts   of visions and
             there's none of 'em is nice."

     But Brown 'e started laughin': "No
             doctor's muck," says 'e,
     "A take-'em-break-'em gallop is the only
             cure for me!
     They 'unt to-day down 'Orsham way.
             Bring round the sorrel mare,
     If them monkeys come inquirin' you can
             send 'em on down there."

     Well, Jeremiah rode to 'ounds, exactly as
             'e said.
     But all the time the doctor's words were
             ringin' in 'is 'ead —
     "If you don't stop yourself, young chap,
             you've got to pay the price,
     There are many sorts of visions, but none
             of 'em is nice."

     They found that day at Leonards Lee and
             ran to Shipley Wood,
     'Ell-for-leather all  the way, with scent
             and weather good.
     Never a check to 'Orton Beck and on
             across the Weald,
     And all the way the Sussex clay was weed-
             in' out the field.

     There's not a man among them could
             remember such a run,
     Straight as a rule to Bramber Pool and on
             by Annington,
     They followed   still  past  Breeding   'ill
             and on by Steyning Town,
     Until they'd cleared the 'edges and were
             out upon the Down.

     Full thirty mile from Plimmers Style,
             without a check or fault,
     Full thirty mile the 'ounds 'ad run and
             never called a 'alt.
     One by one the Field was done until at
             Finden Down,
     There was no one with the 'untsman save
             young Jeremiah Brown.

     And then the 'untsman 'e was beat. 'Is
             'orse 'ad tripped and fell.
     "By George," said Brown, "I'll go alone,
             and follow it to — well,
     The place that it belongs to."   And as 'e
             made the vow,
     There broke from right in front of 'im
             the queerest kind of row.

     There lay a copse of 'azels on the border
             of the track,
     And into this two 'ounds 'ad run — them
             two was all the pack —
     And now from these 'ere 'azels there came
             a fearsome 'owl,
     With a yappin' and a snappin' and a
             wicked  snarlin' growl.

     Jeremiah's blood ran cold — a frightened
             man was 'e,
     But he butted through the bushes just
             to see what 'e could see,
     And there beneath their shadow, blood
             drippin' from his jaws,
     Was an awful creature standin' with  a
             'ound beneath its paws.

     A fox?   Five  foxes  rolled  in  one — a
             pony's weight and size,
     A rampin', ragin' devil, all  fangs and
             'air and eyes;
     Too scared to speak, with shriek on shriek,
             Brown galloped from the sight
     With just one thought within 'is mind —
             "The doctor told me right."

     That evenin' late the minister was seated
             in his study,
     When in there rushed a 'untin' man, all
             travel-stained and muddy,
     "Give me the Testament!" he cried, "And
             'ear my sacred vow,
     That not one drop of drink shall ever pass
             my lips from now."

     'E swore it and 'e kept it and 'e keeps it to
             this day,
     'E 'as turned from gin to ginger and says 'e
             finds it pay,
     You can search the whole o' Sussex from
             'ere to Brighton Town,
     And you wouldn't find a better man than
             Jeremiah Brown.

     And the vision — it was just a wolf, a big
             Siberian,
     A great, fierce, 'ungry devil from a show-
             man's caravan,
     But it saved 'im from perdition — and I
             don't mind if I do,
     I 'aven't seen no wolf myself — so 'ere's
             my best to you!





THE BAY HORSE

     Squire wants the bay horse,
          For it is the best.
     Squire holds the mortgage;
          Where's the interest?
     Haven't got the interest,
          Can't raise a sou;
     Shan't sell the bay horse,
          Whatever he may do.

     Did you see the bay horse?
          Such a one to go!
     He took a bit of ridin',
          When I showed him at the Show.
     First prize the broad jump,
          First prize the high;
     Gold medal, Class A,
          You'll see it by-and-by.

     I bred the bay horse
          On the Withy Farm.
     I broke the bay horse,
          He broke my arm.
     Don't blame the bay horse,
          Blame the brittle bone,
     I bred him and I've fed him,
          And he's all my very own.

     Just watch the bay horse
          Chock full of sense!
     Ain't he just beautiful,
          Risin' to a fence!
     Just hear the bay horse
          Whinin' in his stall,
     Purrin' like a pussy cat
          When he hears me call.

     But if Squire's lawyer
          Serves me with his writ,
     I'll take the bay horse
          To Marley gravel pit.
     Over the quarry edge,
          I'll sit him tight,
     If he wants the brown hide,
          He's welcome to the white!





THE OUTCASTS

     Three women stood by the river's flood
          In the gas-lamp's murky light,
     A devil watched them on the left,
          And an angel on the right.

     The clouds of lead flowed overhead;
          The leaden stream below;
     They marvelled much, that outcast three,
          Why Fate should use them so.

     Said one: "I have a mother dear,
          Who lieth ill abed,
     And by my sin the wage I win
          From which she hath her bread."

     Said one: "I am an outcast's child,
          And such I came on earth.
     If me ye blame, for this my shame,
          Whom blame ye for my birth?"

     The third she sank a sin-blotched face,
          And prayed that she might rest,
     In the weary flow of the stream below,
          As on her mother's breast.

     Now past there came a godly man,
          Of goodly stock and blood,
     And as he passed one frown he cast
          At that sad sisterhood.

     Sorely it grieved that godly man,
          To see so foul a sight,
     He turned his face, and strode apace,
          And left them to the night.

     But the angel drew her sisters three,
          Within her pinions' span,
     And the crouching devil slunk away
          To join the godly man.





THE END

     "Tell me what to get and I will get
             it."
          "Then get that picture — that — the
             girl in white."
     "Now tell me where you wish that I should
             set it."
          "Lean it where I can see it — in the
             light."

     "If there is more, sir, you have but to say
             it."
          "Then bring   those  letters — those
             which lie apart."
     "Here is the packet! Tell me where to
            lay it."
          "Stoop over, nurse, and lay it on
            my heart."

     "Thanks for  your  silence,  nurse! You
            understand me!
          And
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